LEADER 01404nam2 22003253i 450 001 UBO2698837 005 20231121125859.0 100 $a20110620d2002 ||||0itac50 ba 101 | $aita$alat 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 0 $a1$fGiovanni Pascoli 210 $aMilano$cMondadori$d2002 215 $a1525 p., 12 p. di tav.$cill.$d18 cm. 461 1$1001LO10716657$12001 $aPoesie e prose scelte$fGiovanni Pascoli$gprogetto editoriale, introduzioni e commento di Cesare Garboli$v1 700 1$aPascoli$b, Giovanni$3CFIV000937$4070$0152621 790 1$aPascoli$b, Ioannis$3SBNV054582$zPascoli, Giovanni 801 3$aIT$bIT-01$c20110620 850 $aIT-RM028 $aIT-RM0289 $aIT-RM0290 $aIT-FR0084 $aIT-FR0017 899 $aBiblioteca Universitaria Alessandrina$bRM028 899 $aBiblioteca Statale A. Baldini$bRM0289 899 $aBIBLIOTECA ANGELICA$bRM0290 899 $aBiblioteca Del Monumento Nazionale Di Montecassino$bFR0084 899 $aBiblioteca umanistica Giorgio Aprea$bFR0017 $eN 912 $aUBO2698837 950 2$aBiblioteca umanistica Giorgio Aprea$d 52MAG 5 Coll C 215.1*$e 52FLS0000254045 VMN RS $fA $h20150513$i20150513 977 $a 01$a 04$a 06$a 25$a 52 996 $a1$93640591 997 $aUNICAS LEADER 03306nam 2200433 450 001 9910795391403321 005 20211105154121.0 010 $a0-8143-4579-4 035 $a(CKB)4940000000153577 035 $a(MiAaPQ)EBC5989131 035 $a(EXLCZ)994940000000153577 100 $a20200225d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe twilight zone /$fBarry Keith Grant 210 1$aDetroit :$cWayne State University Press,$d[2020] 210 4$dİ2020 215 $a1 online resource (132 pages) 225 1 $aTv milestones series 311 $a0-8143-4578-6 327 $aZoning in -- "Once upon a time" : The twilight zone and genre -- "The prime mover" : The twilight zone and authorship -- "What's in the box" : The twilight zone and the real world -- Zoning out. 330 $aCBS's The twilight zone (1959-1964) remains a benchmark of serious telefantasy and one of the most iconic series in the history of American television. Barry Keith Grant carefully situates The twilight zone within the history of broadcast television and American culture, both of which were changing dramatically during the five seasons the series originally aired. At the same time, the genres of science fiction, horror, and fantasy were moving from marginal to mainstream, a cultural shift that The twilight zone was both part of and largely responsible for. Grant begins by considering The twilight zone's use of genre conventions and iconography to craft its pithy parables. The show shared visual shorthand that addressed both older audiences familiar with Hollywood movies but unfamiliar with fantasy and science fiction as well as younger audiences more attuned to these genres. Rod Serling looms large in the book as the main creative force of The twilight zone, and Grant explains how he provided the show's artistic vision and its place within the various traditions of the fantastic. Tracing motifs and themes in numerous episodes, Grant demonstrates how The twilight zone functioned as an ideal example of collective authorship that powerfully expressed both timeless terrors and the anxieties of the age, such as the Cold War, in thought-provoking fantasy. Grant argues that the imaginary worlds offered by the show ultimately endorse the Americanism it simultaneously critiques. The striking blending of the fantastic and the familiar that Grant identifies in The twilight zone reflected Serling's goal of offering serious stories in a genre that had previously been targeted only to juvenile television audiences. Longtime fans of the show and new viewers of Jordan Peele's 2019 reboot alike will enjoy this deep dive into the original series' history, style, and significance. 410 0$aContemporary approaches to film and television series. TV milestones. 606 $aTelevision plays, American 606 $aTelevision authorship 615 0$aTelevision plays, American. 615 0$aTelevision authorship. 676 $a808.225 700 $aGrant$b Barry Keith$0846037 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910795391403321 996 $aThe twilight zone$93818971 997 $aUNINA