LEADER 01051nam0 2200313 450 001 000036899 005 20140821105200.0 100 $a20140623d1982----km-y0itaa50------ba 101 0 $aita 102 $aIT 200 1 $aJohn R. R. Tolkien$fdi Oriana Palusci 210 $aFirenze$c<> Nuova Italia$d1982 215 $a167 p. 225 2 $a<> castoro$v191 312 $aTit. sulla cop. e sul dorso: Tolkien 410 0$12001$a<> castoro$v191 517 1 $aTolkien 600 1$aTolkien,$bJohn Ronald Reuel 676 $a823.91$v(22. ed.)$9Narrativa inglese. 1900-1999 700 1$aPalusci,$bOriana$0446963 801 0$aIT$bUniversità della Basilicata - B.I.A.$gREICAT$2unimarc 912 $a000036899 996 $aJohn R. R. Tolkien$9102932 997 $aUNIBAS BAS $aLETTERE CAT $aEXT017$b01$c20140623$lBAS01$h0802 CAT $aTTM$b30$c20140821$lBAS01$h1052 FMT Z30 -1$lBAS01$LBAS01$mBOOK$1BASA1$APolo Storico-Umanistico$2DSLF$BCollezione DiSLF$3DF/E171$6847$5F847$820140623$f04$FPrestabile Didattica LEADER 02144nam2 22004453i 450 001 MIL0393848 005 20231121125546.0 100 $a20180702d1997 ||||0itac50 ba 101 | $alat$aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $a˜3: Le œepistole$aL'arte poetica$fQ. Orazio Flacco$gtesto critico di Paolo Fedeli$gtraduzione di Carlo Carena 210 $aRoma$cIstituto poligrafico e Zecca dello stato$cLibreria dello stato$d1997 215 $aP. 778-959$d25 cm. 423 0$12001 $a˜L'œarte poetica$fQ. Orazio Flacco$gdichiarata da Augusto Mancini 423 0$12001 $a˜Le œepistole$fOrazio Flacco.$1700 1$aHoratius Flaccus$b, Quintus$3CFIV000246$4070 462 1$1001RMG0016512$12001 $a˜2: Le œsatire$aLe epistole$aL'arte poetica$v3$1700 1$aHoratius Flaccus$b, Quintus$3CFIV000246$4070 700 1$aHoratius Flaccus$b, Quintus$3CFIV000246$4070$075513 702 1$aCarena$b, Carlo$f <1925- >$3CFIV011448 702 1$aFedeli$b, Paolo$f <1939- >$3CFIV034163 790 1$aFlacco$b, Orazio$3BVEV268108$zHoratius Flaccus, Quintus 790 0$aOrazio$3CFIV000247$zHoratius Flaccus, Quintus 790 1$aOrazio Flacco$b, Quinto$3CFIV010717$zHoratius Flaccus, Quintus 790 0$aHorace$3CFIV012150$zHoratius Flaccus, Quintus 790 1$aOrazio Flacco$b, Q.$3CFIV137964$zHoratius Flaccus, Quintus 790 1$aHoratius$b, Q.$3CFIV167021$zHoratius Flaccus, Quintus 790 0$aHoratius$3CFIV228341$zHoratius Flaccus, Quintus 790 1$aFlacco$b, Orazio Q.$3SBNV029084$zHoratius Flaccus, Quintus 790 1$aFedeli$b, Paul$3CFIV166672$zFedeli, Paolo <1939- > 790 1$aFedeli$b, Paulus$3CFIV166673$zFedeli, Paolo <1939- > 801 3$aIT$bIT-01$c20180702 850 $aIT-FR0017 899 $aBiblioteca umanistica Giorgio Aprea$bFR0017 $eN 912 $aMIL0393848 950 2$aBiblioteca umanistica Giorgio Aprea$d 52S.SIJ. LL2 Hor.Pol. 2.3$e 52FLS0000072975 VMB RS $fA $h20170706$i20170706 977 $a 52 996 $aArs poetica$915869 996 $aEpistulae$915871 997 $aUNICAS LEADER 02862nam 2200661Ia 450 001 9910792225503321 005 20230817003603.0 010 $a0199888094 010 $a0190206403 010 $a1281825999 010 $a0199708312 010 $a9786611825997 035 $a(CKB)2560000000296546 035 $a(EBL)415562 035 $a(OCoLC)437093912 035 $a(SSID)ssj0000207056 035 $a(PQKBManifestationID)11166719 035 $a(PQKBTitleCode)TC0000207056 035 $a(PQKBWorkID)10235477 035 $a(PQKB)11227433 035 $a(StDuBDS)EDZ0000034506 035 $a(MiAaPQ)EBC415562 035 $a(Au-PeEL)EBL415562 035 $a(CaPaEBR)ebr10254485 035 $a(CaONFJC)MIL182599 035 $a(EXLCZ)992560000000296546 100 $a20071227d2009 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic as discourse $esemiotic adventures in romantic music /$fKofi Agawu 210 $aOxford ;$aNew York $cOxford University Press$d2009 215 $a1 online resource (345 pages) 225 1 $aOxford studies in music theory 300 $aDescription based upon print version of record. 311 $a0-19-537024-4 311 $a0-19-985216-2 320 $aIncludes bibliographical references (p. 321-330) and index. 327 $aContents; Introduction; PART I: Theory; 1. Music as Language; 2. Criteria for Analysis I; 3. Criteria for Analysis II; 4. Bridges to Free Composition; 5. Paradigmatic Analysis; PART II: Analyses; 6. Liszt, Orpheus (1853-1854); 7. Brahms, Intermezzo in E Minor, op. 119, no. 2 (1893), and Symphony no. 1/ii (1872-1876); 8. Mahler, Symphony no. 9/i (1908-1909); 9. Beethoven, String Quartet, op. 130/i (1825-1826), and Stravinsky, Symphonies of Wind Instruments (1920); Epilogue; Bibliography; Index; 330 $aIntroduction Part 1: Theory 1. Music as Language 2. Criteria for Analysis I 3. Criteria for Analysis II 4. Bridges to Free Composition 5. Paradigmatic Analysis Part 2: Analyses 6. Liszt, Orpheus (1853-4) 7. Brahms, Intermezzo, op. 119 no.2 (1893), Brahms, Symphony no. 1/ii (1872-76) 8. Mahler, Symphony no. 9/i (1908-09) 9. Beethoven, String Quartet op. 130/i (1825-26), Stravinsky, Symphonies of Wind Instruments (1920) Epilogue Bibliography 410 0$aOxford studies in music theory. 606 $aMusical analysis 606 $aMusic$xPhilosophy and aesthetics 615 0$aMusical analysis. 615 0$aMusic$xPhilosophy and aesthetics. 676 $a781.1/7 676 $a781.17 700 $aAgawu$b V. Kofi$g(Victor Kofi)$0935946 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 801 2$bOPV 906 $aBOOK 912 $a9910792225503321 996 $aMusic as discourse$93868969 997 $aUNINA