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Italia 700 1$aLeone,$bUgo$011528 801 0$aIT$bUniversità della Basilicata - B.I.A.$gRICA$2unimarc 912 $a000018741 996 $aGeografia per l'ambiente$962154 997 $aUNIBAS BAS $aLETTERE CAT $aMDL$b30$c20051220$lBAS01$h1316 CAT $aMDL$b00$c20060803$lBAS01$h1154 CAT $aBATCH$b00$c20070503$lBAS01$h1731 CAT $aMDL$b00$c20120724$lBAS01$h0851 FMT Z30 -1$lBAS01$LBAS01$mBOOK$1BASA1$APolo Storico-Umanistico$2DID$BDidattica$3FM/103869$6103869$5L103869$820051220$f04$FPrestabile Didattica LEADER 05133nam 22007092 450 001 9910458766103321 005 20151005020624.0 010 $a0-511-85129-4 010 $a1-107-21422-X 010 $a1-282-91841-9 010 $a9786612918414 010 $a0-511-91760-0 010 $a0-511-91662-0 010 $a0-511-91481-4 010 $a0-511-91858-5 010 $a0-511-76157-0 010 $a0-511-91301-X 035 $a(CKB)2670000000055567 035 $a(EBL)585305 035 $a(OCoLC)689996446 035 $a(SSID)ssj0000414940 035 $a(PQKBManifestationID)11290027 035 $a(PQKBTitleCode)TC0000414940 035 $a(PQKBWorkID)10409766 035 $a(PQKB)10028817 035 $a(UkCbUP)CR9780511761577 035 $a(MiAaPQ)EBC585305 035 $a(Au-PeEL)EBL585305 035 $a(CaPaEBR)ebr10431395 035 $a(CaONFJC)MIL291841 035 $a(EXLCZ)992670000000055567 100 $a20100506d2010|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCopyright and piracy $ean interdisciplinary critique /$fedited by Lionel Bently, Jennifer Davis and Jane C. Ginsburg$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2010. 215 $a1 online resource (xxx, 471 pages) $cdigital, PDF file(s) 225 1 $aCambridge intellectual property and information law ;$v13 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-19343-5 320 $aIncludes bibliographical references and index. 327 $aInspiration or infringement : the plagiarist in court / Isabella Alexander -- Nineteenth-century Anglo-US copyright relations : the language of piracy versus the moral high ground / Catherine Seville -- Language, practice, and history / Adrian Johns -- The metamorphosis of contrefac?on in French copyright law / David Lefranc ; translated by Se?bastien Oddos -- A common lawyer's perspective on contrefac?on / Jane C. Ginsburg -- Copyright infringement, 'free-riding' and the lifeworld / Anne Barron -- Copyright and the limits of law-and-economics analysis / Jonathan Aldred -- 'Substantial similarity of expression' in copyright infringement actions : a linguistic perspective / Alan Durant -- Refining notions of idea and expression through linguistic analysis / Graeme B. Dinwoodie -- Copyright, piracy and software / Jon Crowcroft -- Of plots, puddings and draught-excluders : the law as it applies to the Infringement of computer programs / Jennifer Davis -- Measuring text reuse in the news industry / Paul Clough -- Reflections on measuring text reuse from a copyright law perspective / Tanya Aplin -- Unoriginal genius : plagiarism and the construction of 'romantic' authorship -- Nick Groom -- The genius and the labourer : authorship in eighteenth- and nineteenth-century copyright law / Isabella Alexander -- Piracy and authorship in contemporary art and the artistic commonwealth / Daniel McClean -- Copyright's imperfect republic and the artistic commonwealth / Jonathan Griffiths -- Reggae open source : how the absence of copyright enabled the emergence of popular music in Jamaica / Jason Toynbee -- 'Free-riding on the riddim'? : open source, copyright law and reggae music in Jamaica / Johnson Okpaluba -- Copyright infringement : a criminological perspective / Lorraine Gelsthorpe -- Towards a clearer understanding of the file-sharing phenomenon? : comments on a criminological perspective / Shira Perlmutter. 330 $aAn understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it? 410 0$aCambridge intellectual property and information law ;$v13. 517 3 $aCopyright & Piracy 606 $aCopyright infringement 606 $aPiracy (Copyright) 615 0$aCopyright infringement. 615 0$aPiracy (Copyright) 676 $a346.04/82 702 $aBently$b Lionel$f1964- 702 $aDavis$b Jennifer$f1964- 702 $aGinsburg$b Jane C 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910458766103321 996 $aCopyright and piracy$92441710 997 $aUNINA