03222nam 2200649Ia 450 991045807640332120200520144314.01-317-09171-X1-281-09865-597866110986500-7546-8632-9(CKB)1000000000401772(EBL)429716(OCoLC)437113572(SSID)ssj0000207142(PQKBManifestationID)11183675(PQKBTitleCode)TC0000207142(PQKBWorkID)10246549(PQKB)10378850(MiAaPQ)EBC429716(Au-PeEL)EBL429716(CaPaEBR)ebr10211184(CaONFJC)MIL919110(EXLCZ)99100000000040177220000714d2000 uy 0engur|n|---|||||txtccrMusic, electronic media, and culture[electronic resource] /edited by Simon EmmersonAldershot ;Burlington, USA Ashgatec20001 online resource (263 p.)Description based upon print version of record.0-7546-0109-9 Includes bibliographical references and index.Cover; Contents; Notes on contributors; Introduction; Part One: Listening and interpreting; 1 Through and around the acousmatic: the interpretation of electroacoustic sounds; 2 Simulation and reality: the new sonic objects; 3 Beyond the acousmatic: hybrid tendencies in electroacoustic music; Part Two: Cultural noise; 4 Plunderphonics; 5 Crossing cultural boundaries through technology?; 6 Cacophony; Part Three: New places, spaces and narratives; 7 Art on air: a profile of new radio art; 8 'Losing touch?': the human performer and electronics9 Stepping outside for a moment: narrative space in two works for sound aloneIndex; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; ZTechnology revolutionised the ways that music was produced in the twentieth century. As that century drew to a close and a new century begins a new revolution in roles is underway. The separate categories of composer, performer, distributor and listener are being challenged, while the sounds of the world itself become available for musical use. All kinds of sounds are now brought into the remit of composition, enabling the music of others to be sampled (or plundered), including that of unwitting musicians from non-western cultures. This sound world may appear contradictory - stimulating and inElectronic musicHistory and criticismMusic and technologyMusic20th centuryHistory and criticismElectronic books.Electronic musicHistory and criticism.Music and technology.MusicHistory and criticism.306.4’84306.484786.7Emmerson Simon1950-858121MiAaPQMiAaPQMiAaPQBOOK9910458076403321Music, electronic media, and culture1915841UNINA01682nam2 22003613i 450 MIL069268320251003044236.020071206d1983 ||||0itac50 baitaitz01i xxxe z01nˆ1: ‰Fascicoli provinciali. 94, IserniaIstat, Istituto Centrale di StatisticaRomaIstat1983XXXI, 113 p., [1] c. di tav. ripieg.31 cm.001MIL00383512001 ˆ2: ‰Dati sulle caratteristiche strutturali della popolazione e delle abitazioniIstituto centrale di statistica1.94CENSIMENTI INDUSTRIALI E COMMERCIALIFIRVEAC001513I304.60945021Demografia. Italia. Statistiche21338.450945INDUSTRIE SECONDARIE E SERVIZI. EFFICIENZA PRODUTTIVA. Italia23IstatCFIV037615070374421Istituto nazionale di statisticaCFIV256089IstatIstituto centrale di statistica del Regno d'ItaliaISTV000599IstatIstituto centrale di statisticaLO1V135217IstatIstituto nazionale di statisticaCFIV256089IstatIstituto centrale di statistica del Regno d'ItaliaISTV000599IstatIstituto centrale di statisticaLO1V135217IstatITIT-00000020071206IT-BN0095 MIL0692683Biblioteca Centralizzata di Ateneo1 v. 01M/S (AR) 17 353 01AR 0700173535 VMA A4 1 v.Y 2024013120240131 01Fascicoli provinciali. 94, Isernia3669896UNISANNIO