LEADER 01518nam 2200409 450 001 000002221 005 20070503173600.0 100 $a--------d1984----km-y0itay0103----ba 101 0 $aita 102 $aIT 200 1 $aPer la religione e per la patria$eEnrico Cenni e i Conservatori Nazionali a Napoli e a Roma$fFilippo Mazzonis 200 1 $a1 $n0007862 210 $aPalermo$cEpos$d[1984] 215 $a309 p., [48] c. di tav.$d24 cm. 225 1 $aBiblioteca di storia politica e sociale$iStoria politica$fdiretta da Franco Della Peruta e Massimo Ganci$v2 606 $aStoria$xConservatori Nazionali, movimento politico 676 $a940.5 700 1$aMazzonis,$bFilippo$0139678 801 0$aIT$bUniversità della Basilicata - B.I.A.$gRICA$2unimarc 912 $a000002221 996 $aPer la religione e per la patria$971404 997 $aUNIBAS BAS $aMONLET BAS $aMONOGR BAS $aLETTERE CAT $aCARLUCCI$b01$c19990820$lBAS01$h1106 CAT $aDILEO$b20$c19990820$lBAS01$h1113 CAT $c20000920$lBAS01$h1829 CAT $c20001010$lBAS01$h1632 CAT $c20050601$lBAS01$h1752 CAT $abatch$b01$c20050718$lBAS01$h1047 CAT $c20050718$lBAS01$h1106 CAT $c20050718$lBAS01$h1136 CAT $c20050718$lBAS01$h1151 CAT $aBATCH$b00$c20070503$lBAS01$h1736 FMT Z30 -1$lBAS01$LBAS01$mBOOK$1BASA1$APolo Storico-Umanistico$2GEN$BCollezione generale$3FM/88265$9FM/88265$688265$5L88265$819990820$f02$FPrestabile Generale LEADER 01203nam--2200373---450- 001 990001773850203316 005 20040722124606.0 010 $a88-14-10541-3 035 $a000177385 035 $aUSA01000177385 035 $a(ALEPH)000177385USA01 035 $a000177385 100 $a20040621d2004----km-y0enga50------ba 101 0 $aita 102 $aIT 105 $ay|||z|||001yy 200 1 $a<> ripartizione delle spese$ela ripartizione, i criteri legali, il pagamento, i soggetti, il decreto ingiuntivo$fGino Terzago, Patrizia Terzago 210 $aMilano$cGiuffrè$d2004 215 $aXVII, 384 p.$d24 cm 225 2 $aCosa & come$iProprietà e condominio$v2 410 0$12001$aCosa & come$iProprietà e condominio$v2 606 0 $aCondominio$xSpese$xRipartizione 676 $a346.450433 700 1$aTERZAGO,$bGino$039735 701 1$aTERZAGO,$bPatrizia$0267949 801 0$aIT$bsalbc$gISBD 912 $a990001773850203316 951 $aIG I 2014$b40943 G.$cIG I$d00133488 959 $aBK 969 $aGIU 979 $aACQUISTI$b10$c20040621$lUSA01$h0928 979 $aRENATO$b90$c20040722$lUSA01$h1246 996 $aRipartizione delle spese$9952027 997 $aUNISA LEADER 03342nam 2200565 450 001 9910465948103321 005 20200520144314.0 010 $a0-231-85097-2 024 7 $a10.7312/will17892 035 $a(CKB)3710000000841806 035 $a(MiAaPQ)EBC4579749 035 $a(DE-B1597)479869 035 $a(OCoLC)984665459 035 $a(DE-B1597)9780231850971 035 $a(Au-PeEL)EBL4579749 035 $a(CaPaEBR)ebr11294147 035 $a(CaONFJC)MIL986015 035 $a(OCoLC)962449443 035 $a(EXLCZ)993710000000841806 100 $a20161121h20162016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aFast forward $ethe future(s) of the cinematic arts /$fHolly Willis 210 1$aLondon, [England] ;$aNew York, [New York] :$cWallflower Press,$d2016. 210 4$d©2016 215 $a1 online resource (201 pages) 311 $a0-231-17892-1 311 $a0-231-17893-X 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction The State of Things -- $tChapter 1. Past, Present, Future: Situating Post-Cinema -- $tChapter 2. New Practices / New Paradigms -- $tChapter 3. Live Cinema -- $tChapter 4. Urban Screens / Screened Urbanism -- $tChapter 5. Books to Watch, Films to Read, Stories to Touch: New Interfaces for Storytelling -- $tChapter 6. Virtual Reality and the Networked Self -- $tConclusion -- $tNotes -- $tBibliography -- $tIndex 330 $aCinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as "worldbuilding," "virtual reality," and "transmedia" introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future of mediated storytelling and by connecting with a new generation of filmmakers, screenwriters, technologists, media artists, and designers to discover how they work now, and toward what end. From Chris Milk and Aaron Koblin's exploration of VR spherical filmmaking to Rebeca Méndez's projection and installation work exploring climate change to the richly mediated interactive live performances of the collective Cloud Eye Control, this volume captures a moment of creative evolution and sets the stage for imagining the future of the cinematic arts. 606 $aMotion pictures and television 606 $aMass media and language 606 $aMotion picture industry 608 $aElectronic books. 615 0$aMotion pictures and television. 615 0$aMass media and language. 615 0$aMotion picture industry. 676 $a791.4509 700 $aWillis$b Holly$01053473 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910465948103321 996 $aFast forward$92485390 997 $aUNINA LEADER 01274nam a22002771i 4500 001 991002417859707536 005 20030906170435.0 008 030925s1992 pl a||||||||||||||||ita 020 $a8304037491 035 $ab12285948-39ule_inst 035 $aARCHE-033351$9ExL 040 $aBiblioteca Interfacoltà$bita$cA.t.i. Arché s.c.r.l. 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