LEADER 01698nam 2200589 450 001 9910481048703321 005 20210209175206.0 010 $a1-77558-755-X 010 $a1-77558-754-1 010 $a1-77558-757-6 035 $a(CKB)3710000000228938 035 $a(EBL)1729750 035 $a(SSID)ssj0001411404 035 $a(PQKBManifestationID)11808370 035 $a(PQKBTitleCode)TC0001411404 035 $a(PQKBWorkID)11401660 035 $a(PQKB)10711081 035 $a(MiAaPQ)EBC1729750 035 $a(MiAaPQ)EBC1780802 035 $a(Au-PeEL)EBL1729750 035 $a(OCoLC)890645519 035 $a(EXLCZ)993710000000228938 100 $a20170301h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aHow to be dead in a year of snakes /$fChris Tse 210 1$aAuckland, New Zealand :$cAuckland University Press,$d2014. 210 4$d©2014 215 $a1 online resource (80 p.) 300 $aIncludes index. 311 $a1-86940-818-7 311 $a1-322-11157-X 327 $aTitle; Imprint; Epigraph; Poems; Cover; Index of titles and first lines; About the author 606 $aNew Zealand poetry$y21st century 606 $aPoetry 606 $aPoets, New Zealand$y21st century 608 $aElectronic books. 615 0$aNew Zealand poetry 615 0$aPoetry. 615 0$aPoets, New Zealand 676 $a821.008/0993 700 $aTse$b Chris$0902932 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910481048703321 996 $aHow to be dead in a year of snakes$92488716 997 $aUNINA LEADER 04813nam 2200697 450 001 9910463713003321 005 20210429014528.0 010 $a3-11-095608-X 024 7 $a10.1515/9783110956085 035 $a(CKB)3390000000062318 035 $a(EBL)3049673 035 $a(OCoLC)913089245 035 $a(SSID)ssj0001457540 035 $a(PQKBManifestationID)11815091 035 $a(PQKBTitleCode)TC0001457540 035 $a(PQKBWorkID)11441224 035 $a(PQKB)10956704 035 $a(MiAaPQ)EBC3049673 035 $a(DE-B1597)47036 035 $a(OCoLC)979786409 035 $a(DE-B1597)9783110956085 035 $a(Au-PeEL)EBL3049673 035 $a(CaPaEBR)ebr11009066 035 $a(CaONFJC)MIL807501 035 $a(EXLCZ)993390000000062318 100 $a20000630d2000 uy| 0 101 0 $aeng 135 $aur|nu---|u||u 181 $ctxt 182 $cc 183 $acr 200 10$aMelancholy pride $enation, race, and gender in the German literature of cultural Zionism /$fMark H. Gelber 205 $aReprint 2014 210 1$aTu?bingen :$cMax Niemeyer,$d2000. 215 $a1 online resource (328 p.) 225 1 $aConditio Judaica,$x0941-5866 ;$v23 300 $aDescription based upon print version of record. 311 $a3-484-65123-7 320 $aIncludes bibliographical references (pages [291]-302) and index. 327 $tFront matter --$tContents --$tPreface and Acknowledgements --$tList of Illustrations --$tIntroduction. The Parameters of German Cultural Zionism: The Possibility of a Jewish-National Literature in German? --$tChapter One. The Jewish Renaissance in Vienna and Berlin: A Literature and Art for the Sake of Zion --$tChapter Two. Satisfaktionsfähigkeit and Jewish Pride: The Literary and Cultural Expressions of Jewish Students and Fraternity Life at the Turn-of-the-Century --$tChapter Three. Börries von Münchhausen and E.M. Lilien: The Genesis of Juda and its Zionist Reception --$tChapter Four. The Rhetoric of Race and Jewish-National Cultural Politics: From Birnbaum and Buber to Brieger's René Richter --$tChapter Five. Feminist-Zionist Expression: Ideology, Rhetoric, and Literature --$tChapter Six. Eroticism and Masochism in Cultural Zionism: Else Lasker-Schiiler and Dolorosa --$tChapter Seven. "Strangers at Thy Gates": Anti-Semitism, Philo-Zionism, and the Role of Non-Jews in Jewish-National Culture275 --$tConclusion. German Cultural Zionism, Jewish Difference, Modern Jewish Cultural Identity and National Creativity --$tSelected Bibliography --$tIndex 330 $aThis study focuses on the emergence of a modern Jewish national literature and culture within the parameters of Zionism in Vienna and Berlin at the turn of the last century. Prominent figures associated with early modern Zionism, including Theodor Herzl, Max Nordau, and Martin Buber, were also writers and literary or cultural icons within the Central European, Germanic-Austrian cultural environment of the fin-de-siècle. More important, Cultural Zionism promoted young Jewish literary and artistic talent as part of its ideology of a modern Jewish Renaissance. A corpus of German-language Jewish-national poetry and literature, as well as mechanisms for its dissemination and reception, developed rapidly. Most of this literary and cultural production has been forgotten or suppressed. Productive, if often unlikely, partnerships between Jewish national poets and artists and Central European cultural figures and movements were forged in this context. Facets of Central European cultural life, which were somewhat oppositional to traditional Jewish culture were received, absorbed, or transformed within Cultural Zionism. For example, the relationship of German racialist thought and German-nationalist fraternity life to early Jewish-national expression is a largely unknown chapter of early Jewish-national cultural history. 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