04978nam 22014895 450 991015474320332120190708092533.01-4008-8232-X10.1515/9781400882328(CKB)3710000000631387(MiAaPQ)EBC4738703(DE-B1597)468033(OCoLC)979970577(DE-B1597)9781400882328(EXLCZ)99371000000063138720190708d2016 fg engurcnu||||||||rdacontentrdamediardacarrierSurface Area. (AM-35), Volume 35 /Lamberto CesariPrinceton, NJ : Princeton University Press, [2016]©19571 online resource (612 pages) illustrationsAnnals of Mathematics Studies ;3430-691-09585-X Includes bibliography.Frontmatter -- PREFACE -- CONTENTS -- CHAPTER I. INTRODUCTORY- CONSIDERATIONS -- CHAPTER II. LEBESGUE AREA -- CHAPTER III. THE GEÖCZE AREAS V AND U AND THE PEANO AREA P -- CHAPTER IV. BV AND AC PLANE MAPPINGS -- CHAPTER V. THE FIRST THEOREM -- CHAPTER VI. THE CAVALIERI INEQUALITY -- CHAPTER VII. IDENTIFICATION OF LEBESGUE, GEÖCZE, PEANO AREAS -- CHAPTER VIII. GEOMETRICAL PROPERTIES AND THE SECOND THEOREM -- CHAPTER IX. THE REPRESENTATION PROBLEM -- CHAPTER X. THE REPRESENTATION OF GENERAL SURFACES AND THE THIRD THEOREM -- APPENDIX A. A DIRECT PROOF OF A PROPERTY OF CONTINUOUS SURFACES -- APPENDIX B. WEIERSTRASS INTEGRAL OVER A SURFACE -- BIBLIOGRAPHY -- SPECIAL SIGNS AND ABBREVIATIONS -- BackmatterThe description for this book, Surface Area. (AM-35), Volume 35, will be forthcoming.Annals of mathematics studies ;no. 35.SurfacesAbsolute continuity.Addition.Admissible set.Arc length.Axiom.Axiomatic system.Bearing (navigation).Bounded variation.Calculus of variations.Circumference.Compact space.Complex analysis.Concentric.Connected space.Continuous function (set theory).Continuous function.Corollary.Countable set.Covering set.Curve.Derivative.Diameter.Differentiable function.Differential geometry.Direct proof.Dirichlet integral.Disjoint sets.Empty set.Equation.Equicontinuity.Existence theorem.Existential quantification.Function (mathematics).Functional analysis.Geometry.Hausdorff measure.Homeomorphism.Homotopy.Infimum and supremum.Integral geometry.Intersection number (graph theory).Interval (mathematics).Iterative method.Jacobian.Lebesgue integration.Lebesgue measure.Limit (mathematics).Limit point.Limit superior and limit inferior.Linearity.Line–line intersection.Locally compact space.Mathematician.Mathematics.Measure (mathematics).Metric space.Morphism.Natural number.Nonparametric statistics.Orientability.Parameter.Parametric equation.Parametric surface.Partial derivative.Potential theory.Radon–Nikodym theorem.Representation theorem.Representation theory.Right angle.Semi-continuity.Set function.Set theory.Sign (mathematics).Smoothness.Space-filling curve.Subset.Summation.Surface area.Tangent space.Theorem.Topological space.Topology.Total order.Total variation.Uniform convergence.Unit square.Surfaces.516.36Cesari Lamberto, 40585DE-B1597DE-B1597BOOK9910154743203321Surface Area. (AM-35), Volume 352786533UNINA05239nam 2200685 450 991079870000332120200520144314.00-231-54208-910.7312/kand17962(CKB)3710000000776208(SSID)ssj0001646472(PQKBManifestationID)16417645(PQKBTitleCode)TC0001646472(PQKBWorkID)14853171(PQKB)10986715(PQKBManifestationID)16244245(PQKBWorkID)14853194(PQKB)20479865(MiAaPQ)EBC4588064(DE-B1597)478170(OCoLC)932303011(OCoLC)984652113(DE-B1597)9780231542081(Au-PeEL)EBL4588064(CaPaEBR)ebr11242234(CaONFJC)MIL986041(OCoLC)956138052(EXLCZ)99371000000077620820160824h20162016 uy 0engurcnu||||||||txtccrReductionism in art and brain science bridging the two cultures /Eric R. KandelNew York :Columbia University Press,2016.©20161 online resource (237 pages) illustrations, photographsBibliographic Level Mode of Issuance: Monograph0-231-17962-6 Includes bibliographical references and index.Frontmatter -- Contents -- Part 1. The Two Cultures Meet in the New York School -- Introduction -- Chapter 1. The Emergence of an Abstract School of Art in New York -- Part 2. A Reductionist Approach to Brain Science -- Chapter 2. The Beginning of a Scientific Approach to the Perception of Art -- Chapter 3. The Biology of the Beholder’s Share -- Chapter 4. The Biology of Learning and Memory -- Part 3. A Reductionist Approach to Art -- Chapter 5. Reductionism in the Emergence of Abstract Art -- Chapter 6. Mondrian and the Radical Reduction of the Figurative Image -- Chapter 7. The New York School of Painters -- Chapter 8. How the Brain Processes and Perceives Abstract Images -- Chapter 9. From Figuration to Color Abstraction -- Chapter 10. Color and the Brain -- Chapter 11. A Focus On Light -- Chapter 12. A Reductionist Influence On Figuration -- Part 4. The Emerging Dialogue Between Abstract Art and Science -- Chapter 13. Why is Reductionism Successful in Art? -- Chapter 14. A Return to the Two Cultures -- Acknowledgments -- Notes -- References -- Illustration Credits -- IndexAre art and science separated by an unbridgeable divide? Can they find common ground? In this new book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism—the distillation of larger scientific or aesthetic concepts into smaller, more tractable components—has been used by scientists and artists alike to pursue their respective truths. He draws on his Nobel Prize-winning work revealing the neurobiological underpinnings of learning and memory in sea slugs to shed light on the complex workings of the mental processes of higher animals. In Reductionism in Art and Brain Science, Kandel shows how this radically reductionist approach, applied to the most complex puzzle of our time—the brain—has been employed by modern artists who distill their subjective world into color, form, and light. Kandel demonstrates through bottom-up sensory and top-down cognitive functions how science can explore the complexities of human perception and help us to perceive, appreciate, and understand great works of art. At the heart of the book is an elegant elucidation of the contribution of reductionism to the evolution of modern art and its role in a monumental shift in artistic perspective. Reductionism steered the transition from figurative art to the first explorations of abstract art reflected in the works of Turner, Monet, Kandinsky, Schoenberg, and Mondrian. Kandel explains how, in the postwar era, Pollock, de Kooning, Rothko, Louis, Turrell, and Flavin used a reductionist approach to arrive at their abstract expressionism and how Katz, Warhol, Close, and Sandback built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces, this book draws out the common concerns of science and art and how they illuminate each other.ArtPsychologyReductionismVisual perceptionNeurosciences and the artsArtPsychology.Reductionism.Visual perception.Neurosciences and the arts.700.1/9Kandel Eric R.67166MiAaPQMiAaPQMiAaPQBOOK9910798700003321Reductionism in art and brain science3830148UNINA01714nam0 2200421 i 450 CFI039335520251003044140.08846408411IT98-10002 20130827d1998 ||||0itac50 baitaitz01i xxxe z01nz01ncRDAcarrierˆIl ‰marketing degli operatori turisticianalisi, strumenti, strategie-verifiche sul campoLeonardo Idili, Lucia SiliprandiMilanoF. Angeli\1998!224 p.ill.23 cm.Azienda moderna355001CFI00063072001 Azienda moderna355Aziende turisticheMarketingFIRCFIC073270E338.47910688BENI E SERVIZI. Turismo. Gestione del marketing21658.8GESTIONE DELLA DISTRIBUZIONE (MARKETING)21Imprese turisticheCompagnie turisticheMercatisticaAziende turisticheImprese turisticheAziende turisticheCompagnie turisticheMarketingMercatisticaIdili, LeonardoCFIV168069070117483Siliprandi, LuciaCFIV168070070117484ITIT-00000020130827IT-BN0095 IT-NA0457 NAP 01AZ $NAP BISALA 3 Libri da 1597 a 3785CFI0393355Biblioteca Centralizzata di Ateneo1 v. 01AZ (AR) 29 048 01AR 0700290485 VMA 1 v.Y 2015012020150120 01 BIMarketing degli operatori turistici63202UNISANNIO