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200 00$aCreolization as cultural creativity$b[electronic resource] /$fedited by Robert Baron and Ana C. Cara
210   $aJackson $cUniversity Press of Mississippi$d2011
215   $a1 online resource (367 p.)
300   $aDescription based upon print version of record.
311   $a1-61703-106-2 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; Preface; Introduction: Creolization as Cultural Creativity; Metaphors of Incommensurability; Monde Cre?ole: The Cultural World of French Louisiana Creoles and the Creolization of World Cultures; Creolization, Nam, Absent Loved Ones, Watchers, and Serious Play with "Toys"; Ritual Piracy: Or Creolization with an Attitude; Africa's Creole Drum: The Gumbe as Vector and Signifier of Trans-African Creolization; Techniques of Creolization; Creole Talk: The Poetics and Politics of Argentine Verbal Art; Villes, Poe?mes: The Postwar Routes of Caribbean Creolization
327   $aAmalgams and Mosaics, Syncretisms and Reinterpretations: Reading Herskovits and Contemporary Creolists for Metaphors of CreolizationAbout Face: Rethinking Creolization; References; List of Contributors; Index
330   $aGlobal in scope and multidisciplinary in approach, Creolization as Cultural Creativity explores the expressive forms and performances that come into being when cultures encounter one another. Creolization is presented as a powerful marker of identity in the postcolonial creole societies of Latin America, the Caribbean, and the southwest Indian Ocean region, as well as a universal process that can occur anywhere cultures come into contact. An extraordinary number of cultures from Haiti, Martinique, Guadeloupe, the southern United States, Trinidad and Tobago, Madagascar, Mauritius, Seychelles, R
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