01014cam0 2200253 450 E60020004624220201203152219.020090303d1993 |||||ita|0103 baitaITRiflessi napoletani dell'opera e del pensiero di L. A. Muratori. Alle origini di una cultura nazionale nell'Italia del '700Giulio De MartinoNapoliBibliopolis1993p. 345-36224 cmEstratto da : Studi Filosofici. XVI-1993De_Martino, GiulioAF00012071070139908ITUNISOB20201203RICAUNISOBUNISOB100|Opusc91059E600200046242M 102 Monografia moderna SBNM100|Opusc000194Si91059massimoUNISOBUNISOB20090303122013.020201203152208.0SpinosaRiflessi napoletani dell'opera e del pensiero di L. A. Muratori. Alle origini di una cultura nazionale nell'Italia del '7001682241UNISOB03351oam 2200565I 450 991015460480332120240505162205.01-315-23391-610.4324/9781315233918 (CKB)3710000000965806(MiAaPQ)EBC4758556(OCoLC)965444223(BIP)61810084(BIP)34170421(EXLCZ)99371000000096580620180706e20162012 uy 0engurcnu||||||||rdacontentrdamediardacarrierWives, widows, mistresses, and nuns in early modern Italy making the invisible visible through art and patronage /edited by Katherine McIver1st ed.London ;New York :Routledge,2016.1 online resource (286 pages) illustrations, mapsWomen and Gender in the early Modern World"First published 2012 by Ashgate Publishing"--t.p. verso.0-7546-6953-X 1-351-87248-6 Includes bibliographical references and index.pt. 1. Overshadowed, overlooked : historical invisibility -- pt. 2. Becoming visible through portraiture -- pt. 3. Spatial visibility reconstructed -- pt. 4. Sacred invisibility unveiled.Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who were overshadowed by male relatives, political accident, or spatial location. A multi-faceted invisibility of the individual and of the object is the thread that unites the chapters in this volume. Though some women chose to be invisible, for example the cloistered nun, these essays show that in fact, their voices are heard or seen through their commissions and their patronage of the arts, which afforded them some visibility. Invisibility is also examined in terms of commissions which are no longer extant or are inaccessible. What is revealed throughout the essays is a new way of looking at works of art, a new way to visualize the past by addressing representational invisibility, the marginalized or absent subject or object and historical (in)visibility to discover who does the 'looking,' and how this shapes how something or someone is visible or invisible. The result is a more nuanced understanding of the place of women and gender in early modern Italy.Women and gender in the early modern world.Art patronageItalyMarcheHistoryWomen art patronsItalyMarcheHistoryArt and societyItalyMarcheHistoryWomenItalyMarcheHistoryArt patronageHistory.Women art patronsHistory.Art and societyHistory.WomenHistory.704/.0420945McIver Katherine A755081MiAaPQMiAaPQMiAaPQBOOK9910154604803321Wives, widows, mistresses, and nuns in early modern Italy2210827UNINA