LEADER 01320nam 2200361 450 001 9910725005503321 005 20230625212720.0 035 $a(CKB)5470000002601731 035 $a(NjHacI)995470000002601731 035 $a(EXLCZ)995470000002601731 100 $a20230625d2003 uy 0 101 0 $afre 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDe?veloppement durable et participation publique $eDe la contestation e?cologiste aux de?fis de la gouvernance /$fJean-Guy Vaillancourt, Corinne Gendron 210 1$aMontreal :$cPresses de l'Universite de Montreal,$d[2003] 215 $a1 online resource (398 pages) $cillustrations 517 $aDéveloppement durable et participation publique 606 $aEnvironmental management$xSocial aspects 606 $aEnvironmental protection$xCitizen participation 615 0$aEnvironmental management$xSocial aspects. 615 0$aEnvironmental protection$xCitizen participation. 676 $a363.705 700 $aVaillancourt$b Jean-Guy$0867927 702 $aGendron$b Corinne 801 0$bNjHacI 801 1$bNjHacl 906 $aBOOK 912 $a9910725005503321 996 $aDe?veloppement durable et participation publique$93391744 997 $aUNINA LEADER 01093nam2 22002893i 450 001 PUV0716702 005 20231121125618.0 100 $a20120322d1913 ||||0itac50 ba 101 | $ager 102 $ade 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $a˜1: œEinleitung. Lautlehre$fEugen Herzog 210 $aHeidelberg$cCarl Winter's Universitatsbuchhandlung$d1913 215 $aXVI, 317 p.$d21 cm 461 1$1001PUV0716696$12001 $aHistorische Sprachlehre des Neufranzösischen$fvon Eugen Herzog$v1 606 $aLingua francese$xNeologismi$2FIR$3CFIC007001$9I 676 $a443.1$9LINGUA FRANCESE. DIZIONARI$v22 700 1$aHerzog$b, Eugen$3PUVV286745$4070$01442203 801 3$aIT$bIT-01$c20120322 850 $aIT-FR0017 899 $aBiblioteca umanistica Giorgio Aprea$bFR0017 912 $aPUV0716702 950 2$aBiblioteca umanistica Giorgio Aprea$d 52DFAG S 101$e 52SBA0000136965 VMB RS Donazione Francesco Agostini$fA $i20120322 977 $a 52 996 $aEinleitung. Lautlehre$93614276 997 $aUNICAS LEADER 03659nam 2200757 450 001 9910813342503321 005 20230912162355.0 010 $a1-282-03734-X 010 $a9786612037344 010 $a1-4426-7358-3 024 7 $a10.3138/9781442673588 035 $a(CKB)2420000000003987 035 $a(EBL)4671400 035 $a(SSID)ssj0000292957 035 $a(PQKBManifestationID)11229006 035 $a(PQKBTitleCode)TC0000292957 035 $a(PQKBWorkID)10272396 035 $a(PQKB)11065710 035 $a(CaBNvSL)thg00600623 035 $a(DE-B1597)464372 035 $a(OCoLC)944178109 035 $a(DE-B1597)9781442673588 035 $a(Au-PeEL)EBL4671400 035 $a(CaPaEBR)ebr11257110 035 $a(OCoLC)958571501 035 $a(OCoLC)1380435212 035 $a(MdBmJHUP)musev2_104635 035 $a(VaAlCD)20.500.12592/kmjc76 035 $a(schport)gibson_crkn/2009-12-01/6/417934 035 $a(MiAaPQ)EBC4671400 035 $a(MiAaPQ)EBC3255380 035 $a(EXLCZ)992420000000003987 100 $a20160922h19991999 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCreative entanglements $eGadda and the baroque /$fRobert S. Dombrowski 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1999. 210 4$dŠ1999 215 $a1 online resource (162 p.) 225 0 $aToronto Italian Studies 300 $aDescription based upon print version of record. 311 $a0-8020-4490-5 320 $aIncludes bibliographical references and index. 327 $a1. Gadda and the Baroque -- 2. Barque solitude : disillusion and the ruins of war -- 3. Creative bodies : theory and practice of the grotesque -- 4. A Baroque ethics -- 5. A Baroque mystery. 330 $aIn an imaginary dialogue with his editor, Carlo Emilio Gadda wrote that 'the world is baroque', adding that as a writer he had simply 'perceived and depicted its baroqueness.' For Gadda the baroque was not a style but a reality. In Creative Entanglements Robert Dombroski critically examines the nature of that reality. A profound understanding of the Baroque's critical heritage, in areas as diverse as aesthetics, epistemology, politics, and psychoanalysis, informs this groundbreaking study of Gadda's narrative form. Through sustained readings of such thinkers as Leibnitz, Walter Benjamin, Gilles Deleuze, and Fredric Jameson, Dombroski places Gadda - a consummate modernist who is often misunderstood or marginalized as a literary 'stylist' - in a far-reaching theoretical context. Robert Dombroski identifies Gadda's complex 'baroque' style as not merely an aesthetic conceit, but an expression of modern alienation and of loss, grief, and the need for solitude in the face of a fragmented reality. Gadda's baroque is a narrative representation of the human condition, one that encompasses a multiplicity of viewpoints and the labyrinthine nature of human knowledge. 410 0$aToronto Italian studies 606 $aBaroque literature$xInfluence 606 $aItalian literature$y17th century 608 $aLivres numeriques. 608 $aCriticism, interpretation, etc. 608 $ae-books. 608 $aElectronic books. 615 0$aBaroque literature$xInfluence. 615 0$aItalian literature 676 $a853/.912 700 $aDombroski$b Robert S.$0175309 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813342503321 996 $aCreative entanglements$94080638 997 $aUNINA