LEADER 01526nam0-2200481---450- 001 990000121920403321 005 20081017141542.0 010 $a88-02-02556-8$bvol. 1 010 $a88-02-04668-9$bvol. 2, tomo 1 010 $a88-02-04695-6$bvol. 2, tomo 2 010 $a88-02-04109-1$bvol. 3 035 $a000012192 035 $aFED01000012192 035 $a(Aleph)000012192FED01 035 $a000012192 100 $a20020821g19791992km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aMacchine a fluido$fOreste Acton, Carmelo Caputo, Alberto Beccari 210 $aTorino$cUTET$d1979-1992 215 $a4 v.$d25 cm 327 1 $a1.: Introduzione allo studio delle macchine$a2, tomo 1: Impianti motori$a2, tomo 2: Compressori ed espansori volumetrici$a3.: Motori termici volumetrici 610 0 $aMacchine a fluido 676 $a621.4 700 1$aActon,$bOreste$07907 701 1$aCaputo,$bCarmelo$07909 701 1$aBeccari,$bAlberto$07908 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000121920403321 952 $a13 L 75 02$b7671$fFINBC 952 $a13 40 06$b12638$fFINBC 952 $a13 C 36 25$b12744$fFINBC 952 $a13 40 02$b8227$fFINBC 952 $a13 C 36 22$b8226$fFINBC 952 $a13 C 36 23$b8223$fFINBC 952 $a13 L 75 03$b8222$fFINBC 952 $a13 C 36 24$b8346$fFINBC 952 $a13 L 75 04$b8347$fFINBC 959 $aFINBC 996 $aMacchine a fluido$9114151 997 $aUNINA LEADER 03889nam 2200733 450 001 9910465283803321 005 20200520144314.0 010 $a0-8047-9962-8 024 7 $a10.1515/9780804799621 035 $a(CKB)3710000000731305 035 $a(SSID)ssj0001681421 035 $a(PQKBManifestationID)16507034 035 $a(PQKBTitleCode)TC0001681421 035 $a(PQKBWorkID)15036723 035 $a(PQKB)10179926 035 $a(PQKBManifestationID)16507834 035 $a(PQKB)20873812 035 $a(MiAaPQ)EBC4558537 035 $a(DE-B1597)563633 035 $a(DE-B1597)9780804799621 035 $a(Au-PeEL)EBL4558537 035 $a(CaPaEBR)ebr11224372 035 $a(OCoLC)952247938 035 $a(OCoLC)1198930064 035 $a(EXLCZ)993710000000731305 100 $a20160726h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe marriage plot $eor how Jews fell in love with love, and literature / Naomi Seidman. /$fNaomi Seidman 210 1$aStanford, California :$cStanford University Press,$d2016. 210 4$dİ2016 215 $a1 online resource (368 pages) 225 1 $aStanford Studies in Jewish History and Culture 300 $aIncludes index. 311 0 $a0-8047-9967-9 311 0 $a0-8047-9843-5 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction: Plotting Jewish Marriage --$t1. A Sentimental Education --$t2. Matchmaking and Modernity --$t3. Pride and Pedigree --$t4. The Choreography of Courtship --$t5. In-Laws and Outlaws --$t6. Sex and Segregation --$tAfterword: After Marriage --$tNotes --$tIndex --$tSTANFORD STUDIES IN JEWISH HISTORY AND CULTURE 330 $aFor nineteenth-century Eastern European Jews, modernization entailed the abandonment of arranged marriage in favor of the "love match." Romantic novels taught Jewish readers the rules of romance and the choreography of courtship. But because these new conceptions of romance were rooted in the Christian and chivalric traditions, the Jewish embrace of "the love religion" was always partial. In The Marriage Plot, Naomi Seidman considers the evolution of Jewish love and marriage though the literature that provided Jews with a sentimental education, highlighting a persistent ambivalence in the Jewish adoption of European romantic ideologies. Nineteenth-century Hebrew and Yiddish literature tempered romantic love with the claims of family and community, and treated the rules of gender complementarity as comedic fodder. Twentieth-century Jewish writers turned back to tradition, finding pleasures in matchmaking, intergenerational ties, and sexual segregation. 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