03466nam 2200685 450 991013228060332120221206172616.03-11-042738-93-11-040210-610.2478/9783110402100(CKB)3710000000346217(SSID)ssj0001535943(PQKBManifestationID)11926712(PQKBTitleCode)TC0001535943(PQKBWorkID)11508889(PQKB)10967174(WaSeSS)IndRDA00056834(DE-B1597)445476(OCoLC)912309553(OCoLC)979838818(OCoLC)980223595(OCoLC)987945195(OCoLC)992518247(OCoLC)999354273(DE-B1597)9783110402100(MiAaPQ)EBC1787226(Au-PeEL)EBL1787226(CaPaEBR)ebr11054976(OCoLC)939262777(EXLCZ)99371000000034621720150529h20142014 uy 0engur|||||||||||txtrdacontentcrdamediacrrdacarrierCreativity the actor in performance /Helen Trenos; managing editor Monika MichalowiczWarsaw, [Poland] ;Berlin, [Germany] :De Gruyter Open,2014.©20141 online resource (93 pages)Bibliographic Level Mode of Issuance: Monograph3-11-040196-7 Includes bibliographical references and index.Front matter --Contents --List of CREATICS Exercises --Introduction --1 Creativity and Acting --2 What is Acting? --3 Stanislavsky: Guru and Villain --4 CREATICS: Performance-Oriented Training --References --IndexCreativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts-in performance. But, as actors know, performance is a thing unto itself-something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times - creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence.Creation (Literary, artistic, etc.)Creative abilityStage-acting, creativity, performing.Creation (Literary, artistic, etc.)Creative ability.153.35Trenos Helen803375Michalowicz MonikaMiAaPQMiAaPQMiAaPQBOOK9910132280603321Creativity2216474UNINA01210nam a2200253 i 450099100260193970753620020503171144.0010315s1972 it ||| | ita b10388473-39ule_instEXGIL106765ExLBiblioteca Interfacoltàita018.134Elenco delle pubblicazioni periodiche esistenti nelle biblioteche degli istituti universitari e di altri enti pubblici e privati della città di Ferrara /a cura del prof. T. Sapigni dell'Istituto di patologia generaleFerrara :Università degli studi,1972VI, 287 p. ;31 cm.FerraraBibliotecheCataloghiPeriodici - FerraraBibliotecheSapigni, Tristano.b1038847302-04-1427-06-02991002601939707536LE002 A Enc.Per. Bibl. 212002000354976le002-E0.00-l- 00000.i1045349027-06-02Elenco delle pubblicazioni periodiche esistenti nelle biblioteche degli istituti universitari e di altri enti pubblici e privati della città di Ferrara219886UNISALENTOle00201-01-01ma -itait 01