LEADER 01442nam0 2200361 i 450 001 UBO0319232 005 20231121125853.0 010 $a8824505589 020 $aIT$b99-8018 100 $a20030128d1999 ||||0itac50 ba 101 | $aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $a˜L'œetica cattolica e lo spirito del capitalismo$fMichael Novak 210 $aTorino$cEdizioni di Comunità$d\1999! 215 $aXV, 313 p.$d21 cm 225 | $aTerritori di Comunità$v4 300 $aTrad. di Marco Lunari. 410 0$1001FER0168838$12001 $aTerritori di Comunità$v4 500 10$a˜The œcatholic ethic and the spirit of capitalism. -$3TO00325667$9CFIV072932$930255 606 $aCattolicesimo e capitalismo$2FIR$3RMLC101603$9I 676 $a261.85$9$v21 700 1$aNovak$b, Michael$3CFIV072932$4070$0105259 801 3$aIT$bIT-01$c20030128 850 $aIT-FR0084 $aIT-FR0017 899 $aBiblioteca Del Monumento Nazionale Di Montecassino$bFR0084 899 $aBiblioteca umanistica Giorgio Aprea$bFR0017 912 $aUBO0319232 950 0$aBiblioteca umanistica Giorgio Aprea$d 52CIS 10/1596$e 52VM 0000166125 VM barcode:00044862. - Inventario:21265 FLSVM$fA $h20020417$i20121204 977 $a 25$a 52 996 $aCatholic ethic and the spirit of capitalism$930255 997 $aUNICAS LEADER 03678nam 2200769Ia 450 001 9910792231903321 005 20200520144314.0 010 $a0-19-802437-1 010 $a9786610526796 010 $a1-4294-0641-0 010 $a1-280-52679-3 010 $a1-280-53503-2 010 $a9786610535033 010 $a0-19-510975-9 024 7 $a2027/heb06332 035 $a(CKB)2560000000296412 035 $a(EBL)273151 035 $a(OCoLC)466431378 035 $a(SSID)ssj0000225316 035 $a(PQKBManifestationID)12044709 035 $a(PQKBTitleCode)TC0000225316 035 $a(PQKBWorkID)10230154 035 $a(PQKB)10480278 035 $a(SSID)ssj0000306597 035 $a(PQKBManifestationID)11226550 035 $a(PQKBTitleCode)TC0000306597 035 $a(PQKBWorkID)10298175 035 $a(PQKB)11499200 035 $a(StDuBDS)EDZ0000034515 035 $a(MiAaPQ)EBC273151 035 $a(MiAaPQ)EBC5121561 035 $a(Au-PeEL)EBL273151 035 $a(CaPaEBR)ebr10278036 035 $a(CaONFJC)MIL52679 035 $a(dli)HEB06332 035 $a(MiU)MIU01000000000000012846707 035 $a(EXLCZ)992560000000296412 100 $a19940103d1995 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe power of Black music$b[electronic resource] $einterpreting its history from Africa to the United States /$fSamuel A. Floyd, Jr 210 $aNew York $cOxford University Press$dc1995 215 $a1 online resource (421 p.) 300 $aDescription based upon print version of record. 311 $a0-19-508235-4 311 $a0-19-985324-X 320 $aIncludes bibliographical references (p. 279-295), discography (p. 297-304), filmography (p. 305), and index. 327 $aCover Page; Title Page; Copyright Page; Dedication; Contents; Introduction; 1: African Music, Religion, and Narrative; 2: Transformations; 3: Syncretization and Synthesis: Folk and Written Traditions; 4: African-American Modernism, Signifyin(g), and Black Music; 5: The Negro Renaissance: Harlem and Chicago Flowerings; 6: Transitions: Function and Difference in Myth and Ritual; 7: Continuity and Discontinuity: The Fifties; 8: The Sixties and After; 9: Troping the Blues: From Spirituals to the Concert Hall; 10: The Object of Call-Response: The Signifyin(g) Symbol 327 $a11: Implications and ConclusionsAppendix; Printed Works Cited; Sound Recordings Cited; Films and Videotapes Cited; Index; Footnotes 330 $aWhen Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of ""The Star Spangled Banner,"" he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues traditionbefore him. But in its unforgettable introduction, followed by his unaccompanied ""talking"" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a traditionrooted in 606 $aAfrican Americans$xMusic$xHistory and criticism 606 $aMusic$zUnited States$xHistory and criticism 615 0$aAfrican Americans$xMusic$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 676 $a780.8996073 676 $a781.6296073 700 $aFloyd$b Samuel A$0628646 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910792231903321 996 $aThe power of Black music$92117901 997 $aUNINA