00942nam a2200241 i 450099100295127970753620021022144256.0960610s1917 ||| ||| | ger b11733019-39ule_instLE021FD223425ExLDip. SSSCitaSchulze, Friedrich529694Hundert Jahre Leipziger Stadttheater :ein geschchtlicher Ruckblick /von Friedrich SchulzeLeipzig :Breitkopf & Hartel,1917275 p. :ill. ;20 cm.Leipziger StadttheatreStoria del teatro - GermaniaSec. 19-20.b1173301921-09-0624-10-02991002951279707536LE021FD TT26A41LE021FD-3009le023Fondo D'Amico-E0.00-no 00000.i1197293224-10-02Hundert Jahre Leipziger Stadttheater903008UNISALENTOle02110-06-96ma -engxx 0101933nam 2200397z- 450 991034674260332120210211(CKB)4920000000094288(oapen)https://directory.doabooks.org/handle/20.500.12854/54555(oapen)doab54555(EXLCZ)99492000000009428820202102d2018 |y 0engurmn|---annantxtrdacontentcrdamediacrrdacarrierNew Boundaries Between Aging, Cognition, and EmotionsFrontiers Media SA20181 online resource (150 p.)Frontiers Research Topics2-88945-665-X Numerous studies have reported age-related differences for emotional information. For example, when, compared to younger adults, older adults reveal a relative preference in attention and memory for positive over negative information. One explanation places emphasis on an emotion processing preference in older adults that reflects their socioemotional self-relevant goals. Based on evidence from behavioral and neuroscientific research, researchers have realized that it is necessary to propose a new conceptual framework to describe the relationship between cognition and emotion. Given the growing body of research focused on the interaction between emotions and cognition, our purpose is to provide a picture of the state of the art of the interaction between aging, cognition and emotions.PsychologybicsscAgingCognitionEmotionsLifespanpositivity effectPsychologyAlberto Di Domenicoauth1296319Rocco PalumboauthBOOK9910346742603321New Boundaries Between Aging, Cognition, and Emotions3023996UNINA03562oam 22006014a 450 991037274510332120241204165238.01-950192-68-710.21983/P3.0282.1.00(CKB)4100000010138574(OAPEN)1006797(OCoLC)1154840071(MdBmJHUP)muse87241(oapen)https://directory.doabooks.org/handle/20.500.12854/38952(oapen)doab38952(EXLCZ)99410000001013857420200423h20202020 uy 0enguuuuu---auuuutxtrdacontentcrdamediacrrdacarrierAural HistoryGila AshtorBrooklyn, NYpunctum books2020[Santa Barbara, California] ;Earth, Milky Way :punctum books,2020.©20201 online resource (315 pages) illustrations; PDF, digital file(s)Print version: 9781950192670 D (David) -- P (Prince) -- K (King).Aural History is an anti-memoir memoir of encountering devastating grief that uses experimental storytelling to recreate the winding, fractured path of loss and transformation. Written by a thirty-something psychotherapist and queer theorist, Aural History is structured as a sequence of three sections that each use different narrative styles to represent a distinctive stage in the protagonist's evolving relationship to trauma. Aural History explores how a cascade of self-dissolving losses crisscrosses a girl's coming of age. Through lyric prose, the first section follows a precocious tomboy whose fierce attachment to her father forces her, when he dies and she is twelve years old, to run the family bakery business, raise a delinquent younger brother, and take care of a destructive, volatile mother. In part two, scenes narrated in the third person illustrate a high-achieving high school student who is articulate and in control except for bouts of sudden and inchoate attractions, the first of which is to her severe and coaxing English teacher. The third story tells of her relation with a riveting, world-famous professor, interspersed with a tragic-comic series of dialogues between the protagonist and a cast of diverse psychotherapists as she, now twenty-five years old and living in New York City, undertakes an odyssey to understand why true self-knowledge remains elusive and her real feelings, choked and incomplete. In what Phillip Lopate calls "an amazing document," Aural History pushes the narrative conventions of memoir to capture a story the genre of memoir usually struggles to tell: that you can lose yourself, and have no way to know it.Psychoanalystsfast(OCoLC)fst01081287Self-knowledge, Theory ofDissociation (Psychology)PsychoanalystsUnited StatesBiographyPsychotherapistsUnited StatesBiographyYoung womenUnited StatesBiographyUnited StatesfastAutobiographies.Autobiographies.Biographies.Psychoanalysts.Self-knowledge, Theory of.Dissociation (Psychology)PsychoanalystsPsychotherapistsYoung womenAshtor Gila898045MdBmJHUPMdBmJHUPBOOK9910372745103321Aural history2006386UNINA