02142ncm0 22004453i 450 CAG092541020170908093259.0M230622257 2225 Fuzeau20160711e20031722||||0itac50 bafreenggerfrz01d axxe z01nConcerts royauxLes goûts-réunisFrançois Couperin[eléments d'interpretation par Jean Saint-Arroman e Philippe Lescat]Fac-similé[Partition]CourlayJ. M. Fuzeauc19891 partitura (10, 27, 59 p.)33 cm˜La Âœmusique française classique de 1650 à 180036Ripr. delle ed.: [Paris] : Boivin, 1722, esemplare Carpentras, Bibliothèque Inguimbertine, e Paris : auteur : Boivin e Le Clerc, 1724, esemplare Den Haag, Gemeente Museum, di cui non sono state riprodotte le pp. 60-76 (Le Parnasse ou L'apothéose de Corelli)Organico: cembalo o vari raggruppamenti strumentali, secondo l'indicazione dell'A.001SCM00457262001 ˜La Âœmusique française classique de 1650 à 180036Concerts royauxCMP0115023TO0V0744431484371˜Les Âœgoûts-réunisTO01148622TO0V0744431484372Couperin, FrançoisTO0V074443070744834Saint-Arroman, JeanLO1V207251Lescat, PhilippeNAPV077809Couperin, François <il Grande>SBNV029821Couperin, FrançoisCouperin, François <le Grand>SBNV029822Couperin, FrançoisITIT-NA007920160711IT-NA0079CAG0925410co# ts# 3strvl,vlc,pfCMP01150231682-1733Concerts royauxCMP0115023Biblioteca Nazionale Vittorio Emanuele III1 v. BNL.P. Misc. Mus. C 0218 BNUFA0013546415 B 1 v.C 1999012720160711 BNGoûts-réunis1484372Concerts royaux1484371UNISANNIO01283nam0-22003971i-450-99000132899040332120060921115328.00-8247-8805-2000132899FED01000132899(Aleph)000132899FED0100013289920001205d1993----km-y0itay50------baenga---a---001yyFinite fields, coding theory, and advances in communications and computingedited by Gary L. Mullen, Peter Jau-Shyong ShiueNew YorkMarcel Dekkerc1993XXIV, 443 p.ill.24 cmLecture notes in pure and applied mathematics141Campi finitiCongressiTeoria dei codiciCongressi512.3Mullen,Gary L.Shiue,Peter Jau-ShyongInternational conference on finite fields<1991 ;Las Vegas>60365ITUNINARICAUNIMARCBK990001328990403321C-7-(14110203MA102 49 D 156549FINBNMA1FINBN12E1011T71Finite fields, coding theory, and advances in communications and computing376378UNINA02286nam 2200625 450 991080723360332120230126213226.01-4214-1393-0(CKB)3710000000213693(EBL)3318839(SSID)ssj0001291538(PQKBManifestationID)11761004(PQKBTitleCode)TC0001291538(PQKBWorkID)11247500(PQKB)11735480(MiAaPQ)EBC3318839(OCoLC)885208479(MdBmJHUP)muse37298(Au-PeEL)EBL3318839(CaPaEBR)ebr10901476(EXLCZ)99371000000021369320140812h20142014 uy 0engur|n|---|||||txtccrRock star the making of musical icons from Elvis to Springsteen /David R. Shumway ; foreword by Anthony De CurtisBaltimore, Maryland :Johns Hopkins University Press,2014.©20141 online resource (265 p.)Includes index.1-4214-1392-2 Includes bibliographical references and index.Reflections on stardom and its trajectories -- Watching Elvis -- James Brown : self-remade man -- Bob Dylan : the artist -- The Rolling Stones : rebellion, transgression, and excess -- The Grateful Dead : alchemy, or rock & roll utopia -- Joni Mitchell : the singer-songwriter and the confessional persona -- Trapped in the promised land : Bruce Springsteen -- Conclusion : where have all the rock stars gone?Rock musiciansUnited StatesRock groupsUnited StatesPopular cultureUnited StatesFameSocial aspectsUnited StatesRock musicSocial aspectsUnited StatesRock musiciansRock groupsPopular cultureFameSocial aspectsRock musicSocial aspects306.4/8426Shumway David R.869823Curtis Anthony DeMiAaPQMiAaPQMiAaPQBOOK9910807233603321Rock star4124139UNINA