01248nam a2200265 i 4500991001948549707536130212s1993 gw 000 ger d9783503030712b14096742-39ule_instDip.to Lingueita418.02 Übersetzen, verstehen, Brücken bauen :Geisteswissenschaftliches und literarisches Übersetzen im internationalen Kulturaustausch /herausgegeben von Armin Paul Frank...[et.al.] ; Mit einer einleitung von Horst TurkBerlin :Erich Schmidt,19932 v. ;23 cmGöttinger Beiträge zur Internationalen Übersetzungsforschung ;Bd 8 T.1/2.Traduzione ed InterpretariatoFrank, Armin PaulTurk, Horst.b1409674202-04-1412-02-13991001948549707536LE012 418.02 UBE 8.1Bd 8, T. 112012000437999le012-E0.00-l- 04140.i1548127x12-02-13LE012 418.02 UBE 8.2Bd 8, T. 212012000437982le012-E0.00-l- 04040.i1548128112-02-13Übersetzen, verstehen, Brücken bauen265598UNISALENTOle01212-02-13ma -gergw 0005567nam 22006973 450 991089754530332120250905110044.01-4696-8830-11-4696-7769-51-4696-8831-X1-4696-8185-41-4696-7770-9(MiAaPQ)EBC31520442(Au-PeEL)EBL31520442(CKB)32691719800041(OCoLC)1446479398(MdBmJHUP)musev2_125833(ODN)ODN0010970750(EXLCZ)993269171980004120240710d2024 uy 0spaurcnu||||||||txtrdacontentcrdamediacrrdacarrierSin Miedo a Las Ruinas Anarquismo, Vanguardias Artísticas y la Crisis de Representación en España (1930-1937)1st ed.Chapel Hill :University of North Carolina, Studies in Romance Languages & Literatures,2024.©2024.1 online resource (295 pages)North Carolina Studies in the Romance Languages and Literatures Series ;v.3261-4696-7768-7 Includes bibliographical references and index.Anarquismo(s), vanguardia(s) y el problema de la representación: la crisis institucional de entreguerras -- Crisis del lenguaje artístico (o la crítica a la representación simbólica). La edad de oro de Luis Buñuel: el lenguaje fílmico de la anarquía -- Crisis del artista/intelectual (o la crítica a la representación cultural). Helios Gómez y la encrucijada del artista revolucionario de entreguerras -- Crisis del orden patriarcal (o la crítica a la representación femenina). Vanguardia y anarco-feminismo en Lucía Sánchez Saornil: la reescritura de "la palabra MUJER" -- Crisis del teatro (o la crítica a la representación dramática). Comedia sin título de Federico García Lorca: el teatro y sus laberintos -- Crisis del Estado (o la crítica a la representación política). Alberto Sánchez y la escultura como camino popular -- Crisis del imperio (o la crítica a la representación colonial). Wilfredo Lam en España (1923-1938): la lenta construcción del "caballo de Troya.""When talking about 'artistic avant-garde', or 'historical avant-garde', whose emergence we commonly place in the first third of the 20th century, it is not strange to use the qualifying adjective 'anarchic'. This adjective, often ambiguous, alludes to a certain disruptive atmosphere associated with the period, which in the Spanish case refers to a historical reality: the coexistence, during the Second Spanish Republic (1931-1939), of highly politicized aesthetic isms with an important anarchist movement. Now, where do the avant-garde of galleries, pavilions, and magazines converge or distance themselves from the revolutionary actions of the CNT? To what extent do the practices of libertarian obrerismo correspond with the experimental theater of García Lorca, the cinema of Luis Bun̋uel, or Alberto Sánchez's sculpture? And with the feminist literature of Lucía Sánchez Saornil, the proletarian engraving of Helios Gómez, or the anticolonial painting of Wifredo Lam? Sin miedo a las ruinas proposes that the answer to these questions is to be found in the common questioning, by avant-garde and anarchists, not only of the dominant system of representation, but of the very concept of 'representation' and its alleged transparency. This book explores the limits of what can be represented, about the struggles and associated 'ruins' of representation, and of course, about its reconstructions; a book about the liberating potential that emerges between institutions and their worn-out ways of representing, whether political or artistic; a book, in short, about that libertarian drive, 'without fear of ruins,' that destroys and reorders the real under new collective principles, and that featured avant-garde art and Iberian anarchism at a critical moment in its history. Both isms, beyond their caricature as 'nihilistic', 'chaotic', 'utopian' or 'naive' phenomena, tested liberating proposals that we believe deserve to be revised. To this end, we propose this essay-collage of avant-garde 'texts,' genres, and authors that invite the reader to rethink the relationship between art and politics in republican Spain. And wherever representation is in crisis"--Provided by publisher.North Carolina studies in the Romance languages and literaturesAnarchismeEspagneHistoireRepresentation (Philosophie)Anarchisme et artArts, SpanishHistory20th centuryPolitical aspectsAnarchismSpainHistoryRepresentation (Philosophy)Anarchism and artAvant-garde (Aesthetics)SpainHistory20th centuryAnarchismeHistoire.Representation (Philosophie)Anarchisme et art.Arts, SpanishHistoryPolitical aspects.AnarchismHistory.Representation (Philosophy)Anarchism and art.Avant-garde (Aesthetics)History700/.411094609043Barrios Luis González1766922MiAaPQMiAaPQMiAaPQBOOK9910897545303321Sin Miedo a Las Ruinas4211684UNINA