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Goold 210 $aCambridge$cHarvard university$aLondon$cHeinemann$d1988 215 $aXIV, 375 p.$d17 cm. - Testo orig. a fronte. 410 1$1001SUN0034699$12001 $aˆThe ‰Loeb classical library$v6$1210 $aLondon$cHeinemann$aNew York$cPutnams$a[poi] Cambridge (Mass.)$cHarvard university$aLondon$cHeinemann. 620 $aGB$dLondon$3SUNL000015 700 1$aCatullus$b, Gaius V.$3SUNV041015$0727858 702 1$aTibullus$b, Albius$3SUNV029278 702 1$aPostgate$b, John Percival$3SUNV057878 702 1$aCornish$b, Francis Warre$3SUNV057879 702 1$aGoold$b, George P.$3SUNV057880 702 1$aMackail$b, John William$3SUNV057881 712 $aHarvard university$3SUNV000187$4650 790 1$aCatullus, Gaius Valerius$zCatullus, Gaius V.$3SUNV056017 790 0$aCatullo$zCatullus, Gaius V.$3SUNV066443 790 1$aCatullo, Caio Valerio$zCatullus, Gaius V.$3SUNV066444 790 1$aCatullo, Gaio Valerio$zCatullus, Gaius V.$3SUNV066445 790 1$aGoold, G. P.$zGoold, George P.$3SUNV058054 801 $aIT$bSOL$c20181109$gRICA 912 $aSUN0072458 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$d00 CONS XVIII.P.11 $e00 3486 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$d07 CONS Xe 4 Catullu s $e07 377 995 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$h3486$kCONS XVIII.P.11$op$qa 995 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI LETTERE E BENI CULTURALI$bIT-CE0103$h377$kCONS Xe 4 Catullu s$oc$qa 996 $aCatullus$91415045 997 $aUNICAMPANIA LEADER 04368nam 2200853 450 001 9910826805103321 005 20231206214352.0 010 $a1-4426-8421-6 024 7 $a10.3138/9781442684218 035 $a(CKB)2430000000002071 035 $a(EBL)4672313 035 $a(SSID)ssj0000381885 035 $a(PQKBManifestationID)12108029 035 $a(PQKBTitleCode)TC0000381885 035 $a(PQKBWorkID)10391329 035 $a(PQKB)10950451 035 $a(CaBNvSL)slc00222081 035 $a(CaPaEBR)424263 035 $a(DE-B1597)464064 035 $a(OCoLC)1013954765 035 $a(OCoLC)944177138 035 $a(DE-B1597)9781442684218 035 $a(Au-PeEL)EBL4672313 035 $a(CaPaEBR)ebr11257985 035 $a(OCoLC)958565549 035 $a(OCoLC)1320912075 035 $a(MdBmJHUP)musev2_104194 035 $a(VaAlCD)20.500.12592/tbqmt9 035 $a(MiAaPQ)EBC4672313 035 $a(MiAaPQ)EBC3261256 035 $a(EXLCZ)992430000000002071 100 $a20160923h20072007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aConscience on stage $ethe Comedia as casuistry in early modern Spain /$fHilaire Kallendorf 205 $a2nd ed. 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2007. 210 4$d©2007 215 $a1 online resource (310 p.) 225 1 $aUniversity of Toronto Romance Series 300 $aDescription based upon print version of record. 311 $a0-8020-9229-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction : the rise of casuistry in Spain, the flowering of Jesuit school drama, and the Jesuit education of Spanish playwrights -- The vocabulary of casuistry -- 'Que he de hacer?' / 'What should I do?' -- Asking for advice : class, gender, and the supernatural -- Constructions of conscience -- Casuistry and theory. 330 $aIt is no accident that some variation of the question 'What should I do?' appears in over three-quarters of the comedic plays of the Spanish Golden Age. Casuistical dialogue was a concern, even an obsession, of Spanish playwrights during the seventeenth century, many of whom were educated by Jesuit casuists. Conscience on Stage is a study of casuistry or case morality as the foundation for a poetics of seventeenth-century Spanish comedias.Hilaire Kallendorf examines the Jesuit upbringing and casuistical education of major playwrights of the Spanish Golden Age, many of whom were also priests, and introduces the vocabulary of casuistry, as expressed in both confessors' manuals and in stage plays. Engaging issues of class, gender, and age to explore scenes of advice-giving and receiving, she demonstrates how the culture-specific construct of 'conscience' in early modern Spain can be recovered by means of a Foucauldian genealogy, which enlists the skills of philology at the service of a larger vision of the history of ideas. This study outlines and reiterates the relationship of theatre to casuistry, the Jesuit contributions to Spanish literary theory and practice, and the importance of casuistry for the study of early modern subjectivity. 410 0$aUniversity of Toronto romance series. 606 $aSpanish drama (Comedy)$xHistory and criticism 606 $aSpanish drama$yClassical period, 1500-1700$xHistory and criticism 606 $aChristianity in literature 606 $aCasuistry in literature 606 $aCasuistry 606 $aConscience in literature 606 $aConfession in literature 606 $aConfession (Liturgy)$xCatholic Church$xHistory$y17th century 615 0$aSpanish drama (Comedy)$xHistory and criticism. 615 0$aSpanish drama$xHistory and criticism. 615 0$aChristianity in literature. 615 0$aCasuistry in literature. 615 0$aCasuistry. 615 0$aConscience in literature. 615 0$aConfession in literature. 615 0$aConfession (Liturgy)$xCatholic Church$xHistory 676 $a862/.05230903 700 $aKallendorf$b Hilaire$f1974-$0851624 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910826805103321 996 $aConscience on stage$94046688 997 $aUNINA