LEADER 01044nam0-22003491i-450- 001 990003971820403321 005 20031010104029.0 010 $a0-226-98152-5 035 $a000397182 035 $aFED01000397182 035 $a(Aleph)000397182FED01 035 $a000397182 100 $a20031009d2003----km-y0itay50------ba 101 0 $aeng 102 $aUS 105 $a--------001cy 200 1 $aTime maps$ecollective memory and the social shape of the past$fEviatar Zerubavel 210 $aChicago$aLondon$c<> University of Chicago Press$dİ2003 215 $axii, 180 p.$cfig.$d24 cm 300 $aContiene bibl. (pp. 143-164) e indici degli autori e dei soggetti 610 0 $aTempo$aAspetti sociali 610 0 $aStoria$aFilosofia 676 $a304.23$v21$zita 676 $a901$v21$zita 700 1$aZerubavel,$bEviatar$0143347 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003971820403321 952 $a304.23 ZER 3$b2049$fBFS 959 $aBFS 996 $aTime maps$924046 997 $aUNINA LEADER 04837nam 2200553 450 001 9910512010103321 005 20201023111955.0 010 $a1-4742-8713-1 010 $a1-4742-8711-5 024 7 $a10.5040/9781474287135 035 $a(CKB)3790000000545492 035 $a(MiAaPQ)EBC5047895 035 $a(OCoLC)1201426485 035 $a(CaBNVSL)mat74287135 035 $a(CaBNVSL)9781474287135 035 $a(EXLCZ)993790000000545492 100 $a20201023d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aFashion curating $ecritical practice in the museum and beyond /$fedited by Annamari Va?nska? and Hazel Clark 210 1$aLondon, England :$cBloomsbury Academic, an imprint of Bloomsbury Publishing Plc,$d2020. 210 2$aLondon, England :$cBloomsbury Publishing,$d2020 215 $a1 online resource (281 pages, 24 numbered pages of plates) $cillustrations, photographs 311 $a1-350-10562-7 311 $a1-4742-8709-3 320 $aIncludes bibliographical references and index. 327 $aIntroduction : Fashion curating in the museum and beyond / Hazel Clark and Annamari Va?nska? -- Section I. Inside the museum : Confronting fashion's death drive: conservation, ghost labor, and the material turn within fashion curation / Sarah Scaturro -- Permanence and impermanence: curating western textiles and fashion at the Royal Ontario Museum / Alexandra Palmer -- Unfamiliar places, local voices: four emerging curatorial narratives in Australia (2010-2016) / Robyn Healy -- Fashion curation at MoMu: digital challenges / Kaat Debo -- Section II. The independents : Props and other attributes: fashion and exhibition-making / Judith Clark -- Staging fashion in Somerset House, London / Alistair O'Neill -- Boutique: where art and fashion meet: curating as collaboration and cultural critique / Annamari Va?nska? -- From lesbian and gay to queer: challenging the hegemony in collecting and exhibiting LGBT fashion and dress / Shaun Cole -- Intervening fashion: a case for feminist approaches to fashion curation / Nathalie Khan -- Section III. Beyond the museum : Fashion museums and fashion exhibitions in Italy: new perspectives in Italian fashion studies / Simona Segre Reinach -- Beyond garments: reorienting the practice and discourse of fashion curating / Marco Pecorari -- Fashion curates art: Takashi Murakami for Louis Vuitton / Peter Bengtsen -- Artification and authenticity: museum exhibtions of luxury fashion brands in China / Yuli Bai. 330 $a"As the practice of fashion curation extends into commercial galleries, public and retail spaces, and even to the individual self, professional concepts of 'curating' are undergoing rapid change. Today, everyone is seemingly able to 'curate', but where does this leave the traditional understanding of curation as clothing collected and displayed in a museum? This thought-provoking volume explores the practice of fashion curating in the 21st century, bridging the gap between methods of display and notions of 'the curatorial' in fashion exhibitions, commercial settings, and the virtual world. From fashion's earliest forays into the museum to creative collaborations between luxury fashion brands and artists, this book challenges understandings of fashion curation by drawing on the palpably new spaces, places, and actors in today's curating scene. Exploring poetic and performative museum displays in venues such as the V & A, Somerset House, MoMu and the Royal Ontario Museum, alongside the ways that brands such as Dior, Chanel and Louis Vuitton have made use of 'the curatorial' in their own commercial strategies, Fashion Curating asks pressing questions about controversial funding and collaboration from the commercial fashion sector, and the limitations of producing exhibitions that are at the same time critical and popular. Bringing together approaches from fashion curators, designers and world-renowned academics, curation is positioned as a critical practice that opens up new ways of conceptualizing and theorizing fashion, challenging how we think and what we already know"--$cProvided by publisher. 606 $aCostume museums 606 $aMuseums$xCuratorship 606 $aFashion design & theory$2bicssc 608 $aElectronic books. 615 0$aCostume museums. 615 0$aMuseums$xCuratorship. 615 7$aFashion design & theory 676 $a792.02/6 686 $aDES005000$aART059000$aDES008000$aART006000$2bisacsh 702 $aVa?nska?$b Annamari 702 $aClark$b Hazel 801 0$bDLC 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910512010103321 996 $aFashion curating$92548718 997 $aUNINA LEADER 01170nam0 22002891i 450 001 RML0308689 005 20231121125750.0 100 $a20121121d1970 ||||0itac50 ba 101 | $aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $aAbruzzo Molise$fTouring club italiano$gIntroduzione di Ettore Paratore 210 $aMilano $cTouring Club Italiano $dİ1970 215 $a252 p.$cill.$d29 cm 225 | $aAttraverso l'Italia$c- Milano $eEd. 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