LEADER 01005nam1 2200349 450 001 990000376400203316 035 $a0037640 035 $aUSA010037640 035 $a(ALEPH)000037640USA01 035 $a0037640 100 $a20010327d1999----km-y0itay0103----ba 101 $aeng 102 $aUS 105 $a||||||||001yy 200 1 $aMetal ions in biological systems$fedited by Astrid Sigel and Helmut Sigel 210 $aNew York [etc.]$cM. Dekker$dcopyr. 1999 215 $av.$d24 cm 606 0 $aIoni metallici$xBiologia 676 $a539.721 702 1$aSIGEL,$bAstrid 702 1$aSIGEL,$bHelmut 801 0$aIT$bsalbc$gISBD 912 $a990000376400203316 951 $a539.721 MET$bFarm.$c539.721 959 $aBK 969 $aTEC 979 $aTAMI$b40$c20010327$lUSA01$h1259 979 $aTAMI$b40$c20010327$lUSA01$h1300 979 $c20020403$lUSA01$h1645 979 $aPATRY$b90$c20040406$lUSA01$h1626 996 $aMetal ions in biological systems$9875226 997 $aUNISA LEADER 01187nam0 2200337 450 001 000019325 005 20061026071324.0 010 $a2-87282-424-3 100 $a20060802d2003----km-y0itaa50------ba 101 0 $afre 102 $aBE 200 1 $aMa nuit est plus profonde que la tienne$ethéâtre$fJean Louvet 200 1 $a1 $n0005492 210 $aMorlanwelz$cLansman$d[2003] 215 $a35 p.$d21 cm 225 2 $aNocturnes théâtre$v143 300 $aIl complemento del tit. precede il tit. 410 1$12001$aNocturnes théâtre$v143 676 $a843$v(21. ed.)$9Narrativa francese 700 1$aLouvet,$bJean$0440136 801 0$aIT$bUniversità della Basilicata - B.I.A.$gRICA$2unimarc 912 $a000019325 996 $aMa nuit est plus profonde que la tienne$986992 997 $aUNIBAS BAS $aLETTERE CAT $aSTD047$b00$c20060802$lBAS01$h1043 CAT $aSTD047$b00$c20060802$lBAS01$h1147 CAT $aMDL$b30$c20061026$lBAS01$h0713 CAT $aBATCH$b00$c20070503$lBAS01$h1734 FMT Z30 -1$lBAS01$LBAS01$mBOOK$1BASA1$APolo Storico-Umanistico$2FBG$BFondo Belga$3FBel/103496$6103496$5L103496$820060802$b1$f04$FPrestabile Didattica LEADER 04012nam 2200577 450 001 9910511652303321 005 20191118111955.0 010 $a0-85772-377-4 010 $a0-7556-0365-6 010 $a0-85773-476-8 024 7 $a10.5040/9780755603657 035 $a(CKB)3710000000138601 035 $a(EBL)1715014 035 $a(OCoLC)881606945 035 $a(MiAaPQ)EBC1715014 035 $a(CaBNVSL)mat55603657 035 $a(OCoLC)1128176429 035 $a(CaBNVSL)9780755603657 035 $a(Au-PeEL)EBL1715014 035 $a(EXLCZ)993710000000138601 100 $a20191118d2019 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aPain in the arts /$fJohn Tusa 205 $aFirst edition. 210 1$aLondon, England :$cI.B. Tauris,$d2019. 210 2$a[London, England] :$cBloomsbury Publishing,$d2019. 215 $a1 online resource (398 p.) 300 $aIncludes index. 311 $a1-78076-817-6 327 $aPreface -- Part One: Getting Things Done -- Introduction to Part One -- Ch 1 Pain in the Arts: Decline or Renewal -- Ch 2 Surviving the Downturn -- Ch 3 The Case for the Arts -- Ch 4 Mind your Language - Alphabets of Abomination -- Ch 5 Learning on the Job - A Personal Road to Responsibility -- Ch 6 The Do's and Don'ts of Running the Arts -- Ch 7 The Leader, the Manager - What's the Difference? -- Ch 8 What do you Know? - Inside the Mind of a Leader -- Ch 9 An Arts Policy for a Floating Utopia -- Ch 10 Keeping Things Simple -- Part Two: -- Arguing for the Arts -- Ch 11 Introduction to Part Two -- Ch 12 'If Music is the Staff of Life, Play Up!': Who is Playing Whom? -- Ch 13 The Great Arts Education Debate: Slam the Door on the Past - Betray the Future -- Ch 14 A Special Case for Treatment: Special Pleading for the Arts -- Ch 15 The Arts and Civil Society: Standing Up to the Stand Off-ish -- Ch 16 The Arts and Humanities: Defending the Undefendable -- Ch 17 An Agenda for the Future: Making the Arts Matter -- Index. 330 $aOver a distinguished career in cultural leadership, management and journalism spanning almost 30 years, John Tusa has amassed a unique experience of the arts world, the political controversies it faces and the battles it continues to fight. His new book is a fearless and passionate defense of the performing and visual arts at a time of increasing 'Pain in the Arts'. Tusa addresses the controversies in the arts that must be resolved so urgently today, including the ever-flowing arguments on whether they should be useful before they are excellent. He gives guidance on how the arts can survive in the downturn and explains why the case must always be made that they deserve special treatment. He writes an excoriating critique of the language of Whitehall bureaucracy and shows how crucial to the nation's health and wealth are the small regional arts projects alongside our big arts institutions like the Barbican or National Theatre. He also draws on his expertise as Chair of the Clore Leadership Programme to discuss those increasingly complex questions - practical, personal, professional - that today's and tomorrow's cultural leaders must face, including the qualities of character needed to succeed and what a revolution in arts leadership might achieve. The backdrop throughout is Tusa's personal story of discovery and love of the culture he strives to defend in hard times. 606 $aArt and state$zGreat Britain 606 $aArts$zGreat Britain$xManagement 606 $aArt styles not defined by date$2bicssc 608 $aElectronic books. 615 0$aArt and state 615 0$aArts$xManagement. 615 7$aArt styles not defined by date 676 $a700.68 700 $aTusa$b John$0501686 801 0$bYDXCP 801 1$bCaBNVSL 801 2$bCaBNVSL 906 $aBOOK 912 $a9910511652303321 996 $aPain in the arts$92549597 997 $aUNINA