01339nam--2200409---450-99000076014020331620060214111223.00076014USA010076014(ALEPH)000076014USA01007601420011121d1984----km-y0itay0103----baitaIT||||||||001yy<<La>> brocca rottaAnfitrione<<Il>> principe di HomburgHeinrich von Kleista cura di Italo A. Chiusano[traduzione dal tedesco di Italo A. Chiusano]MilanoGarzanti1984XLI, 268 p1 ritr.18 cmI grandi libri3022001I grandi libri302832.6KLEIST,Henrich von550054CHIUSANO,Italo AlighieroITsalbcISBD990000760140203316XIII.1.A. 392(V A COLL. 61/302)93957 LMV A COLL.XIII.1.A. 392a(V A COLL. 61/302 BIS)93958 LMV A COLL.BKUMAPATTY9020011121USA01161720020403USA011723PATRY9020040406USA011652COPAT79020060214USA011112Principe di Homburg964850Anfitrione964849Brocca rotta964848UNISA04556oam 2200685I 450 991045690700332120200520144314.01-283-10593-497866131059361-136-97997-20-203-85291-510.4324/9780203852910 (CKB)2550000000033303(EBL)672425(OCoLC)773564541(SSID)ssj0000542314(PQKBManifestationID)11351474(PQKBTitleCode)TC0000542314(PQKBWorkID)10510732(PQKB)10803633(MiAaPQ)EBC672425(Au-PeEL)EBL672425(CaPaEBR)ebr10466431(CaONFJC)MIL310593(OCoLC)719481551(EXLCZ)99255000000003330320180706d2011 uy 0engur|n|---|||||txtccrThe Vakhtangov sourcebook /edited, translated and with an introduction by Andrei Malaev-BabelLondon ;New York, N.Y. :Routledge,2011.1 online resource (387 p.)Description based upon print version of record.0-415-48257-7 0-415-47268-7 Includes bibliographical references and index.Cover; The Vakhtangov Sourcebook; Copyright; Contents; List of Illustrations and Plates; Acknowledgements; Editor's Note; Part I: Introduction; 1. On Vakhtangov's Work and Writings; 2. The Theatre of Mystery; 3. Toward the Theatre of Fantastic Realism; 4. Toward the Theatre of the Future; 5. Theatre of the Eternal Mask; Part II: Vakhtangov on Theatre, Actor Training and an Actor's Creative Process; 6. On Theatre; 7. On the Actor's Creative Process; 8. On the Stanislavsky System; 9. On Character and Characterization; 10. On Consciousness and the Subconscious in an Actor's Creative Process11. On the Organic Outer TechniquePart III: Fantastic Realism; 12. Axioms of Fantastic Realism; 13. Fantastic Realism and the Russian Theatre (All Saints' Notes); 14. Expressive Means of Fantastic Realism; 15. Theatrical Models of Fantastic Realism; 16. Two Final Discussions with Students; Part IV: Popular Theatre; 17. Theory and Practice of the Popular Theatre; 18. Philosophy of the Popular Theatre; Part V: Transfiguring the Stanislavsky System; 19. Lectures on the Stanislavsky System; 20. Materials on the Stanislavsky System; Part VI: From Director's Diaries: Toward the Theatre of Mystery21. On the Production of Hauptmann's The Festival of Peace22. On the Production of Berger's The Deluge; 23. On the Production of Maeterlinck's The Miracle of SaintAnthony (First Variant); 24. On the Production of Ibsen's Rosmersholm; Part VII: Vakhtangov at the MAT and its First Studio; 25. On the Inception of the First Studio of the MAT; 26. On the First Studio of the MAT Artistic Philosophy and Esthetics; 27. On the First Studio of the MAT Traditions and Perspectives; Part VIII: Vakhtangov Rehearses; 28. Theatre of the Emotional Experience; 29. Toward the Theatre of Mystery30. Toward Fantastic Realism31. Fantastic Realism; Part IX: Correspondence with Colleagues; 32. First Studio of the MAT Letters ?; 33. Letters to the Vakhtangov and Habima Studios; 34. Three Final Letters; Glossary of Terms; Bibliography; Index'Scrupulously translated and skilfully translated by Andrei Malaev-Babel, The Vakhtangov Sourcebook ... provides the most comprehensive addition top English readers' knowledge of the philosophy, pedagogy, and legacy of Vakhtangov.' - Modern Language Review'An exceptionally valuable book that promises to be the definitive reference for Vakhtangov's work for years to come.' - Theatre TopicsYevgeny Vakhtangov was the creator of Fantastic Realism, credited with reconciling Meyerhold's bold experiments with Stanislavski's naturTheaterProduction and directionTheaterPhilosophyActingStudy and teachingRussiaElectronic books.TheaterProduction and direction.TheaterPhilosophy.ActingStudy and teaching792.02/33Vakhtangov Evgenií1883-1922.,444414Malaev-Babel Andrei901105FlBoTFGFlBoTFGBOOK9910456907003321The Vakhtangov sourcebook2014100UNINA00994nam a2200253 i 450099100381313970753620020509132617.0000220s1950 it ||| | ita b1121885x-39ule_instPARLA189114ExLDip.to Filosofiaita320.1Curcio, Carlo137505Nazione, Europa, umanità :saggi suall storia dell'idea di nazione e del principio di nazionalità in ItaliaMilano :Giuffrè,1950VIII, 236 p. ;25 cmPubblicazioni dell'Istituto di filosofia del diritto dell'Università di Roma ;14NazioneConcettoItaliaStoria.b1121885x23-02-1701-07-02991003813139707536LE005IF V E 1612005000070624le005-E0.00-l- 03130.i1137240001-07-02Nazione Europa Umanità630734UNISALENTOle00501-01-00ma -itait 0104062oam 2200793I 450 991077901640332120230802005034.01-136-45305-91-280-66119-497866136381201-136-45306-70-203-12590-810.4324/9780203125908 (CKB)2550000000100375(EBL)957490(OCoLC)798533209(SSID)ssj0000677475(PQKBManifestationID)11469825(PQKBTitleCode)TC0000677475(PQKBWorkID)10694716(PQKB)11067861(MiAaPQ)EBC957490(Au-PeEL)EBL957490(CaPaEBR)ebr10558561(CaONFJC)MIL363812(OCoLC)793947617(FINmELB)ELB134420(EXLCZ)99255000000010037520180706d2012 uy 0engur|n|---|||||txtccrEthics and images of pain /edited by AsbjØrn GrØnstad and Henrik GustafssonNew York, N.Y. :Routledge,2012.1 online resource (263 p.)Routledge advances in art and visual studies ;1Description based upon print version of record.1-138-24330-2 0-415-89382-8 Includes bibliographical references and index.Cover; Ethics and Images of Pain; Copyright; Contents; List of Figures; Acknowledgements; Preface; Introduction; PART I: From Voyeurism to Visual Politics; 1. Do Not Look at Y/Our Own Peril: Voyeurism as Ethical Necessity, or To See as a Child Again; 2. Associates in Crime and Guilt; 3. Painful Photographs: From the Ethics of Spectatorship to Visual Politics; PART II: Looking In, Looking Away; 4. The Violence of the Documentary Image: Errol Morris's Standard Operating Procedure5. Visual Irruptions, Mediated Suffering, and the Robert Dziekanski Tragedy: An Inquiry into the Effi cacy of the Image6. Tuning Out, Turning In, and Walking Off : The Film Spectator in Pain; PART III: Performances; 7. Imaging Pain; 8. The Unsettling Moment: On Mathilde ter Heijne's Suicide Trilogy; 9. Gulag Follies; PART IV: Mimetic and Mnemonic Frames; 10. Imag(in)ing Painful Pasts: Mimetic and Poetic Style in War Films; 11. The Sanctifi ed Fallen: The War Film as Witness; 12. Medical Horror: Visual Documents From the History of Lobotomy; Contributers; IndexFew phenomena are as formative of our experience of the visual world as displays of suffering. But what does it mean to have an ethical experience of disturbing or traumatizing images? What kind of ethical proposition does an image of pain mobilize? How may the spectator learn from and make use of the painful image as a source of ethical reflection? Engaging with a wide range of visual media--from painting, theatre, and sculpture, to photography, film, and video--this interdisciplinary collection of essays by leading and emerging scholars of visual culture offers a reappraisal of the increasinRoutledge advances in art and visual studies ;1.ArtMoral and ethical aspectsMass mediaMoral and ethical aspectsPain in artPain in mass mediaPain in the performing artsPerforming artsMoral and ethical aspectsArtMoral and ethical aspects.Mass mediaMoral and ethical aspects.Pain in art.Pain in mass media.Pain in the performing arts.Performing artsMoral and ethical aspects.700.453700/.453701GrØnstad AsbjØrn800803Gustafsson Henrik1178688FlBoTFGFlBoTFGBOOK9910779016403321Ethics and images of pain3838732UNINA