LEADER 01161nam0 2200325 450 001 000033405 005 20121009151843.0 010 $a978-88-15-13402-8 100 $a20121003d2010----km-y0itaa50------ba 101 0 $aita 102 $aIT 200 1 $a<> teoria dell'evoluzione$fTelmo Pievani 205 $a2. ed. aggiornata 210 $aBologna$c<> Mulino$d2010 215 $a133 p.$d20 cm 225 2 $aFarsi un'idea$v126 410 0$12001$aFarsi un'idea$v126 606 1 $aEvoluzione 676 $a576.8$v(22. ed.)$9Evoluzione 700 1$aPievani,$bTelmo$0325037 801 0$aIT$bUniversità della Basilicata - B.I.A.$gRICA$2unimarc 912 $a000033405 996 $aTeoria dell'evoluzione$998830 997 $aUNIBAS BAS $aSCIENZE CAT $aSTD084$b01$c20121003$lBAS01$h1224 CAT $aTTM$b30$c20121009$lBAS01$h1518 FMT Z30 -1$lBAS01$LBAS01$mBOOK$1BASA2$APolo Tecnico-Scientifico$2DID$BDidattica$3PTS.s2.p49.9$6111332$5T111332$820121003$f98$FConsultazione Z30 -1$lBAS01$LBAS01$mBOOK$1BASA2$APolo Tecnico-Scientifico$2DID$BDidattica$3PTS.s2.p49.9A$6111333$5T111333$820121003$f04$FPrestabile Didattica LEADER 03162nam 22006012 450 001 9910790362903321 005 20151002020707.0 010 $a0-88385-915-7 035 $a(CKB)2670000000205118 035 $a(SSID)ssj0000577676 035 $a(PQKBManifestationID)11399463 035 $a(PQKBTitleCode)TC0000577676 035 $a(PQKBWorkID)10561667 035 $a(PQKB)10452543 035 $a(UkCbUP)CR9780883859155 035 $a(MiAaPQ)EBC3330377 035 $a(Au-PeEL)EBL3330377 035 $a(CaPaEBR)ebr10728526 035 $a(OCoLC)929120471 035 $a(RPAM)15707158 035 $a(EXLCZ)992670000000205118 100 $a20111104d2009|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA guide to advanced real analysis /$fGerald B. 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Discourses on the state of indie cinema / Geoff King -- Quirky: buzzword or sensibility? / James MacDowell -- Movies for Hipsters / Michael Z. Newman -- Discerning independents: Steven Soderbergh and transhistorical taste cultures / Mark Gallagher -- Their own personal velocity: women directors and contemporary independent cinema / Michele Schreiber -- Last indie standing: the special case of Lions Gate in the new millennium / Alisa Perren -- Conglomerate Hollywood and American independent film / Thomas Schatz -- Reputational capital, creative conflict and Hollywood independence: the case of Hal Ashby / Philip Drake -- The limits of autonomy: Stanley Kubrick, Hollywood and independent filmmaking, 1950-53 / Peter Kra?mer -- Independent nature: wildlife films between Hollywood and indiewood / Claire Molloy -- In Hollywood, but not of Hollywood: independent Christian filmmaking / James Russell -- Welcome to the (neo) grindhouse! sex, violence and the indie film / Sarah Wharton -- Faux feal? C.S.A.: The Confederate States of America as the response to The Birth of a Nation / Novotny Lawrence -- Measuring online word-of-mouth: the initial reception of Inland Empire (2006) on the Web / Warren Buckland. 330 $aThe American independent sector has attracted much attention in recent years, an upsurge of academic work on the subject being accompanied by wider public debate. But many questions remain about how exactly independence should be defined and how its relationship might be understood with other parts of the cinematic landscape, most notably the Hollywood studios. Edited and written by leading authors in the field, American Independent Cinema: indie, indiewood and beyond offers an examination of the field through four sections that range in focus from broad definitions to close focus on particular manifestations of independence. A wide variety of examples are included but within a framework that offers insights into how these are related to one another. More specifically this collection offers: an account of recent developments as well as reviewing, reassessing and revising a number of central positions, approaches and arguments relating to various parts of the independent and/or indie sector. Individual case studies that range from the distinctive qualities of the work of established 'quality' filmmakers such as Wes Anderson, Steven Soderbergh and Rebecca Miller to studies of horror genre production at the more 'disreputable' end of the independent spectrum. Examples of the limits of independence available in some cases within Hollywood, including studies of the work of Stanley Kubrick and Hal Ashby. Case studies of under-researched areas in the margins of American independent cinema, including the Disney nature films and Christian evangelical filmmaking. A number of wider overview chapters that examine contemporary American independent cinema from a number of perspectives. 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