LEADER 03264nam 22005175 450 001 996463250203316 005 20231005185846.0 010 $a94-6372-376-5 024 7 $a10.1515/9789048554546 035 $a(CKB)5100000000166880 035 $a(DE-B1597)617604 035 $a(DE-B1597)9789048554546 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/75080 035 $a(MiAaPQ)EBC30406556 035 $a(Au-PeEL)EBL30406556 035 $a(OCoLC)1294696235 035 $a(EXLCZ)995100000000166880 100 $a20220306h20222021 fg 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe Perpetuation of Site-Specific Installation Artworks in Museums $eStaging Contemporary Art /$fTatja Scholte 205 $aFirst edition. 210 $cAmsterdam University Press$d2022 210 1$aAmsterdam :$cAmsterdam University Press,$d[2022] 210 4$d©2021 215 $a1 online resource (268 pages) 311 $a90-485-5454-3 327 $tFrontmatter --$tTable of Contents --$tList of Figures and Diagrams --$t1 The Problem of the Perpetuation of Site-Specific Installation Art --$t2 Site-Specific Installation Art in Historical Perspective --$t3 A Conceptual Model for the Analysis of Site-Specific Installations --$t4 Ernesto Neto's Célula Nave --$t5 Jason Rhoades's SLOTO --$t6 Drifting Producers --$t7 Conclusion and Further Discussion --$tAcknowledgements --$tList of Interviews Conducted by the Author --$tAppendix --$tBibliography --$tIndex 330 $aSite-specific installations are created for a specific location and are usually intended as temporary artworks. The Perpetuation of Site-Specific Installation Artworks in Museums. Staging Contemporary Art shows that these artworks consist of more than a singular manifestation and that their lifespan is often extended. This book provides an in-depth account of the paradoxical situation when site-specific installations are being preserved and put on display in a museum context. Tatja Scholte offers a conceptual framework for scholars and professionals in order to better understand the transformative nature of site-specific installation art and to support decision-making in museums as to conserving and presenting these artworks over time. The case studies provide insight into the diversity of artistic production over the last forty years. They explore how site-specific installations gain new meanings and forms in a museum context, and, vice versa, how these artworks become agents for change of professional routines and museum strategies. 606 $aInstallations (Art) 606 $aSite-specific art 610 $aSite-specific installation, museum, conservation, exhibition, spatial theory. 615 0$aInstallations (Art). 615 0$aSite-specific art. 676 $a709.0407 686 $aLH 65829$qDE-14/sred$2rvk 700 $aScholte$b Tatja$f1953-$4aut$4http://id.loc.gov/vocabulary/relators/aut$0864760 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a996463250203316 996 $aThe Perpetuation of Site-Specific Installation Artworks in Museums$93565560 997 $aUNISA LEADER 01091nam0 2200313 i 450 001 RAV0926738 005 20231121125645.0 010 $a8804508175 100 $a20160219d2002 ||||0itac50 ba 101 | $aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $a˜I œfratelli Cuccoli$fAldo Palazzeschi$ga cura di Jole Soldateschi 210 $aMilano$cOscar Mondadori$d2002 215 $aLXXIV, 428 p.$d19 cm. 225 | $aOscar narrativa$v1804 410 0$1001CFI0167118$12001 $aOscar narrativa$v1804 700 1$aPalazzeschi$b, Aldo$3CFIV010556$4070$0165101 702 1$aSoldateschi$b, Jole$3CFIV025122 790 1$aGiurlani$b, Aldo$3CFIV010558$zPalazzeschi, Aldo 801 3$aIT$bIT-01$c20160219 850 $aIT-FR0017 899 $aBiblioteca umanistica Giorgio Aprea$bFR0017 $eN 912 $aRAV0926738 950 0$aBiblioteca umanistica Giorgio Aprea$d 52MAG 1/2124$e 52FLS0000291765 VMB RS $fA $h20181114$i20181114 977 $a 52 996 $aFratelli Cuccoli$9139191 997 $aUNICAS