00964oas 2200301 450 99621246060331620230526144900.01747-6623(CKB)954925562621(DE-599)ZDB2236318-X(EXLCZ)9995492556262120180122a1993uuuu uu| afreurm|#---|||||Perspectives Studies in translation theory and practiceClevedonMultilingual Matters1 online resourceRefereed/Peer-reviewedPerspectives : Studies in Translatology 0907-676X Perspectives : Studies in Translation Theory and Practice 2643-7791 TraducciónEMBUSArts and HumanitiesLanguage & LinguisticsTraducciónArts and HumanitiesLanguage & LinguisticsJOURNAL996212460603316Perspectives458206UNISA01059nam a2200265 i 450099100102975970753620020502182629.0980908s1986 it ||| | ita 8870618587b11453679-39ule_instPRUMB53750ExLScuola per assistenti socialiitaSutherland, Edwin H.129180La criminalità dei colletti bianchi :e altri scritti /Edwin H. Sutherland ; a cura di Adolfo Ceretti e Isabella Merzagora ; presentazione di Gianluigi PontiMilano :UNICOPLI,1986 (stampa 1996)167 p. ;21 cm.Connessioni ;9Ceretti, AdolfoMerzagora Betsos, Isabella.b1145367901-03-1701-07-02991001029759707536LE024 SOC/D SR I 512024000009694le021ex DUSS-E0.00-nm 00000.i1164040601-07-02Criminalità dei colletti bianchi820498UNISALENTOle02101-01-98ma -itait 3103448nam 22006735 450 991048373830332120250610110151.09783030406431303040643110.1007/978-3-030-40643-1(CKB)4100000011389955(MiAaPQ)EBC6308657(DE-He213)978-3-030-40643-1(Perlego)3480570(MiAaPQ)EBC29077893(EXLCZ)99410000001138995520200817d2020 u| 0engurcnu||||||||txtrdacontentcrdamediacrrdacarrierPerforming Ruins /by Simon Murray1st ed. 2020.Cham :Springer International Publishing :Imprint: Palgrave Macmillan,2020.1 online resource (xviii, 316 pages) illustrationsPerforming Landscapes,2947-55709783030406424 3030406423 Includes bibliographical references and index.1. Introduction: Ruining the Project, Subjectivities, Fields and Methods -- 2. Ruins in Context - Context in Ruins -- 3. Performing the Antiquary: Classical Ruins in the Greek Imaginary -- 4. Nature's Ruins -- 5. Dissonance and Contestation: Ruining Heritage and its Alternatives -- 6. Legacies of War: Performing Balkan Ruins -- 7. Ruins of Capital -- 8. After Communism and the Cold War: a Ruined Inheritance -- 9. Conclusion: Ruining the Ruin or Pausing at a Partial View -- .This book engages with the relationship between ruins, dilapidation, and abandonment and cultural events performed within such spaces. Following the author's fieldwork in the UK, Bosnia Herzegovina, Poland, Germany, Greece, and Sicily, chapters describe, investigate, and reflect upon live performance events which have taken place in sites of decay and abandonment. The book's main focus is upon modern economic ruins and ruins of warfare. Each chapter provides several case studies based upon the author's own site visits and interviews with actors, directors, producers, curators, writers, and other artists. The book contextualises these events within the wider framework of Ruin Studies and provides brief summaries of how we might understand the ruin in terms of time, politics, culture, and atmospheres. The book is particularly preoccupied with artists' reasons and motivations for placing performance events in ruined spaces and how these work dramaturgically.Performing Landscapes,2947-5570Performing artsTheaterTheaterHistoryActorsTheatre and Performance ArtsContemporary Theatre and PerformancePerformers and PractitionersApplied TheatrePerforming arts.Theater.TheaterHistory.Actors.Theatre and Performance Arts.Contemporary Theatre and Performance.Performers and Practitioners.Applied Theatre.720792Murray Simonauthttp://id.loc.gov/vocabulary/relators/aut779134MiAaPQMiAaPQMiAaPQBOOK9910483738303321Performing Ruins2841909UNINA