03881oam 2200649I 450 991045761840332120200520144314.01-134-58502-01-134-58503-91-280-13851-30-203-99509-010.4324/9780203995099 (CKB)1000000000360527(EBL)235074(OCoLC)475942075(SSID)ssj0000289161(PQKBManifestationID)11911054(PQKBTitleCode)TC0000289161(PQKBWorkID)10401479(PQKB)11692194(MiAaPQ)EBC235074(Au-PeEL)EBL235074(CaPaEBR)ebr10099443(CaONFJC)MIL13851(OCoLC)61367611 (EXLCZ)99100000000036052720180331d2002 uy 0engur|n|---|||||txtccrArt history and its institutions foundations of a disciple /edited by Elizabeth MansfieldLondon ;New York :Routledge :Taylor & Francis Group,2002.1 online resource (344 pages)Description based upon print version of record.0-415-22869-7 0-415-22868-9 Includes bibliographical references and index.Book Cover; Title; Contents; List of illustrations; Notes on contributors; Introduction; Art history and modernism; Hearing the unsaid: art history, museology, and the composition of the self; From Boullee to Bilbao: the museum as utopian space; Marburg, Harvard, and purpose-built architecture for art history, 1927; Viollet-le-Duc and Taine at the cole des Beaux-Arts: on the first professorship of art history in France; Colonizing culture: the origins of art history in Australia; Deep innovation and mere eccentricity: six case studies of innovation in art historyThe taste of angels in the art of darkness: fashioning the canon of African artTradesmen as scholars: interdependencies in the study and exchange of art; How canons disappear: the case of Henri Regnault; Using art history: the Louvre and its public persona, 1848-52; Silent moves: on excluding the ethnographic subject from the discourse of art history; Art history on the academic fringe: Taine's philosophy of art; ""For Connoisseurs"": The Burlington Magazine 1903-11; Photographic perspectives: photography and the institutional formation of art historyInstituting genius: the formation of biographical art history in FranceA preponderance of practical problems: discourse institutionalized and the history of art in the United States between 1876 and 1888; Emancipation and the Freed in American Sculpture: race, representation, and the beginnings of an African American history of art; Art photography, history, and aesthetics; IndexArt History and Its Institutions focuses on the institutional discourses that shaped and continue to shape the field from its foundations in the nineteenth century. From museums and universities to law courts, labour organizations and photography studios, contributors examine a range of institutions, considering their impact on movements such as modernism; their role in conveying or denying legitimacy; and their impact on defining the parameters of the discipline.Art, Modern19th centuryHistoryArt, Modern19th centurySocieties, etcElectronic books.Art, ModernHistory.Art, ModernSocieties, etc.709.034Mansfield Elizabeth166710MiAaPQMiAaPQMiAaPQBOOK9910457618403321Art history and its institutions2150593UNINA01224nam 2200397 450 991014898490332120230807213058.03-7323-7304-5(CKB)3710000000924706(MiAaPQ)EBC4734353(EXLCZ)99371000000092470620170214h20152015 uy 1engurcnu||||||||rdacontentrdamediardacarrierThe land of the white birds an environmental adventure that gives children hope and empowers them to create a better future /Volker Schmidt ; pictures by Barbara Hahn ; activities by Erika SteinleFirst edition.Hamburg, [Germany] :tredition,2015.©20151 online resource (122 pages) color illustrations3-7323-7303-7 BirdsJuvenile fictionBirds813.54Schmidt Volker1264301Hahn BarbaraSteinle ErikaMiAaPQMiAaPQMiAaPQBOOK9910148984903321The land of the white birds2964035UNINA02005nas 2200397 n 450 99000893379040332120240229084234.00097-0905000893379FED01000893379(Aleph)000893379FED01000893379CNRP 0009367020161109a18889999km-y0itaa50------baengauu--------Bulletin. Connecticut Agricultural Experiment Station1888-New Haven[s.n.]Bulletin. Connecticut Agricultural Experiment Station63001.891Connecticut Agricultural Experiment StationITACNP20090723http://acnp.cib.unibo.it/cgi-ser/start/it/cnr/dc-p1.tcl?catno=62567&person=false&language=ITALIANO&libr=&libr_th=unina1Biblioteche che possiedono il periodicoSE990008933790403321Biblioteca Centralizzata. Facoltà di Agraria dell'Università Federico II di Napoli1893-1912;1938-1966;1978-1981;1978-1981;FAGBCBiblioteca del Dipartimento di Entomologia e Zoologia Agraria dell'Università degli Studi di Napoli Federico II1902;1915-1996;1972;DAGENFAGBCDAGENBulletin. Connecticut Agricultural Experiment Station796458UNINA866-01NA087 Biblioteca Centralizzata. Facoltà di Agraria dell'Università Federico II di Napoliv. Università, 100 Palazzo Reale, 80055 Portici (NA)081-2539322081-7760229it866-02NA219 Biblioteca del Dipartimento di Entomologia e Zoologia Agraria dell'Università degli Studi di Napoli Federico IIVia Università, 100, 80055 Portici (NA)08125391880817755145itacnp.cib.unibo.itACNP Italian Union Catalogue of Serialshttp://acnp.cib.unibo.it/cgi-ser/start/it/cnr/df-p.tcl?catno=62567&language=ITALIANO&libr=&person=&B=1&libr_th=unina&proposto=NO01123cam0 22002891 450 SOBE0008563920260211120843.020260211d1966 |||||ita|0103 baitaITDiffusione dell'impressionismo e postimpressionismosaggio introduttivo di Bruno ToscanoMilanoFabbri1966[16] p., [20] p. di tav.ill.36 cm<I >maestri del colore273Nell'occhietto: Storia della pittura vol. 23001LAEC000202162001 I *maestri del colore273Diffusione dell'impressionismo e postimpressionismoSOBA000370581221676Toscano, BrunoAF00020396070ITUNISOB20260211RICAUNISOBUNISOBFondo|Calì185023SOBE00085639M 102 Monografia moderna SBNMFondo|Calì002517SI18502320250714CaliDonoNrovitoUNISOBUNISOB20260211120740.020260211120805.0rovitoDiffusione dell'Impressionismo e postimpressionismo1221676UNISOB