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200 1 $aAforisti italiani del Settencento$epensieri al crocevia della modernitā$fFrancesca Mecatti
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676   $a858.609$v(22. ed.)$9Scritti miscellanei italiani, 1748-1814. Singoli autori non associabili a una specifica forma
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135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aPhotography and Italy$b[electronic resource] /$fMaria Antonella Pelizzari
210   $aLondon $cReaktion Books$d2011
215   $a1 online resource (190 p.)
225 1 $aExposures
300   $aDescription based upon print version of record.
311   $a1-86189-769-3 
320   $aIncludes bibliographical references and index.
327   $aPhotography and Italy Cover; Imprint page; Contents; Introduction; one: Modern Pictures of an Ancient World; two: Risorgimento Mythologies; three: Romance of Stone and Steel; four: Amateurs and Professionals; five: Italian Modernities; six: Postwar Narratives; seven: The Margin of the Frame; eight: Alienation and Belonging; References; Select Bibliography; Acknowledgements; Photo Acknowledgements; Index
330   $aIn this beautifully illustrated book Maria Antonella Pelizzari traces the history of photography in Italy from its beginnings to the present as she guides us through the history of Italy and its ancient sites and Renaissance landmarks. Pelizzari specifically considers the role of photography in the formation of Italian national identity during times of political struggle, such as the lead up to Unification in 1860, and later in the nationalist wars of Mussolini's regime. While many Italians and foreigners- such as Fratelli Alinari or Carlo Ponti, John Ruskin or Kit Talbot-focused the
410  0$aExposures (London, England)
606   $aPhotography$zItaly$xHistory
606   $aHistoriography
615  0$aPhotography$xHistory.
615  0$aHistoriography.
676   $a770.945 22
676   $a779.9945
700   $aPelizzari$b Maria Antonella$01541776
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801  2$bMiAaPQ
906   $aBOOK
912   $a9910790034203321
996   $aPhotography and Italy$93794138
997   $aUNINA