LEADER 01480nam0 2200301 i 450 001 SUN0064304 005 20161111012602.949 010 $a04-448-1842-1 100 $a20080508d1997 |0engc50 ba 101 $aeng 102 $aNL 105 $a|||| ||||| 200 1 $aTrace determination of pesticides and their degradation products in water$fDamia Barceló, Marie-Claire Hennion 210 $aAmsterdam$cElsevier$d1997 215 $aXIII, 542 p.$cill.$d25 cm. 410 1$1001SUN0019691$12001 $aTechniques and instrumentation in analytical chemistry$v19$1210 $aAmsterdam$cElsevier. 620 $dAmsterdam$3SUNL001716 676 $a543.19$cChimica analitica. Strumentazione$v22 700 1$aBarceló$b, Damià$3SUNV051136$0358579 701 1$aHennion$b, Marie-Claire$3SUNV051135$0725404 712 $aElsevier$3SUNV000127$4650 801 $aIT$bSOL$c20181109$gRICA 856 4 $uhttps://books.google.it/books?id=fsE8A8SgaAIC&printsec=frontcover&hl=it 912 $aSUN0064304 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI SCIENZE E TECNOLOGIE AMBIENTALI BIOLOGICHE E FARMACEUTICHE$d17 CONS Cb17 $e17 FSA1339 995 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI SCIENZE E TECNOLOGIE AMBIENTALI BIOLOGICHE E FARMACEUTICHE$bIT-CE0101$gFSA$h1339$kCONS Cb17$oc$qa 996 $aTrace determination of pesticides and their degradation products in water$91416313 997 $aUNICAMPANIA LEADER 03781nas# 22003491i 450 001 SUN0046070 005 20160504023537.700 010 $d0.00 100 $a20060607b19311944 |0itac50 ba 101 $aita 102 $aIT 105 $a|||| ||||| 110 $aaQ||||||||| 200 1 $a*Rivista di diritto privato$fUniversità degli Studi di Pavia. Istituto di Diritto Commerciale Comparato 205 $aA. 1, n. 1 (1931)-a. 14, n. 1 (1944) 207 $aPadova : CEDAM, 1931-1944 210 $a14 volumi$a26 cm 215 $aTrimestrale. 606 $aDiritto privato$xPeriodici$2FI$3SUNC032303 620 $dPadova$3SUNL000007 676 $a346.45005$cDiritto privato. Italia. Pubblicazioni in serie$v21 712 02$aUniversità degli studi di Pavia. Istituto di diritto commerciale comparato$3SUNV036864 712 $aCEDAM$3SUNV005537$4650 791 02$aUniversita degli Studi di Pavia. Istituto di Diritto Commerciale Comparato$zUniversità degli studi di Pavia. Istituto di diritto commerciale comparato$3SUNV057348 791 02$aIstituto di diritto commerciale comparato dell'Università degli studi di Pavia$zUniversità degli studi di Pavia. Istituto di diritto commerciale comparato$3SUNV057728 801 $aIT$bSOL$c20191202$gRICA 899 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$2SUN00$41931-1939; lac. 1931-1943;$cF. P. RIV. arm. 2 ; Fondo Salvatore Biggiero ; 912 $aSUN0046070 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$b001931-1939;$d00RIV F. P. RIV. arm. 2 1931 $e00FP 30126 20131209 $d00RIV F. P. RIV. arm. 2 1932 $e00FP 30127 20131209 $d00RIV F. P. RIV. arm. 2 1933 $e00FP 30128 20131209 $d00RIV F. P. RIV. arm. 2 1934 $e00FP 30129 20131209 $d00RIV F. P. RIV. arm. 2 1935 $e00FP 30130 20131209 $d00RIV F. P. RIV. arm. 2 1936 $e00FP 30131 20131209 $d00RIV F. P. RIV. arm. 2 1937 $e00FP 30132 20131209 $d00RIV F. P. RIV. arm. 2 1938 $e00FP 30133 20131209 $d00RIV F. P. RIV. arm. 2 1939 $e00FP 30134 20131209 950 $aUFFICIO DI BIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$b00lac. 1931-1943;$d00RIV Fondo S. Biggiero 1931 $e00FB 4341 20160311 $d00RIV Fondo S. Biggiero 1932 $e00FB 4343 20160311 $d00RIV Fondo S. Biggiero 1933 $e00FB 4352 20160311 $d00RIV Fondo S. Biggiero 1934 $e00FB 4354 20160311 $d00RIV Fondo S. Biggiero 1935 $e00FB 4356 20160311 $d00RIV Fondo S. 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Biggiero 1942 $e00VS 72 20160311 996 $aRivista di diritto privato$9789260 997 $aUNICAMPANIA LEADER 05427nam 2200673 450 001 9910829082703321 005 20230120091906.0 010 $a1-283-47878-1 010 $a1-4081-5173-1 010 $a9786613478788 035 $a(CKB)3360000000433295 035 $a(EBL)1747849 035 $a(SSID)ssj0000668078 035 $a(PQKBManifestationID)12261746 035 $a(PQKBTitleCode)TC0000668078 035 $a(PQKBWorkID)10699749 035 $a(PQKB)10160796 035 $a(MiAaPQ)EBC1747849 035 $a(Au-PeEL)EBL1747849 035 $a(CaPaEBR)ebr10865761 035 $a(CaONFJC)MIL347878 035 $a(OCoLC)893330980 035 $a(MiAaPQ)EBC6163035 035 $a(EXLCZ)993360000000433295 100 $a20140507d2012 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 13$aAn actor's guide to getting work /$fSimon Dunmore 205 $aFifth edition. 210 1$aLondon :$cMethuen Drama,$d2012. 215 $a1 online resource (257 p.) 300 $aDescription based upon print version of record. 311 $a1-4081-4554-5 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Acknowledgements; Introduction; 1: If you really want to be a professional actor; Those of school age; School-leavers; The mature entrant to the profession; Preliminary training; Full-time training; Choices; Some fundamental considerations; Early preparations; A drama school applicant's toolkit; 'What are audition panels looking for?'; 2: Applying for training - the details; The paperwork; Audition speeches; Rehearsing your speeches; Some practical considerations; Performing your speeches; Audition songs; Selecting and preparing your songs; Performing your songs 327 $aDance auditionsMovement, improvisations and self-devised audition pieces; Sight-readings in drama school auditions; Interviews; Audition days; After your auditions; If you get a place; Reserve/waiting lists; Funding your training; If you don't get a place; Summary; 3: The training; Being at drama school; Your first public appearances; Your first professional steps . . .; Early work (and the lack of it); An actor's toolkit; Slog; 4: Equity and Spotlight; Equity; Spotlight; 5: Directors, producers, agents and casting directors; Who's who in casting; Directors; Producers; Casting directors 327 $aThe mechanics of castingOther issues; Agents; Finding an agent; Working with an agent; Co-operative agencies; Final thought; 6: Your promotional material; Letters, CVs and photographs; Some pitfalls to watch out for in your letters; Writing good letters; Some pitfalls to watch out for in your CV; Creating a good CV; Some pitfalls to watch out for in your photographs; Getting good photographs; Other things to think about before sealing the envelope/pressing the send button; Targeting your submissions; The following correspondence or lack of it; Other promotional material 327 $aBusiness cards and postcardsShowreels; Voicereels; Recording your voicereel; Personal websites; Additional internet promotional opportunities; Final note; 7: The casting point: inter viewing and auditioning; Interviews; Preparations for an interview; Some things to consider on the day; Pre-interview checklist; A few final notes . . .; Sight-readings; In advance; Textual details; On the day; In the room; Additional considerations for television, commercials and films; Television interviews; Commercial castings; Films; Digital acting opportunities; 8: Low-pay/no-pay 'work'; Fringe theatre 327 $aSetting up your own productionSetting up your own company; The Edinburgh Festival Fringe; Showcases; Low budget films; Summary; 9: Other forms of acting income; Role-playing; Presenting at trade shows and business conferences; Enhancing the business-person's presentation and communication skills; Getting work in these fields; Role-play companies; 10: Professionalism: the business of being an actor; Organisation of interviews/auditions/castings; Casting information; You!; Professional public relations; Public relations while working; Essential professionalism; Some additional thoughts 327 $aTwo theories 330 $a''Essential reading for any young actor'' Dame Maggie Smith Competition for acting work is fierce and talent is not necessarily enough. Actors need all the help they can get with all aspects of the profession. Now in its fifth edition, completely revised and updated, this practical, comprehensive guide contains invaluable information and advice to enable actors to succeed in the business. Written with honesty, humour and thoroughness, An Actor''s Guide to Getting Work draws on the author''s rich experience in the field to offer advice to both the novice and the seasoned performer. New material 606 $aActing$xVocational guidance$zGreat Britain 606 $aActors$xVocational guidance$zGreat Britain 606 $aActors$xEmployment$zGreat Britain 615 0$aActing$xVocational guidance 615 0$aActors$xVocational guidance 615 0$aActors$xEmployment 676 $a792/.028/023/41 700 $aDunmore$b Simon$0554502 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910829082703321 996 $aAn actor's guide to getting work$93929580 997 $aUNINA