LEADER 00777nam0-2200301---450- 001 990008829700403321 005 20090327090835.0 010 $a978-88-13-29612-4 035 $a000882970 035 $aFED01000882970 035 $a(Aleph)000882970FED01 035 $a000882970 100 $a20090324d2009----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $a<>postergazione$fAntonio Tullio 210 $aPadova$cCedam$d2009 215 $a341 p.$d25 cm 225 1 $aContratto e impresa$v114 700 1$aTullio,$bAntonio$0420487 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008829700403321 952 $aDPR 13A-400$b461$fDEC 959 $aDEC 996 $aPostergazione$9806290 997 $aUNINA LEADER 01373nam0 2200337 i 450 001 SUN0124146 005 20200227102710.381 010 $d0.00 017 70$2N$a978-3-319-66213-8 100 $a20191008d2017 |0engc50 ba 101 $aeng 102 $aCH 105 $a|||| ||||| 200 1 $aThe *Theory of Nilpotent Groups$fAnthony E. Clement, Stephen Majewicz, Marcos Zyman 205 $aCham : Birkhäuser, 2017 210 $axvii$d307 p. ; 24 cm 215 $aPubblicazione in formato elettronico 606 $a20-XX$xGroup theory and generalizations [MSC 2020]$2MF$3SUNC019715 606 $a20Fxx$xSpecial aspects of infinite or finite groups [MSC 2020]$2MF$3SUNC023970 606 $a20D15$xNilpotent groups, $p$-groups [MSC 2020]$2MF$3SUNC029088 620 $aCH$dCham$3SUNL001889 700 1$aClement$b, Anthony E.$3SUNV095617$0767499 701 1$aMajewicz$b, Stephen$3SUNV095618$0767500 701 1$aZyman$b, Marcos$3SUNV095619$0767501 712 $aBirkhäuser$3SUNV000319$4650 801 $aIT$bSOL$c20210503$gRICA 856 4 $uhttp://doi.org/10.1007/978-3-319-66213-8 912 $aSUN0124146 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI MATEMATICA E FISICA$d08CONS e-book 0946 $e08eMF946 20191008 996 $aTheory of Nilpotent Groups$91562546 997 $aUNICAMPANIA LEADER 01763oam 2200253z- 450 001 9910162667503321 005 20230913112557.0 010 $a1-62798-335-X 035 $a(CKB)3710000001044377 035 $a(BIP)045685598 035 $a(EXLCZ)993710000001044377 100 $a20210505c2013uuuu -u- - 101 0 $aeng 200 10$aIntervention 210 $cHarmony Ink Press 215 $a1 online resource (230 p.) 311 $a1-62798-334-1 330 8 $aAs a musician at the popular college caf Coed Joe's, high school senior Kai Manter is never lacking for male attention. Out, proud, free-spirited, and sexually aware, Kai sets his sights on his darkly Gothic and undeniably bad-tempered coworker, Jamie Arlotta, a freshman at the local arts university. Sporting long hair and alluring hippie style, Kai expects his interest will be reciprocated, with satisfying sex as the end goal. That's what usually happens. But Jamie's lessons in life have been harsher. Having been sexually abused by his older stepbrother for several years, Jamie has grown an impenetrable outer shell meant to keep the world at a safe distance. Kai is angry at first when he takes the brunt of Jamie's bad temper, but after Kai accidentally discovers the abuse Jamie has suffered, he wants to fix things. Kai's plan is based on what he knows best--music--and he stages a "musical intervention" to let Jamie know he's not alone and things can get better. When Jamie's perspective changes and he emerges from his shell, Kai changes, too, gaining a whole new understanding of what sex can be when love is there too. 610 $aFiction 700 $aKerick$b Mia$01435106 906 $aBOOK 912 $a9910162667503321 996 $aIntervention$93595669 997 $aUNINA