01003nam0-22003011--450-99000838799040332120061002084413.0000838799FED01000838799(Aleph)000838799FED0100083879920061002d1940----km-y0itay50------baitaITy---n---001yy<<La >>proprietà, il principe e l'espropriazione per pubblica utilitàstudi sulla dottrina giuridica intermediaUgo NicoliniMilanoGiuffrè1940XXXII, 356 p.26 cmPubblicazioni dell'Istituto di diritto romano e dei diritti dell'Oriente mediterraneo14343.450 25221itaNicolini,Ugo238462ITUNINARICAUNIMARCBK990008387990403321Università 3426051FGBCFGBCProprietà, il principe e l'espropriazione per pubblica utilità724243UNINA04338oam 22008534a 450 99658205120331620231023131017.00-8147-6473-80-8147-6063-510.18574/9780814764732(CKB)3710000000370096(EBL)1977742(SSID)ssj0001438477(PQKBManifestationID)11832296(PQKBTitleCode)TC0001438477(PQKBWorkID)11377764(PQKB)11555565(StDuBDS)EDZ0001326449(MiAaPQ)EBC3564334(DE-B1597)547650(DE-B1597)9780814764732(OCoLC)1227050811(MdBmJHUP)muse86940(MiAaPQ)EBC1977742(OCoLC)951103661(Au-PeEL)EBL1977742(OCoLC)904518313(EXLCZ)99371000000037009620180621d2017 uy 0engur|n|---|||||txtccrOrienting HollywoodA Century of Film Culture between Los Angeles and Bombay /Nitin GovilFirst South Asia edition.New Delhi :Speaking Tiger Publishing,2017.Baltimore, Md. :Project MUSE,2021©2017.1 online resource (448 p.)Critical Cultural Communication ;6"Speaking Tiger Academic"--On title page."Copyright 2015 by New York University".0-8147-8934-X 0-8147-8587-5 Includes bibliographical references and index.Introduction: Narrating encounter -- Framing the copy: media industries and the poetics of resemblance -- Managing exchange: geographies of finance in the media industries -- The theater of influence: reimagining Indian film exhibition -- Economies of devotion: affective engagement and the subject(s) of labor -- Conclusion: Close encounters of the industrial kind."With American cinema facing intense technological and financial challenges both at home and abroad, and with Indian media looking to globalize, there have been numerous high-profile institutional connections between Hollywood and Bombay cinema in the past few years. Many accounts have proclaimed India's transformation in a relatively short period from a Hollywood outpost to a frontier of opportunity. Orienting Hollywood moves beyond the conventional popular wisdom that Hollywood and Bombay cinema have only recently become intertwined because of economic priorities, instead uncovering a longer history of exchange. Through archival research, interviews, industry sources, policy documents, and cultural criticism, Nitin Govil not only documents encounters between Hollywood and India but also shows how connections were imagined over a century of screen exchange. Employing a comparative framework, Govil details the history of influence, traces the nature of interoperability, and textures the contact between Hollywood and Bombay cinema by exploring both the reality and imagination of encounter."--On back cover.Critical cultural communication.Motion picturesInfluencefast(OCoLC)fst01027335Motion picture industryfast(OCoLC)fst01027150Motion picturesUnited Statesforeign InfluenceslatNLIMotion picturesIndiaforeign InfluenceslatNLIMotion picture industryIndiaMumbaiHistorylatNLIMotion picture industryCaliforniaLos AngelesHistorylatNLIUnited StatesfastIndiaMumbaifastIndiafastCaliforniaLos AngelesfastHistory.Motion picturesInfluence.Motion picture industry.Motion picturesforeign Influences.Motion picturesforeign Influences.Motion picture industryHistory.Motion picture industryHistory.384/.80979494Govil Nitinaut1701262MdBmJHUPMdBmJHUPBOOK996582051203316Orienting Hollywood4084868UNISA