LEADER 03749nam 2200637 a 450 001 9910462559603321 005 20200520144314.0 010 $a1-280-49709-2 010 $a9786613592323 010 $a94-012-0717-8 024 7 $a10.1163/9789401207171 035 $a(CKB)2670000000187420 035 $a(EBL)3008302 035 $a(SSID)ssj0000647184 035 $a(PQKBManifestationID)11402229 035 $a(PQKBTitleCode)TC0000647184 035 $a(PQKBWorkID)10593294 035 $a(PQKB)10581187 035 $a(MiAaPQ)EBC3008302 035 $a(OCoLC)765141643$z(OCoLC)781789258 035 $a(nllekb)BRILL9789401207171 035 $a(Au-PeEL)EBL3008302 035 $a(CaPaEBR)ebr10533570 035 $a(CaONFJC)MIL359232 035 $a(OCoLC)785782280 035 $a(EXLCZ)992670000000187420 100 $a20120314d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe pleasures of crime$b[electronic resource] $ereading modern French crime fiction /$fDavid Platten 210 $aNew York $cRodopi$d2011 215 $a1 online resource (262 p.) 225 1 $aChiasma ;$v28 300 $aDescription based upon print version of record. 311 $a90-420-3429-7 320 $aIncludes bibliographical references and index. 327 $aPreliminary Material -- Acknowledgements -- Forbidden Fruit -- ?Black? Markets: the Emergence of the Genre in France -- Profusion and Profundity: Simenon and the Paradox of the Crime Novel -- Framing the Noir: The Individual in Society -- The Aesthetics of Commitment -- The Scene of the Crime -- Shades of Noir: Modern and Contemporary French Crime Fiction -- ?Une Nouvelle Nouvelle Classe d?Âge: Youth Culture and the Roman Noir -- Mapping Minds and Figuring Plots: the Novels of Fred Vargas -- Conclusion -- Bibliography -- index. 330 $aFor 150 years the French public and literati have enjoyed a love affair with crime fiction. This book investigates the nature of this relationship and how through periods of dramatic social and political change in France it has flourished. It challenges the conventional view of a popular genre feeding a niche market, depicting crime fiction instead as a field of creative endeavour, which has gradually matured into one of considerable literary fertility. By inviting us to share secrets and crack codes, creating suspense and (at times) not shirking from presenting horrific events in graphic language, the crime story brings into play the intellect and emotions of its readership. This book explores both this intrinsic literary value of the crime novel and its extrinsic witness to historical events and cultural trends, arguing that these apparently distinct aspects are in fact dynamic, interrelated parts of the same whole. This blend of cultural history with literary analysis allows for the discussion of themes such as politics, memory, the urban environment and youth cultures, mixed with case studies of major French crime writers, including Gaston Leroux, Georges Simenon, Jean-Patrick Manchette, Daniel Pennac and Fred Vargas. 410 0$aChiasma ;$v28. 606 $aDetective and mystery stories, French$xHistory and criticism 606 $aCrime in literature$xHistory and criticism 608 $aElectronic books. 615 0$aDetective and mystery stories, French$xHistory and criticism. 615 0$aCrime in literature$xHistory and criticism. 676 $a809/.933556 700 $aPlatten$b David$0886980 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910462559603321 996 $aThe pleasures of crime$91980696 997 $aUNINA LEADER 01739nam0 22004213i 450 001 RAV0021126 005 20231121125624.0 010 $a8842029726 020 $aIT$b89-3811 100 $a20030527d1987 ||||0itac50 ba 101 | $aita$ceng 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $a˜La œsanta anoressia$edigiuno e misticismo dal Medioevo a oggi$fBell$gepilogo di William N. 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