LEADER 03470oam 22004334a 450 001 9910480050903321 005 20191121114110.0 010 $a0-8143-4152-7 035 $a(CKB)4100000009751503 035 $a(MiAaPQ)EBC5968076 035 $a(OCoLC)1126213061 035 $a(MdBmJHUP)muse74666 035 $a(EXLCZ)994100000009751503 100 $a20190528d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aTreme$fJaimey Fisher 210 1$aDetroit :$cWayne State University Press,$d[2019] 210 3$aBaltimore, Md. :$cProject MUSE, $d2019 210 4$d©[2019] 215 $a1 online resource (x, 142 pages) $cillustrations 225 0 $aTv milestones series 311 $a0-8143-4151-9 320 $aIncludes bibliographical references (pages 121-128) and index. 330 $a"In Treme, Jaimey Fisher analyzes how the HBO television series Treme (2010-13) treads new ground by engaging with historical events and their traumatic aftermaths, in particular with Hurricane Katrina in 2005 and subsequent flooding in New Orleans. Instead of building up to a devastating occurrence, David Simon's much anticipated follow-up to The Wire (2002-08) unfolds with characters coping in the wake of catastrophe, in a mode that Fisher explores as "afterness." Treme charts these changes while also memorializing the number of New Orleans cultures that were immediately endangered. David Simon's and Eric Overmyer's Treme attempts something unprecedented for a multi-season series. Although the show follows, in some ways, in the celebrated footsteps of The Wire-for example, in its elegiac tracking of the historical struggles of an American city-Fisher investigates how Treme varies from The Wire's work with genre and what replaces it: The Wire is a careful, even baroque variation on the police drama, while Treme dispenses with genre altogether. This poses considerable challenges for popular television, which Simon and Overmyer address in several ways, including by offering a carefully montaged map of New Orleans and foregrounding the distance witnessing of watershed events there. Another way in which Treme sets itself apart is its memorialization of the city's inestimable contributions to American music, especially to jazz, soul, rhythm and blues, rap, rock, and funk. Treme gives such music and its many makers unprecedented attention, both in terms of screen time for music and narrative exposition around musicians. A key element of the volume is its look at the show's themes of race, crime, and civil rights as well as the corporate versus community recovery and remaking of the city. Treme's synthesizing melange of the arts in their specific geographical context, coupled with political and socio-economic analysis of the city, highlights the show's unique approach. Fans of the works of Simon and Overmyer, as well as television studies students and scholars, will enjoy this keen-eyed approach to a beloved show"--$cProvided by publisher. 410 0$aContemporary approaches to film and television series.$pTV milestones. 607 $aNew Orleans (La.)$xOn television 608 $aElectronic books. 676 $a791.45/72 700 $aFisher$b Jaimey$0864381 801 0$bMdBmJHUP 801 1$bMdBmJHUP 906 $aBOOK 912 $a9910480050903321 996 $aTreme$91997884 997 $aUNINA LEADER 01068nam a2200289 i 4500 001 991001452089707536 005 20020502193504.0 008 931020s1990 it ||| | ita 020 $a8820437082 035 $ab11514802-39ule_inst 035 $aPRUMB61310$9ExL 040 $aScuola per assistenti sociali$bita 100 1 $aBerman, Ronald$0107565 245 10$aPubblicità e cambiamento sociale /$cRonald Berman ; [traduzione di Romano Gasperoni] 260 $aMilano :$bF. Angeli,$cc1990 300 $a148 p. ;$c22 cm. 490 0 $aImpresa, comunicazione, mercato ;$v1 500 $aTrad. di: Advertising and social change. 650 4$aMutamento sociale 650 4$aPubblicità 700 1 $aGasperoni, Romano 907 $a.b11514802$b01-03-17$c01-07-02 912 $a991001452089707536 945 $aLE024 SOC COM II 40$g20211$i2021000151279$lle021$nex DUSS$o-$pE0.00$q-$rl$s- $t0$u2$v0$w2$x0$y.i11709820$z01-07-02 996 $aPubblicità e cambiamento sociale$9197888 997 $aUNISALENTO 998 $ale021$b01-01-93$cm$da $e-$fita$git $h0$i1 LEADER 01220nam0 22003373i 450 001 MIL0053143 005 20231121125529.0 010 $a2804003574 100 $a20151016d1988 ||||0itac50 ba 101 | $afre 102 $abe 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $a˜Les œjumeaux millénaires$eroman$fMaud Frère$gpréface de Jacques De Decker$glecture de Marie-France Renard 210 $aBruxelles$cLabor$d[1988] 215 $a172 p.$cill.$d18 cm. 225 | $aEspace nord$v49 410 0$1001BVE0011012$12001 $aEspace nord$v49 676 $a839.31$9Letteratura Olandese.$v21 700 1$aFrere$b, Maud$3MILV038336$4070$0592829 702 1$aDe Decker$b, Jacques$3MILV038338 702 1$aRenard$b, Marie-France$3MILV038339 790 1$aDecker$b, Jacques : De$3TSAV354888$zDe Decker, Jacques 801 3$aIT$bIT-01$c20151016 850 $aIT-FR0017 899 $aBiblioteca umanistica Giorgio Aprea$bFR0017 $eN 912 $aMIL0053143 950 0$aBiblioteca umanistica Giorgio Aprea$d 52ESPAC-NORD49$e 52MAG0000195825 VMN RS $fA $h20160316$i20160316 977 $a 52 996 $aJumeaux millénaires$91000514 997 $aUNICAS