LEADER 01333nam0 22003493i 450 001 CFI0047579 005 20231121125430.0 010 $a887042331X 100 $a20070718d1983 ||||0itac50 ba 101 | $aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $aViaggio in Icaria, 1840$fÉtienne Cabet$ga cura di Roberto Tumminelli 210 $aNapoli$cGuida$d1983 215 $a358 p.$d23 cm. 225 | $aUtopisti$v10 410 0$1001CFI0047586$12001 $aUtopisti$v10 500 10$aVoyage en Icarie$fÉtienne Cabet.$3CFI0047580$9CFIV030434$923394 606 $aSocietŕ e individuo$xFrancia$xSec. 18.-19.$2FIR$3RMLC405578$9I 676 $a843.7$9Narrativa francese, 1815-1848$v21 700 1$aCabet$b, Etienne$f <1788-1856>$3CFIV030434$4070$0169135 702 1$aTumminelli$b, Roberto$3CFIV006745 801 3$aIT$bIT-01$c20070718 850 $aIT-FR0084 $aIT-FR0017 899 $aBiblioteca Del Monumento Nazionale Di Montecassino$bFR0084 899 $aBiblioteca umanistica Giorgio Aprea$bFR0017 $eN 912 $aCFI0047579 950 0$aBiblioteca umanistica Giorgio Aprea$d 52MAG 2/605$e 52MAG0000193855 VMB RS $fA $h20191118$i20191118 977 $a 25$a 52 996 $aVoyage en Icarie$923394 997 $aUNICAS LEADER 02803nam 2200541z- 450 001 9910558695803321 005 20220512 010 $a3-85448-047-4 035 $a(CKB)5580000000302863 035 $a(oapen)https://directory.doabooks.org/handle/20.500.12854/81325 035 $a(oapen)doab81325 035 $a(EXLCZ)995580000000302863 100 $a20202205d2022 |y 0 101 0 $aeng 135 $aurmn|---annan 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aEmbodied gestures 210 $aVienna$cTU Wien Academic Press$d2022 215 $a1 online resource (166 p.) 311 08$a3-85448-048-2 330 $aThis is a book about musical gestures: multiple ways to design instruments, compose musical performances, analyze sound objects and represent sonic ideas through the central notion of 'gesture'. The writers share knowledge on major research projects, musical compositions and methodological tools developed among different disciplines, such as sound art, embodied music cognition, human-computer interaction, performative studies and artificial intelligence. They visualize how similar and compatible are the notions of embodied music cognition and the artistic discourses proposed by musicians working with 'gesture' as their compositional material. The authors and editors hope to contribute to the ongoing discussion around creative technologies and music, expressive musical interface design, the debate around the use of AI technology in music practice, as well as presenting a new way of thinking about musical instruments, composing and performing with them. 606 $aAcoustic & sound engineering$2bicssc 606 $aElectronic music$2bicssc 606 $aMusic recording & reproduction$2bicssc 606 $aMusical instruments & instrumental ensembles$2bicssc 606 $aPerception$2bicssc 606 $aUser interface design & usability$2bicssc 610 $aExpression; Music; Musical experience; Body language; Composition ; Avant-garde (Music); Electronic musical instruments; 615 7$aAcoustic & sound engineering 615 7$aElectronic music 615 7$aMusic recording & reproduction 615 7$aMusical instruments & instrumental ensembles 615 7$aPerception 615 7$aUser interface design & usability 700 $aTomás$b Enrique$4edt$01324260 702 $aGorbach$b Thomas$4edt 702 $aTellioglu$b Hilda$4edt 702 $aKaltenbrunner$b Martin$4edt 702 $aTomás$b Enrique$4oth 702 $aGorbach$b Thomas$4oth 702 $aTellioglu$b Hilda$4oth 702 $aKaltenbrunner$b Martin$4oth 906 $aBOOK 912 $a9910558695803321 996 $aEmbodied gestures$93036104 997 $aUNINA