03651nam 2200637Ia 450 991045273000332120200520144314.00-520-95505-610.1525/9780520955059(CKB)2550000001039645(EBL)1165081(OCoLC)836400766(SSID)ssj0000856580(PQKBManifestationID)11503078(PQKBTitleCode)TC0000856580(PQKBWorkID)10818814(PQKB)11094018(StDuBDS)EDZ0000173315(MiAaPQ)EBC1165081(OCoLC)867741080(MdBmJHUP)muse31063(DE-B1597)519782(DE-B1597)9780520955059(Au-PeEL)EBL1165081(CaPaEBR)ebr10685276(CaONFJC)MIL476605(EXLCZ)99255000000103964520121012d2013 ub 0engurcn|||||||||txtccrThe persistence of sentiment[electronic resource] display and feeling in popular music of the 1970s /Mitchell MorrisBerkeley University of California Press20131 online resource (259 p.)Description based upon print version of record.0-520-24285-8 0-520-27599-3 Includes bibliographical references and index.Front matter --Contents --Acknowledgments --1. Introduction --2. Black Masculinity and the Sound of Wealth --3. Transport and Interiority in Soft Soul --4. The Audience and Barry Manilow --5. The Voice of Karen Carpenter --6. Cher's "Dark Ladies" --7. Crossing Over with Dolly Parton --Notes --Works Cited --IndexHow can we account for the persistent appeal of glossy commercial pop music? Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? In The Persistence of Sentiment, Mitchell Morris gives a critical account of a group of American popular music performers who have dedicated fan bases and considerable commercial success despite the critical disdain they have endured. Morris examines the specific musical features of some exemplary pop songs and draws attention to the social contexts that contributed to their popularity as well as their dismissal. These artists were all members of more or less disadvantaged social categories: members of racial or sexual minorities, victims of class and gender prejudices, advocates of populations excluded from the mainstream. The complicated commercial world of pop music in the 1970's allowed the greater promulgation of musical styles and idioms that spoke to and for exactly those stigmatized audiences. In more recent years, beginning with the "Seventies Revival" of the early 1990's, additional perspectives and layers of interpretation have allowed not only a deeper understanding of these songs' function than when they were first popular, but also an appreciation of how their significance has shifted for American listeners in the succeeding three decades.Popular musicUnited States1971-1980History and criticismSingersUnited StatesElectronic books.Popular musicHistory and criticism.Singers781.640973/09047Morris Mitchell1961-1040100MiAaPQMiAaPQMiAaPQBOOK9910452730003321The persistence of sentiment2462711UNINA01080nam a2200265 i 4500991000542259707536100119s2005 be b 001 0 fre d2503517994b13873027-39ule_instDip.to Filologia Class. e Scienze FilosoficheitafrelatGoullet, Monique472436Écriture et réécriture hagiographiques :essai sur les réécritures de vies de saints dans l'Occident latin médiéval (VIIIe-XIIIe s.) /Monique GoulletTurnhout :Brepols,2005318 p. ;25 cmHagiologia ;4Bibliografia: p. 253-269Francese e latinoAgiografiaStoriaSec. 8.-13..b1387302702-04-1419-01-10991000542259707536LE007 270 GOU 01.0112007000193167le007LE007 2009 pE60.00-l- 00000.i1506078019-01-10Écriture et réécriture hagiographiques230482UNISALENTOle00719-01-10ma -frebe 0001026cam0 22003011 450 SOBE0008419320250730104936.020250730d1970 |||||ita|0103 baitaITJackson PollockAlberto BusignaniFirenzeSansoni197096 p.ill.31 cm<I >maestri del Novecento11Frontespizio su due pagine001SOBE000841922001 I *maestri del Novecento11Jackson PollockSOBA00035162321447Pollock, JacksonAF0001019804037142Busignani, AlbertoAF00007381070ITUNISOB20250730RICAUNISOBUNISOBFondo|Calì184016SOBE00084193M 102 Monografia moderna SBNMFondo|Calì001599SI18401620250528CaliDonoNrovitoUNISOBUNISOB20250730104712.020250730104756.0rovitoJackson Pollock321447UNISOB