LEADER 03499nam 2200553 450 001 9910585958603321 005 20220823231248.0 010 $a1-108-99867-4 010 $a1-108-99887-9 010 $a1-108-99279-X 035 $a(CKB)4100000012665049 035 $a(UkCbUP)CR9781108992794 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/90969 035 $a(EXLCZ)994100000012665049 100 $a20201001d2022|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aVisual culture and Arctic voyages $epersonal and public art and literature of the Franklin search expeditions /$fEavan O'Dochartaigh$b[electronic resource] 210 $cCambridge University Press$d2022 210 1$aCambridge :$cCambridge University Press,$d2022. 215 $a1 online resource (xv, 268 pages) $cdigital, PDF file(s) 225 1 $aCambridge studies in nineteenth-century literature and culture ;$v136 300 $aTitle from publisher's bibliographic system (viewed on 04 Mar 2022). 300 $aOpen Access. 311 $a1-108-83433-7 327 $aIntroduction : witnessing the Arctic -- "On the spot :" scientific and personal visual records (1848-1854) -- "Breathing time :" on-board production of illustrated periodicals (1850-1854) -- "These dread shores :" visualizing the Arctic for readers (1850-1860) -- "Never to be Forgotten :" presenting the Arctic panorama (1850) -- "Power and truth :" the authority of lithography (1850-1855) -- Conclusion : resonances. 330 $aIn the mid-nineteenth century, thirty-six expeditions set out for the Northwest Passage in search of Sir John Franklin's missing expedition. The array of visual and textual material produced on these voyages was to have a profound impact on the idea of the Arctic in the Victorian imaginary. Eavan O'Dochartaigh closely examines neglected archival sources to show how pictures created in the Arctic fed into a metropolitan view transmitted through engravings, lithographs, and panoramas. Although the metropolitan Arctic revolved around a fulcrum of heroism, terror and the sublime, the visual culture of the ship reveals a more complicated narrative that included cross-dressing, theatricals, dressmaking, and dances with local communities. O'Dochartaigh's investigation into the nature of the on-board visual culture of the nineteenth-century Arctic presents a compelling challenge to the 'man-versus-nature' trope that still reverberates in polar imaginaries today. 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