00827cam1 22002531 450 SOBE0007340420221103085953.020221005f0000 |||||ita|0103 baitaITOpere di Giacomo LeopardiEd. accresciuta, ordinata e corretta secondo l'ultimo intendimento dell'autore da Antonio RanieriCataniaTip. S. Giuseppevolumi19 cm001SOBE000734072000 1001SOBE000734052000 2Leopardi, Giacomo <1798-1837>AF00006808070292683Ranieri, Antonio <1806-1888>AF00014659070ITUNISOB20221103RICASOBE00073404M 102 Monografia moderna SBNMOpere di Giacomo Leopardi148851UNISOB02592 am 2200613 n 450 9910284443303321201809062-84292-770-22-84292-321-910.4000/books.puv.4343(CKB)2560000000329680(PPN)23068419X(FrMaCLE)OB-puv-4343(oapen)https://directory.doabooks.org/handle/20.500.12854/41824(PPN)184343941(EXLCZ)99256000000032968020180913j|||||||| ||| 0freuu||||||m||||txtrdacontentcrdamediacrrdacarrierBaroque cinématographique Essai sur le cinéma de Raoul Ruiz /Richard BéginSaint-Denis Presses universitaires de Vincennes20181 online resource (152 p.) 2-84292-235-2 Le cinéma de Raoul Ruiz est souvent qualifié de baroque sans que soit expliqué en quoi consiste le « baroque cinématographique ». Récits labyrinthiques, décors en trompe-l’œil, personnages excentriques, les films de Raoul Ruiz abondent en thèmes et figures dites baroques. On y découvre aussi un processus spéculaire et ludique spécifiquement cinématographique. L’analyse est ainsi entraînée au-delà de la simple recension générique. Des Trois Couronnes du matelot à Trois Vies et une seule mort en passant par Généalogies d’un crime, elle met au jour les symptômes d’une expressivité baroque trans-historique et intermédiatique susceptible de s’incarner dans un langage conscient de ses propres possibilités et des limites inhérentes à la cohérence narrative. Ce faisant, elle participe à une étude esthétique de la sensibilité baroque.Baroque cinématographique Film Radio Televisionbaroquecinémaesthétiquefictionplan cinématographiquepoétiqueesthétiqueplan cinématographiquefictionbaroquepoétiquecinémaFilm Radio Televisionbaroquecinémaesthétiquefictionplan cinématographiquepoétiqueBégin Richard1288002FR-FrMaCLEBOOK9910284443303321Baroque cinématographique3020612UNINA04658nam 22006733u 450 991079130770332120231205144957.00-85745-685-79780857456854 (electronic book)10.1515/9780857456854(CKB)2550000001239301(EBL)1659353(MiAaPQ)EBC1659353(DE-B1597)636432(DE-B1597)9780857456854(PPN)234407271(EXLCZ)99255000000123930120140331d2006|||| f|| |engur|n|---|||||txtrdacontentcrdamediacrrdacarrierBetween Marx And Coca-cola youth cultures in changing European societies, 1960-1980 /edited by Axel Schildt, Detlef SiegfriedNew York, NY Berghahn Books20061 online resource (viii, 432 pages)1-84545-333-6 Includes bibliographical references and index.Contents; Acknowledgements; Introduction; Part I: Politics and Culture in the ""Golden Age""; Chapter 1: Youth Culture and the Cultural Revolution of the Long Sixties; Chapter 2: Understanding 1968: Youth Rebellion, Generational Change and Postindustrial Society; Chapter 3: American Mass Culture and European Youth Culture; Part II: Leisure Time and New Consumerism; Chapter 4: Music, Dissidence, Revolution, and Commerce: Youth Culture between Mainstream and Subculture; Chapter 5: The Triumph of English-Language Pop Music: West German Radio Programming; Chapter 6: Across the Border: West German Youth Travel to Western EuropeChapter 7: Imperialism and Consumption: Two Tropes in West German Radicalism; Part III: Political Protest; Chapter 8: ""Burn, ware-house, burn!"" Modernity, Counterculture, and the Vietnam War in West Germany; Chapter 9: Youth and Antinuclear Power Movement in Denmark and West Germany; Chapter 10: ""Youth Enacts Society and Somebody Makes a Coup"": The Danish Student Movement between Political and Lifestyle Radicalism; Chapter 11: A Struggle for Radical Change? Swedish Students in the 1960s; Part IV: Gender TransformationsChapter 12: Between Coitus and Commodification: Young West German Women and the Impact of the Pill; Chapter 13: Boy Trouble: French Pedophiliac DIscourse of the 1970s; Chapter 14: ""More than a dance hall, more a way of life"": Northern Soul, Masculinity and Working-class Culture in 1970s Britain; Part V: Cultures, Countercultures, Subcultures; Chapter 15: Utopia and Disillusion: Shattered Hopes of the Copenhagen Counterculture; Chapter 16: Juvenile Left-wing Radicalism, Fringe Groups, and Anti-psychiatry in West Germany; Chapter 17: The End of Certainties: Drug Consumption and Youth Delinquency in West Germany Select Bibliography; Notes on Contributors; IndexIn the 1960s and 1970s, Western Europe's "Golden Age" (Eric Hobsbawm), a new youth consciousness emerged, which gave this period its distinctive character. Offering rich and new material, this volume moves beyond the easy conflation of youth culture and "Americanization" and instead sets out to show, for the first time, how international developments fused with national traditions to produce specific youth cultures that became the leading trendsetters of emergent post-industrial Western societies. It presents a multi-faceted portrait of European youth cultures, colored by differences in gender, class, and education, and points out the tension between emerging consumerism and growing politicisation, succinctly expressed by Jean-Luc Godard in his 1967 pairing of "Marx and Coca-Cola."--Provided by publisher.Popular cultureEuropePopular cultureEurope20th centurySocial changeEuropeSocial changeEurope20th centurySubcultureEuropeSubcultureEurope20th centuryYoung consumersEuropeYouthEuropeYouthPolitical activityEuropePopular culturePopular cultureSocial changeSocial changeSubcultureSubcultureYoung consumersYouthYouthPolitical activity305.235/094/09045305.23509409045Schildt AxelSiegfried DetlefAU-PeELAU-PeELAU-PeELBOOK9910791307703321Between Marx And Coca-cola3832796UNINA