LEADER 01004nam0 22002531i 450 001 UON00496601 005 20231205105355.676 100 $a20190716d1912 |0itac50 ba 101 $ager 102 $aDE 105 $a|||| ||||| 200 1 $aˆDie ‰Geographische nomenclatur italiens im altdeutschen schrifttum$fWalther Matthias 210 $aLeipzig$cF. 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Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o Shibboleth 899 $aBIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA$1IT-CE0120$2VAN08 912 $fN 912 $aVAN00283120 950 $aBIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA$d08DLOAD e-Book 9805 $e08eMF9805 20241127 996 $aIRC-SET 2020$94286910 997 $aUNICAMPANIA LEADER 03701nam 22005895 450 001 9910255257703321 005 20251030105625.0 010 $a9781137469731 010 $a1137469730 024 7 $a10.1057/978-1-137-46973-1 035 $a(CKB)3710000000895982 035 $a(DE-He213)978-1-137-46973-1 035 $a(MiAaPQ)EBC4721657 035 $a(Perlego)3488645 035 $a(EXLCZ)993710000000895982 100 $a20161010d2016 u| 0 101 0 $aeng 135 $aurnn|008mamaa 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aMigration and Performance in Contemporary Ireland $eTowards a New Interculturalism /$fby Charlotte McIvor 205 $a1st ed. 2016. 210 1$aLondon :$cPalgrave Macmillan UK :$cImprint: Palgrave Macmillan,$d2016. 215 $a1 online resource (XIII, 296 p. 7 illus. in color.) 225 1 $aContemporary Performance InterActions,$x2634-5889 311 08$a9781137469724 311 08$a1137469722 320 $aIncludes bibliographical references (pages 267-287) and index. 327 $aIntroduction. Towards a New Interculturalism? -- Part I. Intercultural Production Infrastructures. -- Chapter 1. Playboy of the Western World and Old/New Interculturalisms -- Chapter 2. Casting, Translation and Adaptation as Interculturalism-from-Below -- Part II. Producing the Intercultural Subject -- Chapter 3. Performing Historical Duty -- Chapter 4. Labour(ed) Relations: Migrant Women and Performative Labour -- Part III. Intercultural Publics -- Chapter 5. Community Theatre as Active Citizenship -- Chapter 6. Essences of Social Change -- Conclusion. The ?New Irish?? . 330 $aThis book investigates Ireland?s translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this ?new interculturalism? for theatre and performance studies at large. Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance. . 410 0$aContemporary Performance InterActions,$x2634-5889 606 $aPerforming arts 606 $aTheater 606 $aCulture$xStudy and teaching 606 $aEmigration and immigration 606 $aTheatre and Performance Arts 606 $aCultural Theory 606 $aHuman Migration 615 0$aPerforming arts. 615 0$aTheater. 615 0$aCulture$xStudy and teaching. 615 0$aEmigration and immigration. 615 14$aTheatre and Performance Arts. 615 24$aCultural Theory. 615 24$aHuman Migration. 676 $a792 700 $aMcIvor$b Charlotte$4aut$4http://id.loc.gov/vocabulary/relators/aut$01059297 906 $aBOOK 912 $a9910255257703321 996 $aMigration and Performance in Contemporary Ireland$92505224 997 $aUNINA