03281nam 2200625 a 450 991045417240332120200520144314.01-306-03354-31-55652-992-9(CKB)1000000000693009(EBL)409120(OCoLC)437087433(SSID)ssj0000206059(PQKBManifestationID)11200936(PQKBTitleCode)TC0000206059(PQKBWorkID)10213250(PQKB)10059027(SSID)ssj0000592020(PQKBManifestationID)12218539(PQKBTitleCode)TC0000592020(PQKBWorkID)10728734(PQKB)11119861(MiAaPQ)EBC409120(Au-PeEL)EBL409120(CaPaEBR)ebr10273968(CaONFJC)MIL534605(EXLCZ)99100000000069300920000412d2000 uy 0engur|n|---|||||txtccrMovie wars[electronic resource] how Hollywood and the media conspire to limit what films we can see /Jonathan Rosenbaum1st ed.Chicago, IL A Cappellac20001 online resource (242 p.)Description based upon print version of record.1-55652-406-4 1-55652-454-4 Includes bibliographical references and index.Machine generated contents note: Acknowledgments v -- Introduction: Is the Producer Always Right? 1 -- Chapter One: Is the Cinema Really Dead? 19 -- Chapter Two: Some Vagaries of Distribution and Exhibition 39 -- Chapter Three: Some Vagaries of Promotion and Criticism 49 -- Chapter Four: At War with Cultural Violence: The Critical -- Reception of Small Soldiers 63 -- Chapter Five: Communications Problems and Canons 79 -- Chapter Six: The AFI's Contribution to Movie Hell: or, How -- I Learned to Stop Worrying and Love American Movies 91 -- Chapter Seven: Isolationism as a Control System 107 -- Chapter Eight: Multinational Pest Control: Does American -- Cinema Still Exist? 129 -- Chapter Nine: Trafficking in Movies (Festival-Hopping -- in the Nineties) 143 -- Chapter Ten: Orson Welles as Ideological Challenge 175 -- Conclusion: The Audience Is Sometimes Right 197 -- Index 227.Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever?we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the proceMotion picturesUnited StatesElectronic books.Motion pictures791.43/0973Rosenbaum Jonathan542268MiAaPQMiAaPQMiAaPQBOOK9910454172403321Movie wars2482101UNINA00845cam a22002291 4500991002049609707536130509s 000 0 fre db14112899-39ule_instDip.to Filologia Ling. e Lett.itaVignal, Marc478462Mahler /Marc Vignal[Paris] :Editions du seuil,[1979]187 p. :ill., facsims., music, ports. ;18 cm.Solféges,26Bibliografia p. 187 ; discografia: p. [185]-187 Mahler, Gustav.b1411289902-04-1409-05-13991002049609707536LE008 L.L.I. MUS A IV 4312008000466930le008-E0.00-l- 00000.i1550735x09-05-13Mahler264425UNISALENTOle00809-05-13ma -frefr 0001249nam0 22002893i 450 VAN009197620140129104547.17820121119d1992 |0itac50 baitaIT|||| |||||Impresa, concorrenza e organizzazionelezioni di economia e politica industrialeMichele Grillo, Francesco SilvaRomaLa Nuova Italia Scientifica1992630 p.22 cm.001VAN00175932001 Studi superiori NIS210 RomaNISEconomia industrialeVANC002550FIAziendeOrganizzazioneVANC006145FIRomaVANL000360GrilloMicheleVANV003572460618SilvaFrancescoVANV07425534957NIS <editore>VANV108042650ITSOL20230616RICAVAN0091976BIBLIOTECA DEL DIPARTIMENTO DI ECONOMIA03PREST IIAi123 03 2713 20121119 BIBLIOTECA DEL DIPARTIMENTO DI ECONOMIA03PREST IIAi123bis 03 2761 20140129 Impresa, concorrenza e organizzazione52182UNICAMPANIA