LEADER 02341nam0 22002893i 450 001 VAN0248060 005 20220711014846.853 017 70$2N$a9781350036123 100 $a20220711d2013 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| ||||| 200 1 $aˆThe ‰Invention of Craft$fGlenn Adamson 210 $aLondon$cBloomsbury Visual Arts$d2013 215 $a272 p.$cill.$d24 cm 330 $aGlenn Adamson?s last book, Thinking Through Craft, offered an influential account of craft?s position within modern and contemporary art. Now, in his engaging sequel, The Invention of Craft, his theoretical discussion of skilled work is extended back in time and across numerous disciplines. Adamson searches out the origins of modern craft, locating its emergence in the period of the industrial revolution. He demonstrates how craft was invented as industry?s ?other?, a necessary counterpart to ideas of progress and upheaval. In the process, the magical and secretive culture of artisans was gradually dominated through division and explication. This left craft with an oppositional stance, a traditional or anti-modern position. The Invention of Craft ranges widely across media, from lock-making, wood-carving and iron-casting to fashion, architecture and design. It also moves back and forth between periods, from the 18th century to the present day, demonstrating how contemporary practice can be informed through the study of modern craft in its moment of invention. 620 $aGB$dLondon$3VANL000015 700 1$aAdamson$bGlenn$3VANV203125$0625093 712 $aBloomsbury $3VANV144572$4650 801 $aIT$bSOL$c20230616$gRICA 856 4 $uhttps://www.bloomsburycollections.com/book/the-invention-of-craft/$zE-book ? Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o Shibboleth. 899 $aBIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALE$1IT-CE0107$2VAN01 912 $fN 912 $aVAN0248060 950 $aBIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALE$d01CONS E-BOOK SBAARCH $e01EBA248060 20220711 E-book ? Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o Shibboleth. 996 $aInvention of Craft$93004070 997 $aUNICAMPANIA