LEADER 01184nam0 2200337 450 001 000023153 005 20081211100838.0 010 $a3-88221-219-5 100 $a20081117d1983----km-y0itaa50------ba 101 0 $ager 102 $aDE 200 1 $aGeschichte als Sinngebung des Sinnlosen$fTheodor Lessing$gmit einem Nachwort von Rita Bischof 210 $aMünchen$cMatthes & Seitz$dc1983 215 $a291 p.$d22 cm 225 2 $aBatterien$v17 410 1$12001$aBatterien$v17 606 1 $aFilosofia 676 $a830$v(21. ed.)$9Letterature germaniche 700 1$aLessing,$bTheodor$0175044 702 1$aBischof,$bRita 801 0$aIT$bUniversità della Basilicata - B.I.A.$gRICA$2unimarc 912 $a000023153 996 $aGeschichte als Sinngebung des Sinnlosen$987448 997 $aUNIBAS BAS $aLETTERE CAT $aEXT10$b01$c20081117$lBAS01$h1725 CAT $aEXT10$b01$c20081118$lBAS01$h1259 CAT $aEXT10$b01$c20081211$lBAS01$h1008 CAT $aEXT10$b01$c20081211$lBAS01$h1008 FMT Z30 -1$lBAS01$LBAS01$mBOOK$1BASA1$APolo Storico-Umanistico$2FMAS$BFondo Masini$3FMas/817/472$6817/472$5B817/472$820081117$f04$FPrestabile Didattica LEADER 03239oam 22004691 450 001 9910798957803321 005 20161014175947.0 010 $a1-4742-9968-7 010 $a1-4742-9967-9 024 7 $a10.5040/9781474299688 035 $a(CKB)3710000000933858 035 $a(MiAaPQ)EBC4733970 035 $a(OCoLC)988810390 035 $a(UtOrBLW)bpp09260715 035 $a(EXLCZ)993710000000933858 100 $a20170524d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aAesthetics, arts and politics in a global world /$fDaniel Herwitz 210 1$aLondon, UK ;$aNew York, NY, USA :$cBloomsbury Academic, an imprint of Bloomsbury Publishing, Plc,$d[2016] 215 $a1 online resource (209 pages) $cillustrations (some color), photographs 311 $a1-350-14163-1 311 $a1-4742-9966-0 320 $aIncludes bibliographical references and index. 327 $a1. Introduction -- 2. Secularized Heritage and Fundamentalist India: The Case of MF Husain -- 3. Frida and Amrita -- 4. Preparing Art for Freedom in the New South Africa Chapter -- 5. Aboriginal, Abstract and Isi--Tsonga -- 6. Figaro South of the Zambesi -- 7. Xu Bing's Archive of the Past -- 8. The Persistent Witness: George Gittoes -- Bibliography -- Index. 330 $a"A different set of purposes define culture today than those that preoccupied the world in the immediate decades of decolonization. Focusing on art and music in diverse parts of the world, Daniel Herwitz explores a world that has largely shifted from the earlier days of nationalism, decolonization and cultural exclusion, to one of global markets and networks. Using examples from India and Mexico to South Africa, Australia and China, Herwitz argues that the cultural politics and art being produced in these places are now post- postcolonial. Where the postcolonial downplayed formerly Eurocentric forms and celebrated art with national consciousness, the rules for 21st century cultural authenticity are quickly disappearing. Young people think of themselves in relation to global culture rather than nation--building; the project of producing a new and modern art for the incipient and rising postcolonial nation is out of date. By examining the shift in which art accesses the past and the rise of trends such as hitching consumer culture to celebrity forms and branding, Herwitz's original and engaging exploration of contemporary art captures the ways in which art has given way to a new form of production, altering everything from the role of tradition and heritage in contemporary art to the terms of its vision and circulation."--Bloomsbury Publishing. 606 $aArts, Modern$y21st century$xThemes, motives 606 $aPostcolonialism and the arts 606 $2Philosophy: aesthetics 615 0$aArts, Modern$xThemes, motives. 615 0$aPostcolonialism and the arts. 676 $a700.9/045 700 $aHerwitz$b Daniel Alan$f1955-$01465379 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910798957803321 996 $aAesthetics, arts and politics in a global world$93827046 997 $aUNINA