00864cam0 22002653 450 E60020004532720210225083932.020090216d2008 |||||ita|0103 baspaSPNoticias del imperioFernando Del PasoBarcelonaBogotàBuenos AiresVerticales de Bolsillo20081035 p.20 cmHistorica001LAEC000164482001 *HistoricaPaso, Fernando delA600200052720070558353ITUNISOB20210225RICAUNISOBUNISOB860141811E600200045327M 102 Monografia moderna SBNM860000606Si141811acquistocatenacciUNISOBUNISOB20090216090531.020210225083932.0bethbNoticias del imperio933087UNISOB02168nam 2200517 450 991046065040332120200520144314.01-4438-8189-9(CKB)3710000000485963(EBL)4534730(MiAaPQ)EBC4534730(Au-PeEL)EBL4534730(CaPaEBR)ebr11215750(CaONFJC)MIL839012(OCoLC)925303414(EXLCZ)99371000000048596320160623h20152015 uy 0engur|n|---|||||rdacontentrdamediardacarrierRecovery and transgression memory in American poetry /edited by Kornelia FreitagNewcastle upon Tyne, England :Cambridge Scholars Publishing,2015.©20151 online resource (348 p.)Description based upon print version of record.1-4438-8045-0 Includes bibliographical references.There is no poetry without memory. Recovery and Transgression: Memory in American Poetry is devoted to the ways in which poetic texts shape, and are shaped by, personal, collective, and cultural memory. It looks at the manifold and often transgressive techniques through which the past is recovered and repurposed in poetry. T.S. Eliot's "The Waste Land," Susan Howe's THIS THAT, Lyn Hejinian's Writing Is an Aid to Memory, John Tranter's "The Anaglyph," Amiri Baraka's "Somebody Blew Up America," and Amy Clampitt's "Nothing Stays Put" are only some of the texts discussed in this volume by a group Memory in literatureHistory in literatureAmerican poetry20th centuryHistory and criticismElectronic books.Memory in literature.History in literature.American poetryHistory and criticism.820.935842Freitag KorneliaMiAaPQMiAaPQMiAaPQBOOK9910460650403321Recovery and transgression2001610UNINA