LEADER 01248nam0 22003251i 450 001 TSA0010395 005 20231121125847.0 010 $a8879860070 100 $a20150331d1992 ||||0itac50 ba 101 | $aeng$aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $aS. Pietro at Otranto$eByzantine art in South Italy$fLinda Safran 210 $aRoma$cRari nantes$dstampa 1992 215 $a440 p., 78 p. di tav.$d24 cm. 225 | $aCollana di studi di storia dell'arte$v7 410 0$1001CFI0000500$12001 $aCollana di studi di storia dell'arte$v7 451 0$1001RML0079382$12001 $aSan Pietro at Otranto$ebyzantine art in south Italy$fLinda Safran 606 $aARTE BIZANTINA$xItalia meridionale$2FIR$3NAPC022033$9I 676 $a709.0214$9ARTE BIZANTINA$v22 700 1$aSafran$b, Linda$3TSAV005620$4070$0479982 801 3$aIT$bIT-01$c20150331 850 $aIT-FR0017 899 $aBiblioteca umanistica Giorgio Aprea$bFR0017 $eN 912 $aTSA0010395 950 0$aBiblioteca umanistica Giorgio Aprea$d 52SALA BRAGAS.A. 105$e 52ATE0000018675 VMB RS $fA $h20150331$i20150331 977 $a 52 996 $aS. Pietro at Otranto$93638975 997 $aUNICAS LEADER 03637nam 2200661Ia 450 001 9910450074503321 005 20200520144314.0 010 $a0-520-93571-3 010 $a1-282-35946-0 010 $a9786612359460 010 $a1-59734-642-X 024 7 $a10.1525/9780520935716 035 $a(CKB)1000000000003478 035 $a(EBL)223175 035 $a(OCoLC)475927209 035 $a(SSID)ssj0000165659 035 $a(PQKBManifestationID)11177686 035 $a(PQKBTitleCode)TC0000165659 035 $a(PQKBWorkID)10142364 035 $a(PQKB)11056801 035 $a(MiAaPQ)EBC223175 035 $a(OCoLC)55848173 035 $a(MdBmJHUP)muse30538 035 $a(DE-B1597)520171 035 $a(DE-B1597)9780520935716 035 $a(Au-PeEL)EBL223175 035 $a(CaPaEBR)ebr10058547 035 $a(CaONFJC)MIL235946 035 $a(EXLCZ)991000000000003478 100 $a20010726d2002 ub 0 101 0 $aeng 135 $aurnn#---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aGreen thoughts, green shades $eessays by contemporary poets on the early modern lyric /$fedited by Jonathan F.S. Post 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$dc2002 215 $a1 online resource (316 p.) 300 $aDescription based upon print version of record. 311 0 $a0-520-21455-2 311 0 $a0-520-22752-2 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction: Green Thoughts, Green Shades --$tOne. The Face of the Sonnet. Wyatt and Some Early Features of the Tradition --$tTwo. Sidney and the Sestina --$tThree. Naked Numbers. A Curve from Wyatt to Rochester --$tFour. Ben Jonson and the Loathèd Word --$tFive. Donne's Sovereignty --$tSix. Anomaly, Conundrum, Thy-Will-Be-Done. On the Poetry of George Herbert --$tSeven. Milton in the Modern. The Invention of Personality --$tEight. Finding Anne Bradstreet --$tNine. Unordinary Passions. Margaret Cavendish, the Duchess of Newcastle --$tTen. "How coy a Figure". Marvelry --$tEleven. Saint John the Rake. Rochester's Poetry --$tTwelve. Edward Taylor. What Was He Up To? --$tList of Contributors --$tIndex 330 $aGreen Thoughts, Green Shades is a strikingly original book, the first and only of its kind. Edited and introduced by noted seventeenth-century scholar Jonathan Post, it enlists the analytic and verbal power of some of today's most celebrated poets to illuminate from the inside out a number of the greatest lyric poets writing in English during the sixteenth and seventeenth century. Written by people who spend much of their time thinking in verse and about verse, these original essays herald the return of the early modern lyric as crucial to understanding the present moment of poetry in the United States. This work provides fascinating insights into what today's poets find of special interest in their forebears. In addition, these discussions shed light on the contributors' own poetry and offer compelling clues to how the poetry of the past continues to inform that of the present. 606 $aEnglish poetry$yEarly modern, 1500-1700$xHistory and criticism 606 $aEnglish literature 615 0$aEnglish poetry$xHistory and criticism. 615 0$aEnglish literature. 676 $a821/.040903 701 $aPost$b Jonathan F. S.$f1947-$0886915 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910450074503321 996 $aGreen thoughts, green shades$92461769 997 $aUNINA