01265nam a22002771i 450099100289955970753620040420104102.0040624s1962 uik|||||||||||||||||mul b12995083-39ule_instARCHE-095276ExLDip.to Beni CulturaliitaA.t.i. Arché s.c.r.l. Pandora Sicilia s.r.l.enggrc185Aristoteles4207Metaphysics :books X-XIV ; Oeconomica and Magna moralia /Aristotle ; with an English translation by Hugh Tredennick [per Metaphysics], G. Cyril Armstrong [per Oeconomica and Magna moralia]London :Heinemann ;Cambridge, Mass. :Harvard University press,1962VI, 687 p. ;17 cmThe Loeb classical libraryTredennick, HughArmstrong, George Cyril.b1299508302-04-1412-07-04991002899559707536LE001 GR A12 VIII12001000090280le001C. 1 PATRIMONIO DELLA BIBL. INTERFACOLTA. IN CONSULTAZIONE PRESSO LA BIBLIOTECA DEL DIPARTIMENTO DI BENI CULTURALI-E0.00-l- 00000.i1360208112-07-04Metaphysica12962UNISALENTOle00112-07-04ma -muluik0101284oas 2200397 a 450 991069806380332120090319110725.0(CKB)5470000002394364(OCoLC)302410487(EXLCZ)99547000000239436420090211b200u2007 |a freur|||||||||||txtrdacontentcrdamediacrrdacarrierMali rapport mensuel sur la sécurité alimentaire[electronic resource][Washington, D.C.] [FEWS NET]volumes digital, PDF fileDescription based on Sept. 2005; title from title screen (viewed on Feb. 9, 2009).Final issue consulted.Food supplyMaliPeriodicalsFaminesMaliPeriodicalsFood supplyFaminesFamine Early Warning System Network.United States.Agency for International Development.Observatoire du Marché Agricole.World Food Programme.GPOGPOGPODOCUMENT9910698063803321Mali rapport mensuel sur la sécurité alimentaire3096403UNINA02870nam 22005293a 450 99659957090331620211214195617.01-78533-642-8(CKB)4100000005044151(ScCtBLL)fb5cd8e3-ae44-439e-8198-fbca73dfc47b(oapen)https://directory.doabooks.org/handle/20.500.12854/39040(MiAaPQ)EBC31498585(Au-PeEL)EBL31498585(EXLCZ)99410000000504415120211214i20182019 uu enguru||||||||||txtrdacontentcrdamediacrrdacarrierLessons in Perception : The Avant-Garde Filmmaker as Practical Psychologist /Paul Taberham1st ed.Berghahn Books2018United States :Berghahn Books,2018.1 online resource (229 p.)1-78533-641-X 1.The Spectre of Narrative --2.Ghost Films of the Avant-Garde --3.Bottom-up Processing, Entoptic Vision and the Innocent Eye in the Films of Stan Brakhage --4.Robert Breer and the Dialectic of Eye and Camera --5.Synaesthetic Film Reconsidered --6.Three Dimensions of Visual Music.Lessons in Perception seeks to clarify notoriously elusive themes of the avant-garde with the use of existing research from the field of psychology. There is a long-standing history of reference to psychological concepts in relation to avant-garde film, such as its unique relationship to memory, visual perception, narrative comprehension, and synesthesia. Yet direct analysis of these topics in light of existing psychological research remains largely unexplored until now. More broadly, the aim of the book is to frame avant-garde filmmaking practice as a form of "practical psychology." In doing so, two principal arguments are proposed: first, that many avant-garde filmmakers draw creative inspiration from their own cognitive and perceptual capacities, and touch on topics explored by actual psychologists; secondly, that as practical psychologists, avant-garde filmmakers provide "lessons in perception" that offer psychological experiences that are largely unrehearsed in commercial cinema.Performing Arts / Film / History & CriticismbisacshPerforming artsArtscognitive humanitiesavant-garde cinemapsychologyLimousin dialectStan BrakhageSynesthesiaPerforming Arts / Film / History & CriticismPerforming arts791.43/61109Taberham Paul913818ScCtBLLScCtBLLBOOK996599570903316Lessons in Perception2047457UNISA