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101 0 $aeng
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183   $acr
200 10$aCinema and language loss $edisplacement, visuality and the filmic image /$fby Tijana Mamula
210  1$aNew York :$cRoutledge,$d2013.
215   $a1 online resource (301 p.)
225 1 $aRoutledge advances in film studies ;$v21
300   $aDescription based upon print version of record.
311   $a1-138-93771-1 
311   $a0-415-80718-2 
320   $aIncludes bibliographical references (p. [257]-271) and index.
327   $aIntroduction -- When images begin to sound: a theoretical framework -- Language and reification in the "emigre?" film noir -- The "question of language" in postwar Italian cinema -- Linguistic displacement and sound-image disjunction -- Linguistic displacement and uncanny discourse -- Concluding remarks.
330   $aCinema and Language Loss provides the first sustained exploration of the relationship between linguistic displacement and visuality in the filmic realm, examining in depth both its formal expressions and theoretical implications. Combining insights from psychoanalysis, philosophy and film theory, the author argues that the move from one linguistic environment to another profoundly destabilizes the subject's relation to both language and reality, resulting in the search for a substitute for language in vision itself - a reversal, as it were, of speaking into seeing. The dynam
410  0$aRoutledge advances in film studies ;$v21.
606   $aIntercultural communication in motion pictures
606   $aLanguage and languages in motion pictures
606   $aMotion pictures and language
606   $aMotion pictures$xPsychological aspects
608   $aElectronic books.
615  0$aIntercultural communication in motion pictures.
615  0$aLanguage and languages in motion pictures.
615  0$aMotion pictures and language.
615  0$aMotion pictures$xPsychological aspects.
676   $a791.4301/9
700   $aMamula$b Tijana$f1981-,$0883469
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