03945nam 2200613 a 450 991046346810332120200520144314.00-472-02925-810.3998/mpub.5176711(CKB)3170000000060268(EBL)3570487(SSID)ssj0000956546(PQKBManifestationID)11516428(PQKBTitleCode)TC0000956546(PQKBWorkID)10965230(PQKB)11520301(MiAaPQ)EBC3570487(OCoLC)856017713(MdBmJHUP)muse24856(MiU)10.3998/mpub.5176711(Au-PeEL)EBL3570487(CaPaEBR)ebr10744868(CaONFJC)MIL509494(OCoLC)932325330(EXLCZ)99317000000006026820130408d2013 uy 0engur|n|---|||||txtccrIdentity, place, and subversion in contemporary Mizrahi cinema in Israel[electronic resource] /Yaron ShemerAnn Arbor University of Michigan Press20131 online resource (303 p.)Description based upon print version of record.0-472-11884-6 Includes bibliographical references and index.""Contents""; ""Introduction ""; ""Chapter One. Mizrahi Ethnicity and Israeli Cinema ""; ""Chapter Two. The Cinematic Construction of Mizrahi Identity ""; ""Chapter Three. The Mizrahi Space ""; ""Chapter Four. The Absence of Power and the Power of Absence: Victimhood, Struggle and Agency""; ""Chapter Five. Intersectionality and Alliances ""; ""Afterword: What Is Mizrahi in Mizrahi Cinema? ""; ""Appendix 1. Israeli Fimls Cited ""; ""Appendix 2. Interviews""; ""Works Cited ""; ""Index""" In Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel, Yaron Shemer articulates the modalities through which Mizrahi (Oriental-Jewish or Arab-Jewish) films employ narratives, characters, and space to glean ethnic identities and, often, to redraw ethnic boundaries. This study's approach to Mizrahi ethnicity in Israel then stands in stark contrast to the conventional precept of the societal pastiche in modern Israel and the regnant discourse about the widespread dismissal of ethnic divisions in the country. For decades after the establishment of the State, Israeli films mostly acquiesced with Zionism's dominant discourse whereby the Mizrahi was deemed an inferior other whose "Levantine" culture was believed to pose a threat to the Western-oriented Zionist enterprise. Shemer explores the continuous marginalization of the Mizrahi in contemporary Israeli cinema and the challenge some Mizrahi films offer to the subjugation of this ethnic group. Beyond its textual analysis, the book examines the role cultural policies and institutional power in Israel have recently played in shaping Mizrahi cinema and the creation of a Mizrahi niche in cinema--a space that defines and contains contesting voices more than it nourishes them. Ultimately, this pioneering work charts a new territory of academic inquiry; Identity, Place, and Subversion in Contemporary Mizrahi Cinema in Israel is designed to facilitate the making of "Mizrahi Cinema" a legitimate, recognized, and vibrant scholarly field"--Provided by publisher.Motion picturesIsraelMotion picturesSocial aspectsIsraelElectronic books.Motion picturesMotion picturesSocial aspects791.43095694Shemer Yaron1057102Michigan Publishing (University of Michigan)MiAaPQMiAaPQMiAaPQBOOK9910463468103321Identity, place, and subversion in contemporary Mizrahi cinema in Israel2492009UNINA03002nam a2200397 i 450099100433423780753620241127132456.0240711m17621763it er 001 0 lat dS.n. *.rointa qure (3)1762 (R)v. 1 - *=caratteri grecio-t. o?sii-t, dile (C)1763 (R)v. 2Bibl. Interfacoltà T. PellegrinoitaSocioculturale ScslatgrcVossius, Gerhard Johann772766Gerardi Joannis Vossii Etymologicon linguae Latinae praefigitur eiusdem De litterarum permutatione tractatusGerardi Joannis Vossii Etymologicum Latinum.Titolo dell'occhietto del v. [1]Etymologicon linguae Latinae praefigitur eiusdem De litterarum permutatione tractatusEditio novissima in qua praeter Isaaci Vossii additiones Ad fidem Amstelodamensis anni 1695. expressas accesserunt nunc primum editae Alexii Symmachi Mazochii etymologiae quamplurimae ex Oriente petitae et Tyrrhenicarum vocum originationes.Neapoli :ex Regia Typographia,1762-17632 volumi ;folioFregi xilografici sui frontespiziTesto su due colonne[1]. -1762. -[8], XXXVI, 376 p. ((Segnatura: [π]⁴ a-i² A-2V⁴ 2X-2Y⁶ 2Z⁴.[2]: Pars altera. -1763. -[2] p., p. 377-830. ((Segnatura: π¹ 3A-5G⁴ 5H-5O².Il fondo Briganti-Stajano è stato annesso al patrimonio della Biblioteca Interfacoltà nel 1981. Le famiglie da cui il Fondo prende il nome sono l'aristocratica famiglia gallipolina dei Briganti (fine XVIII sec.) e la famiglia Stajano di Sannicola, alla quale il Fondo è pervenuto in eredità dopo la morte di Domenico Briganti, ultimo discendente (fine XIX sec.).Il fondo si compone di una sezione a stampa antica e moderna e di una sezione manoscritta. La sezione a stampa è costituita in buona parte dalla biblioteca dei due esponenti più noti dell’Illuminismo riformatore salentino, Tommaso Briganti (1691-1762) e il figlio Filippo (1726-1804), e riflette in pieno i loro interessi per le discipline storiche, giuridiche, economiche, religiose e filosofiche; sono presenti nella sezione, inoltre, libri, opuscoli, documenti e opere degli stessi Stajano.LE0021 esemplare, volumi 1-2LE002Vossius, Gerhard Johann772766Mazzocchi, Alessio Simmaco<1684-1771>Vossius, Isaac<1618-1689>Briganti-Stajano <fam.><sec. 18-19.>possessore precedenteLE002Stamperia Reale<Napoli>ItaliaNapolihttps://books.google.it/books?vid=IBNN:BNA01001463302&redir_esc=yv. 1https://books.google.it/books?vid=IBNN:BNA01001463308&redir_esc=yv. 2991004334237807536Gerardi Joannis Vossii Etymologicon linguae Latinae praefigitur eiusdem De litterarum permutatione tractatus4170074UNISALENTO