LEADER 01006nam0-22003251i-450- 001 990000066890403321 005 20080229131724.0 035 $a000006689 035 $aFED01000006689 035 $a(Aleph)000006689FED01 035 $a000006689 100 $a20020821d1925----km-y0itay50------ba 101 0 $afre 105 $aa---a---001yy 200 1 $aProblémes d'électrotechnique avec solutions dévelopées et applications numériques$fpar A. Curchod$gpréface de A. Mauduit 210 $aParis$cìA. Blanchardì$d1925 215 $aXIII, 591 p.$cill.$d24 cm 610 0 $aElettrotecnica 676 $a621.3 700 1$aCurchod,$bAdrien$0554 702 1$aMauduit,$bA. 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000066890403321 952 $a13 L 13 11$b5812$fFINBC 952 $a223-G-8$b2365$fMA1 959 $aFINBC 959 $aMA1 996 $aProblémes d'électrotechnique avec solutions dévelopées et applications numériques$9111115 997 $aUNINA LEADER 02766nam 2200553 a 450 001 9910452884803321 005 20200520144314.0 010 $a1-61147-045-5 035 $a(CKB)2550000001113602 035 $a(EBL)1365254 035 $a(OCoLC)857365447 035 $a(MiAaPQ)EBC1365254 035 $a(PPN)23228007X 035 $a(Au-PeEL)EBL1365254 035 $a(CaPaEBR)ebr10753511 035 $a(CaONFJC)MIL513458 035 $a(EXLCZ)992550000001113602 100 $a20130911d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 200 10$aCruelty and desire in the modern theater$b[electronic resource]$eAntonin Artaud, Sarah Kane, and Samuel Beckett /$fLaurens De Vos 210 $aLanham, Md. $cFairleigh Dickinson University Press ;$aPlymouth, England $cCo-published with Rowman & Littlefield Pub. Group$dc2011 215 $a1 online resource (257 p.) 300 $aDescription based upon print version of record. 311 $a1-61147-044-7 311 $a1-299-82207-X 320 $aIncludes bibliographical references and index. 327 $aCRUELTY AND DESIRE IN THE MODERN THEATER; Contents; Acknowledgments; A Note on Translation; Introduction; 1. The Inner World of Antonin Artaud; 2. Madly in Love: Sarah Kane; 3. Neither the Voice, Nor the Void: Samuel Beckett; Epilogue: Toward a Corporeal Theater; Notes; References; Index 330 $aDeparting from a refreshing look at the ideas of Antonin Artaud, this book provides a thorough analysis of how both Sarah Kane and Samuel Beckett are indebted to his legacy. In juxtaposing these playwrights, De Vos minutely points out how both in their own way struggle with coming to terms with Artaud. A key concept in Lacanian psychoanalytic theories, desire lies at the root of the Theatre of Cruelty; Kane and Beckett prove that desire and cruelty are inextricably linked to one another, but that they appear in radically different disguises. Relying on Kane and Beckett, this book not only shed 606 $aEnglish drama$y20th century$xHistory and criticism 606 $aEnglish drama$xFrench influences 606 $aCruelty in literature 606 $aPsychoanalysis and literature 606 $aDesire in literature 608 $aElectronic books. 615 0$aEnglish drama$xHistory and criticism. 615 0$aEnglish drama$xFrench influences. 615 0$aCruelty in literature. 615 0$aPsychoanalysis and literature. 615 0$aDesire in literature. 676 $a822/.9109353 700 $aDe Vos$b Laurens$f1978-$0881163 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910452884803321 996 $aCruelty and desire in the modern theater$91967938 997 $aUNINA LEADER 00800nam0-22002531i-450 001 990002710550403321 005 20230505125343.0 035 $a000271055 035 $aFED01000271055 035 $a(Aleph)000271055FED01 035 $a000271055 100 $a20000920d1939----km-y0itay50------ba 101 0 $afre 200 1 $a<>politique des prix imposes$ele fonde de commerce et l'article de Marque$eétude économique et juridique$fMaurice Hoornaert$gpréface de M. Ripert 210 $aBruxelles$cMaison Ferdinand Larcier$d1939 700 1$aHoornaert,$bMaurice$0111129 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990002710550403321 952 $a4-4-29$bITA 198$fECA 959 $aECA 996 $aPolitique des prix imposes$93160734 997 $aUNINA DB $aING01