03893nam 2200673 a 450 991046208950332120211101233509.00-8232-4543-80-8232-5077-60-8232-5031-810.1515/9780823245437(CKB)2670000000275486(EBL)3239774(SSID)ssj0000756877(PQKBManifestationID)11390541(PQKBTitleCode)TC0000756877(PQKBWorkID)10753576(PQKB)10481267(StDuBDS)EDZ0000155665(MiAaPQ)EBC3239774(OCoLC)822024944(MdBmJHUP)muse19479(DE-B1597)555130(DE-B1597)9780823245437(Au-PeEL)EBL3239774(CaPaEBR)ebr10611590(OCoLC)1178768982(MiAaPQ)EBC1132254(MiAaPQ)EBC4704535(Au-PeEL)EBL4704535(CaONFJC)MIL818119(EXLCZ)99267000000027548620120711d2013 uy 0engur|||||||nn|ntxtccrThe sense of semblance[electronic resource] philosophical analyses of Holocaust art /Henry W. Pickford1st ed.New York Fordham University Press20131 online resource (296 p.)Description based upon print version of record.0-8232-4540-3 Includes bibliographical references and index.Front matter --Contents --Illustrations --Acknowledgments --Introduction: The Judgment of Holocaust Art --2. Conflict and Commemoration --3. The Aesthetics of Historical Quotation --4. The Aesthetic-Historical Imaginary: --Conclusion: The Morality of Holocaust Art --Notes --Bibliography --Index"Holocaust artworks intuitively must fulfill at least two criteria: artistic (lest they be merely historical documents) and historical (lest they distort the Holocaust or become merely artworks). The Sense of Semblance locates this problematic within philosophical aesthetics, as a version of the conflict between aesthetic autonomy and heteronomy, and argues that Adorno's dialectic of aesthetic semblance describes the normative demand that artworks maintain a dynamic tension between the two. The Sense of Semblance aims to move beyond familiar debates surrounding postmodernism by demonstrating the usefulness of contemporary theories of meaning and understanding, including those from the analytic tradition. Pickford shows how the causal theory of names, the philosophy of tacit knowledge, the analytic philosophy of quotation, Sartre's theory of the imaginary, the epistemology of testimony, and Walter Benjamin's dialectical image can help explicate how individual artworks fulfill artistic and historical desiderata. In close readings of Celan's poetry, Holocaust memorials in Berlin, the quotational artist Heimrad Backer, Claude Lanzmann's film Shoah, and Art Spiegelman's graphic novel Maus, Pickford offers interpretations that, in their precision, specificity, and clarity, inaugurate a dialogue between contemporary analytic philosophy and contemporary art. The Sense of Semblance is the first book to incorporate contemporary analytic philosophy in interpretations of art and architecture, literature, and film about the Holocaust"--Provided by publisher.Holocaust, Jewish (1939-1945), and the artsElectronic books.Holocaust, Jewish (1939-1945), and the arts.700/.458405318Pickford Henry W1044350MiAaPQMiAaPQMiAaPQBOOK9910462089503321The sense of semblance2469959UNINA00999nam 2200205zu 450 99669567240331620260108110203.0(CKB)37906433300041(UnM)99851499(EXLCZ)993790643330004120250319|1634uuuu || |engur|||||||||||Tvvo Famous Pitcht Battels Of Lypsich, And Lutzen : Wherein The Ever-renowned Prince Gustavus The Great Lived And Died A Conquerour: With An Elegie Upon His Untimely Death, Composed In Heroick Verse By John Russell, Master Of Arts, Of Magdalene Coll. In CambridgeProQuest, UMI1634Russell371194BOOK996695672403316Tvvo Famous Pitcht Battels Of Lypsich, And Lutzen : Wherein The Ever-renowned Prince Gustavus The Great Lived And Died A Conquerour: With An Elegie Upon His Untimely Death, Composed In Heroick Verse By John Russell, Master Of Arts, Of Magdalene Coll. In Cambridge4503072UNISA