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200 1 $aCaptain Newman, M. D.$fby Leo Rosten
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200 10$aGesture, gender, nation$b[electronic resource] $edance and social change in Uzbekistan /$fMary Masayo Doi
210   $aWestport, Conn. $cBergin & Garvey$d2001
215   $a1 online resource (162 p.)
300   $aDescription based upon print version of record.
311   $a0-89789-825-7 
320   $aIncludes bibliographical references and index.
327   $aPreliminaries; Acknowledgments; Note on Transliteration; Contents; Introduction; 1 Gender Kinship and Nationalism; 2 Taboo Breakers The Early Soviet Years 1924 1942; 3 The War Years: "We Made Dance a Beautiful Diamond" circa 1943 1953; 4 From Genealogical to Generic circa 1954 1990; 5 Independence 1991 1994; Conclusion It Is We Who Own Uzbekistan Now; Further Reading; References; Index
330   $aThe national dancers in Uzbekistan are almost always female. This work argues that dancers, as symbolic ""girls"" or unmarried females in the Uzbek kinship system, are effective mediators between extended kin groups, and the Uzbek nation-state.
606   $aDance$xSocial aspects$zUzbekistan
606   $aWomen$zUzbekistan$xSocial conditions
607   $aUzbekistan$xSocial conditions$y20th century
608   $aElectronic books.
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615  0$aWomen$xSocial conditions.
676   $a306.4/84
700   $aDoi$b Mary Masayo$0939050
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