LEADER 01233nam0 22002653i 450 001 VAN0081558 005 20110124105718.861 100 $a20110124d1969 |0itac50 ba 101 $aeng 102 $aUS 105 $a|||| ||||| 200 1 $aLeonardo da Vinci technologist$ethree essays on some designs and projects of the Florentine master in adapting machinery and technology to the problems in art, industry and war$fby Ladislao Reti and Bern Dibner 210 $aNorwalk (Connecticut)$cBurndy library$d1969 215 $a96 p.$cill.$d28 cm. 410 1$1001VAN0081559$12001 $aBurndy library. Publications$1210 $aNorwalk (Connecticut)$cBurndy library.$v5 620 $dNorwalk$3VANL001632 700 1$aReti$bLadislao$3VANV067688$0724127 701 1$aDibner$bBern$3VANV067689$046303 712 $aBurndy library$3VANV113386$4650 801 $aIT$bSOL$c20230616$gRICA 899 $aBIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$1IT-CE0103$2VAN07 912 $aVAN0081558 950 $aBIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$d07CONS Ne 1865 aula tesi $e07 15509 20110124 996 $aLeonardo da Vinci technologist$91420263 997 $aUNICAMPANIA LEADER 01840nam0 22004453i 450 001 VAN00266277 005 20240806101520.133 017 70$2N$a9789400965027 100 $a20231107d1985 |0itac50 ba 101 $aeng 102 $aNL 105 $a|||| ||||| 200 1 $aNicolas Chuquet, Renaissance Mathematician$eA study with extensive translation of Chuquet?s mathematical manuscript completed in 1484$fedited by Graham Flegg, Cynthia Hay, Barbara Moss 210 $aDordrecht$cD. Reidel$d1985 215 $aviii, 388 p.$cill.$d24 cm 606 $a01-XX$xHistory and biography [MSC 2020]$3VANC021469$2MF 606 $a01A40$xHistory of mathematics in the 15th and 16th centuries, Renaissance [MSC 2020]$3VANC028252$2MF 610 $aAddition$9KW:K 610 $aAlgebra$9KW:K 610 $aArithmetic$9KW:K 610 $aEditing$9KW:K 610 $aFields$9KW:K 610 $aGeometry$9KW:K 610 $aHistory of mathematics$9KW:K 610 $aMathematica$9KW:K 610 $aMathematics$9KW:K 610 $aRenaissance$9KW:K 620 $aNL$dDordrecht$3VANL000068 702 1$aFlegg$bGraham$3VANV219306 702 1$aHay$bCynthia$3VANV219307 702 1$aMoss$bBarbara$3VANV219309 712 $aReidel $3VANV108441$4650 801 $aIT$bSOL$c20250606$gRICA 856 4 $uhttps://doi.org/10.1007/978-94-009-6502-7$zE-book ? Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o Shibboleth 899 $aBIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA$1IT-CE0120$2VAN08 912 $fN 912 $aVAN00266277 950 $aBIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA$d08DLOAD e-book 7143 $e08eMF7143 20231110 996 $aNicolas Chuquet, renaissance mathematician$973408 997 $aUNICAMPANIA LEADER 03197nam0 22003133i 450 001 VAN00254077 005 20240806101438.509 017 70$2N$a9781350251342 100 $a20230203d2021 |0itac50 ba 101 $aeng 102 $aGB 105 $a|||| ||||| 200 1 $aˆThe ‰Color of Modernism$ePaints, Pigments, and the Transformation of Modern Architecture in 1920s Germany$f Deborah Ascher Barnstone 210 $aLondon$cBloomsbury Visual Arts$d2021 215 $a220 p.$cill.$d24 cm 316 $aCollezione e archivi E-book su piattaforma Bloomsbury - Architecture, fashion e design 2022$5IT-IT-CE0107 CONSE-BOOK SBAARCH 330 $aOne of the most enduring and pervasive myths about modernist architecture is that it was white?pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings. Focusing on Germany in the early 20th century, one of modernism?s most foundational and influential periods, it examines the different scientific and artistic color theories which were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany serves as the key case study for an international phenomenon which encompassed modern architects worldwide from le Corbusier and Alvar Aalto to Berthold Lubetkin and Lina Bo Bardi. Supported by accessible introductions to the development of color theory in philosophy, science and the arts, the book uses the German case to explore the new ways in which color was used in architecture and urban design, turning attention to an important yet overlooked aspect of the period. Much more than a mere correction to the historical record, the book leads the reader on an adventure into the color-filled worlds of psychology, the paranormal, theories of sensory perception, and pleasure, showing how each in turn influenced the modern movement. The Color of Modernism will fundamentally change the way the early modernist period is seen and discussed. 606 $aArchitecture, Architectural History$3VANC037294$2AR 620 $aGB$dLondon$3VANL000015 700 1$aBarnstone$bDeborah Ascher$3VANV207173$0846318 712 $a*Bloomsbury $3VANV144572$4650 801 $aIT$bSOL$c20260130$gRICA 856 4 $uhttps://www.bloomsburycollections.com/book/the-color-of-modernism-paints-pigments-and-the-transformation-of-modern-architecture-in-1920s-germany/$zE-book ? Accesso al full-text attraverso riconoscimento IP di Ateneo, proxy e/o Shibboleth 899 $aBIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALE$1IT-CE0107$2VAN01 912 $fN 912 $aVAN00254077 950 $aBIBLIOTECA DEL DIPARTIMENTO DI ARCHITETTURA E DISEGNO INDUSTRIALE$d01CONS E-BOOK SBAARCH $e01EBA254077 20230203 Collezione e archivi E-book su piattaforma Bloomsbury - Architecture, fashion e design 2022 996 $aColor of Modernism$93089852 997 $aUNICAMPANIA