00935nam0 22002773i 450 CAG003065820170908093238.020060123d1850 ||||0itac50 baitaitz01i xxxe z01nLuisa Strozzistoria del secolo 16.di Giovanni RosiniFirenzeFelice Le Monnier1850XXII, 574 p.19 cmBiblioteca nazionale001RAV01976372001 Biblioteca nazionaleFirenzeRMSL001067Rosini, Giovanni <1776-1855>RAVV0255870708223ITIT-NA007920060123IT-CE0127CAG0030658Biblioteca comunale Giuseppe Tescione CTF. C. TESCc 125 CT 0000106405 C 1 v.Z 2006012320060123 CTLuisa Strozzi1482989UNISANNIO03095nam 22006132 450 991045532830332120151005020621.01-107-11992-80-521-03715-80-511-30249-50-511-61314-80-511-15540-90-511-04997-81-280-42959-30-511-17521-3(CKB)111056485621374(EBL)202241(OCoLC)814392698(SSID)ssj0000124417(PQKBManifestationID)11140850(PQKBTitleCode)TC0000124417(PQKBWorkID)10017525(PQKB)10858030(UkCbUP)CR9780511613142(MiAaPQ)EBC202241(Au-PeEL)EBL202241(CaPaEBR)ebr10064312(CaONFJC)MIL42959(EXLCZ)9911105648562137420141103d2000|||| uy| 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierThe cognitive semiotics of film /Warren Buckland[electronic resource]Cambridge :Cambridge University Press,2000.1 online resource (xi, 174 pages) digital, PDF file(s)Title from publisher's bibliographic system (viewed on 05 Oct 2015).0-521-78005-5 0-511-01368-X Includes bibliographical references (p. 163-169) and index.Cover; Title; Copyright; Dedication; CHAPTER ONE The Cognitive Turn in Film Theory; CHAPTER TWO The Body on Screen and in Frame; CHAPTER THREE Not What Is Seen through the Window but the Window Itself; CHAPTER FOUR The Institutional Context; CHAPTER FIVE All in the Mind?; Conclusion; Notes; Bibliography of Works Cited; IndexIn The Cognitive Semiotics of Film, Warren Buckland argues that the conflict between cognitive film theory and contemporary film theory is unproductive. Examining and developing the work of 'cognitive film semiotics', a neglected branch of film theory that combines the insights of cognitive science with those of linguistics and semiotics, he investigates Michel Colin's cognitive semantic theory of film; Francesco Casetti and Christian Metz's theories of film enunciation; Roger Odin's cognitive-pragmatic film theory; and Michel Colin and Dominique Chateau's cognitive studies of film syntax, which are viewed within the framework of Noam Chomsky's transformational generative grammar. Presenting a survey of cognitive film semiotics, this study also re-evaluates the film semiotics of the 1960s, highlights the weaknesses of American cognitive film theory, and challenges the move toward 'post-theory' in film studies.Motion picturesSemioticsMotion picturesSemiotics.791.43/01/4Buckland Warren780428UkCbUPUkCbUPBOOK9910455328303321Cognitive Semiotics of Film1677962UNINA