00901cam0 2200277 450 E60020004246020210608070352.0884203747820081127d1991 |||||ita|0103 baitaIT<<Il >>linguaggio politico dell'IslamBernard LewisRomaBariLaterza1991VII, 18321cmQuadrante Laterza41001LAEC000283662001 *Quadrante Laterza41Lewis, Bernard <1916->AF000076170701207ITUNISOB20210608RICAUNISOBUNISOB32064892E600200042460M 102 Monografia moderna SBNM320001402Si64892Acquistopregresso3UNISOBUNISOB20081127144029.020200109083455.0SpinosaLinguaggio politico dell'Islam964487UNISOB04122nam 22007332 450 991095383750332120151005020620.01-107-12433-60-511-01361-21-280-15494-20-511-11978-X0-511-15452-60-511-32841-90-511-48574-30-511-04432-1(CKB)111056485654738(EBL)202171(OCoLC)559182127(SSID)ssj0000149865(PQKBManifestationID)11150513(PQKBTitleCode)TC0000149865(PQKBWorkID)10257357(PQKB)10769484(UkCbUP)CR9780511485749(MiAaPQ)EBC202171(Au-PeEL)EBL202171(CaPaEBR)ebr10014960(CaONFJC)MIL15494(EXLCZ)9911105648565473820090226d2001|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierEthics and aesthetics in European modernist literature from the sublime to the uncanny /David Ellison1st ed.Cambridge :Cambridge University Press,2001.1 online resource (xiv, 290 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-02516-8 0-521-80680-1 Includes bibliographical references (p. 265-277) and index.pt. 1.Kant, Romantic Irony, Unheimlichkeit.1.Border crossings in Kant.2.Kierkegaard: on the economics of living poetically.3.Freud's "Das Unheimliche": the intricacies of textual uncanniness --pt. 2.The Romantic Heritage and Modernist Fiction.4.Aesthetic redemption: the thyrsus in Nietzsche, Baudelaire, and Wagner.5.The "beautiful soul": Alan-Fournier's Le Grand Meaulnes and the aesthetics of Romanticism.6.Proust and Kafka: uncanny narrative openings.7.Textualizing immoralism: Conrad's Heart of Darkness and Gide's L'Immoraliste.8.Fishing the waters of impersonality: Virginia Woolf's To the Lighthouse.Epilogue: Narrative and music in Kafka and Blanchot: the "singing" of Josefine.David Ellison's book is an investigation into the historical origins and textual practice of European literary Modernism. Ellison's study traces the origins of Modernism to the emergence of early German Romanticism from the philosophy of Immanuel Kant, and emphasizes how the passage from Romanticism to Modernism can be followed in the gradual transition from the sublime to the uncanny. Arguing that what we call High Modernism cannot be reduced to a religion of beauty, an experimentation with narrative form, or even a reflection on time and consciousness, Ellison demonstrates that Modernist textuality is characterized by the intersection, overlapping, and crossing of aesthetic and ethical issues. Beauty and morality relate to each other as antagonists struggling for dominance within the related fields of philosophy and theory on the one hand (Kant, Kierkegaard, Nietzsche, Freud) and imaginative literature on the other (Baudelaire, Proust, Gide, Conrad, Woolf, Kafka).Ethics & Aesthetics in European Modernist LiteratureLiterature, Modern20th centuryHistory and criticismLiterature, Modern19th centuryHistory and criticismModernism (Literature)EuropeEthics in literatureAesthetics in literatureLiterature, ModernHistory and criticism.Literature, ModernHistory and criticism.Modernism (Literature)Ethics in literature.Aesthetics in literature.809/.9112Ellison David R.1031195UkCbUPUkCbUPBOOK9910953837503321Ethics and aesthetics in European modernist literature4426464UNINA