LEADER 01860nam0 2200445 450 001 000021297 005 20080527100244.0 010 $a88-8402-086-7 100 $a20080414d1992----km-y0itaa50------ba 101 0 $aita 102 $aIT 200 1 $aTutte le opere$fLorenzo de' Medici$ga cura di Paolo Orvieto 210 $aRoma$cSalerno editrice$dstampa 1992 215 $a2 v. (XLIII, 1139 compless.)$d23 cm 225 2 $aTesti e documenti di letteratura e di lingua$v14.1; 14.2 300 $aIn custodia 327 1 $aVol. 1. - stampa 1992. - XLIII, 599 p. 327 1 $aVol. 2. - stampa 1992. - P. 605-1139 410 1$12001$aTesti e documenti di letteratura e di lingua$v14.1; 14.2 600 1$aMedici,$bLorenzo : de'$xOpere 676 $a858.2$v(21. ed.)$9Miscellanea italiana. Periodo umanistico, 1375-1492 700 1$aMedici,$bLorenzo : de'$0151811 702 1$aOrvieto,$bPaolo 801 0$aIT$bUniversitą della Basilicata - B.I.A.$gRICA$2unimarc 912 $a000021297 996 $aTutte le opere$989070 997 $aUNIBAS BAS $aLETTERE CAT $aSTD063$b01$c20080414$lBAS01$h1143 CAT $aSTD063$b01$c20080414$lBAS01$h1146 CAT $aTTM$b30$c20080526$lBAS01$h1528 CAT $aTTM$b30$c20080526$lBAS01$h1529 CAT $aTTM$b30$c20080526$lBAS01$h1531 CAT $aTTM$b30$c20080526$lBAS01$h1536 CAT $aTTM$b30$c20080526$lBAS01$h1548 CAT $aTTM$b30$c20080527$lBAS01$h1001 CAT $aTTM$b30$c20080527$lBAS01$h1002 FMT Z30 -1$lBAS01$LBAS01$mBOOK$1BASA1$APolo Storico-Umanistico$2GEN$BCollezione generale$3FM/90036 10B$690036$5L90036$820080414$eXLIII, 599$f02$FPrestabile Generale$hVol. 1. Z30 -1$lBAS01$LBAS01$mBOOK$1BASA1$APolo Storico-Umanistico$2GEN$BCollezione generale$3FM/90037 10B$690037$5L90037$820080414$e605 1139$f02$FPrestabile Generale$hVol. 2. LEADER 02607nam 22004935 450 001 9910493696903321 005 20211021211450.0 010 $a0-520-96006-8 024 7 $a10.1525/9780520960060 035 $a(CKB)4340000000188403 035 $a(MiAaPQ)EBC4711988 035 $a(DE-B1597)519353 035 $a(OCoLC)1001334312 035 $a(DE-B1597)9780520960060 035 $a(EXLCZ)994340000000188403 100 $a20190920d2017 fg 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aAnimation, Plasticity, and Music in Italy, 1770-1830 /$fEllen Lockhart 210 1$aBerkeley, CA :$cUniversity of California Press,$d[2017] 210 4$d©2017 215 $a1 online resource (218 pages) $cillustrations 311 0 $a0-520-28443-7 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tAcknowledgments --$tIntroduction --$t1. Attentive Statues --$t2. Pimmalione --$t3. Defining Italy in Haunted Rome --$t4. Partial Animacy and Blind Listening in Napoleonic Italy --$t5. Giuditta Pasta and the History of Musical Electrification --$tConclusion --$tNotes --$tBibliography --$tList of Illustrations --$tIndex 330 $aThis path-breaking study of stage works in Italian musical performances reconsiders a crucial period of music history. Through an interdisciplinary examination of the statue animated by music, Ellen Lockhart deftly shows how Enlightenment ideas influenced Italian theater and music, and vice versa. As Lockhart reveals, the animated statue became a fundamental figure within aesthetic theory and musical practice during the years spanning 1770-1830. Taking as its point of departure a repertoire of Italian ballets, melodramas, and operas from this period, Animation, Plasticity, and Music in Italy traces its core ideas between science, philosophy, theories of language, itinerant performance traditions, the epistemology of sensing, and music criticism. 606 $aDramatic music$zItaly$y18th century 606 $aDramatic music$zItaly$y19th century 606 $aOperas$xLiterary themes, motives 608 $aElectronic books. 615 0$aDramatic music 615 0$aDramatic music 615 0$aOperas$xLiterary themes, motives. 676 $a782.1094509033 700 $aLockhart$b Ellen$01026452 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910493696903321 996 $aAnimation, Plasticity, and Music in Italy, 1770-1830$92441359 997 $aUNINA